On Tuesday I got up for a while at around 3:45. I couldn’t sleep, so
I thought I’d make use of that energy to go on a search for bedbugs. I looked
in all the nooks and crannies along the doorframe where they used to go, and
there were none. The northern baseboard, which also used to harbour a large
number, was also vacant. The western baseboard that meets the side of my mattress
didn’t even have a bedbug corpse. All along the southern baseboard there was
nothing, until the very end, when one medium sized bedbug came out of a hole I
poked with a skewer stick. When I killed it, it was black inside and almost
dry, so I found that encouraging. I haven’t seen any of them crawling in the
open for a month now, but sometimes when I’m sitting at my computer I detect a
bedbug odour in that area. The exterminator is coming on Friday. It would be a
nice Christmas present to finally be free of bedbugs before the new year.
Later that morning we had what was
essentially our last Children’s Literature lecture, because on Thursday I think
she will be just talking about our December 22 exam and how we should prepare
for it.
The focus of this
talk was the power of words.
In Frances Hodgsen
Burnett’s “A Little Princess”, Sara’s greatest power, even when she is wealthy,
is combined in her ability make up and to tell stories. Language is power and
also a kind of magic. Burnett herself ironically became one of the richest
writers of her era based on her ability to tell stories of people living in
poverty.
We looked at some
examples in Janet and Allan Ahlberg’s “The Jolly Postman”, of ways of using
writing towards a powerful effect. The first was the letter of apology from
Goldilocks to the Three Bears. Saying one is sorry makes for a powerful message
and deliberate spelling errors draw attention to the words that are misspelled,
thus giving them emphasis.
The advertisement
addressed to witches uses persuasive language.
The lawyer’s cease
and desist letter to the Big Bad Wolf shows that legal language in itself is a
type of incantation.
There was a ten-minute
break, after which we looked at Diana Wynne Jones’s “Howl’s
Moving Castle”. The story takes place in the kingdom of Ingary,
which is a fairy tale
world where there are no books. Sophie
gives into the idea that if one fairy tale convention is true then they must
all be true and so she tries her best to fit in to her own story as she believes
it is fixed to be. Her magical ability, unknown to her until later on, is that
whatever she says will happen comes true. Howl uses language to convince or
deceive others.
Howl comes from
our world and a curse is placed on him using our world’s literature with the
words from the verses of John Donne’s poem, “Song”:
Go and catch a falling star,
Get with child a mandrake root,
Tell me where all past years are,
Or who cleft the devil's foot,
Teach me to hear mermaids singing,
Or to keep off envy's stinging,
And find
What wind
Serves to advance an honest mind.
If thou be'st born to strange sights,
Things invisible to see,
Ride ten thousand days and nights,
Till age snow white hairs on thee,
Thou, when thou return'st, wilt tell me,
All strange wonders that befell thee,
And swear,
No where
Lives a woman true, and fair.
If thou find'st one, let me know,
Such a pilgrimage were sweet;
Yet do not, I would not go,
Though at next door we might meet;
Though she were true, when you met her,
And last, till you write your letter,
Yet she
Will be
False, ere I come, to two, or three.
All
poetic language is a type of spell and every incantation contains a built in
mistake to prevent accidents.
Every
fairy tale contains at least one truth.
Sophie’s
experience after being transformed into an old woman suggests that female
curiosity is punished in the young and rewarded in the old. It also explores
young women’s fear of the other as predator. There are similar elements to
Beauty and the Beast.
A
moving castle represents a fear of commitment.
The
man who keeps becoming different kinds of dogs represents the frequent
transformations that accompany adolescence.
In
light of the discussion of adolescence and transformation I told the professor
that when I was twelve, I used to comb my hair like a different member of the
Monkees every day.
Between
class and work I had two hours and ten minutes, so I went to the models lounge
at OCADU and took a nap for a while. Then I plugged my laptop in and finished
reading “Howl’s Moving Castle”, which marked the end of all the required
reading for the course. I was surprised to find that I was done so soon because
the e-book was much bigger than the book. The file had a chapter each of two
other of Jones books.
I
worked for Nick Aoki who kind of talks like a DJ and says “All right!” a lot,
plus he’ll end his sentences often with, “right?” The class ended twenty
minutes early because they had to go to the computer lab and write their
“course surveys”, which I assume are the same as our course evaluations at U of
T. We stopped having to do ours at school two years or so ago and now the
university just sends us a link by email and bugs us with additional links
until we’ve done it. I still haven’t done mine yet, but probably will on
Wednesday.
I
watched the eleventh episode of Commando Cody: Sky Marshal of the Universe.
This one was called “Lost in Outer Space”, but once again, nobody in the story
was lost in outer space at all. Cody and his crew were on patrol in their
rocket ship when they observed a fight between two guys in space suits on top
of one of the Ruler’s rockets. One of them fell off and so Cody rescued him. He
claimed to be from Mercury and that he had been trying to escape the Ruler’s enslavement.
There’s a comment from Cody’s boss, Mr Henderson, about how Mercurians are an
“intelligent and hard working people”, so these stories must be set in an
undisclosed future when we discover a civilization on Mercury, even though all
the cars and clothing on Earth are from the 1950s. They take the guy they
rescued to Mercury, but he is really working for the Ruler and rendezvous on
Mercury with two more of the Ruler’s henchmen with the intention of stealing
Cody’s ship. Two of them also are planning on betraying the Ruler and just
using Cody’s ship for their own purposes. The bad guys were, of course defeated
by Cody. Gloria Pall didn’t appear in this episode, even though she was
credited.
I
fell asleep on the couch after the show was over, then there was a knock on the
door. Sundar, the super, had come for the rent. Maybe it’s because I’d just
woken up or maybe I’m getting Alzheimer’s, but I stood there at first feeling
confused. The rent? Didn’t I pay that already? What day is this? Finally I
realized that it was the first of the month but also realized that I’d
forgotten to go to the bank to take out the rent money. I told him to come back
on Wednesday.
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