On Wednesday after midnight I put fresh carpet tape all around my newly cleaned bottom sheet. Since I’d just done the laundry a few hours before there was no need to lint-roll the curtains and my bed or to shake out my top sheet and comforter.
I fell asleep at my computer while posting my blog and didn’t finish it and get to bed until after 2:00.
After yoga I checked for bedbugs and only found a few on the carpet tape and on the wall.
I finished working out the chords for “Elle voulait toucher du pognon” (She Wanted a Little Money) by Boris Vian. On Thursday I’ll run through singing and playing at least the French version and maybe my translation.
I revised my translation of the third verse of “L’île enchanteresses” (The Enchanted Isle) by Serge Gainsbourg. There’s just one verse left.
I weighed 90.9 kilos before breakfast.
I played my Martin for the last of four sessions and it went out of tune all the time.
I removed the fresh carpet tape from my mattress to vacuum. I had hoped to just take off the fitted sheet with the tape attached because it’s expensive to keep surrounding it with fresh tape but it got jumbled. I pulled up the old carpet tape from the floor and vacuumed there as well.
I weighed 91.75 kilos before lunch. I had peanut butter and five-year-old cheddar on saltines with a glass of lemonade.
I took a siesta and slept longer than usual again. It was too late to take a bike ride downtown so I just went to Ossington and Bloor. On the way home I stopped at Freshco to see if they had any firm grapes but they didn’t so I just bought two bags of oranges and a pack of Sponge Towels.
I weighed 91.3 kilos at 18:10.
I was still a blog post behind and worked on catching up.
I made pizza on a slice of multigrain sandwich bread with marinara, tomato pesto, potato wedges, and five-year-old cheddar. I had it with a glass of Creemore Lager while watching the movie Teenage Sex and Death at Camp Miasma with my daughter Astrid on Discord. It’s one of Astrid’s favourite films and I’m glad she shared it with me because it was great.
Kris Williams is a young filmmaker hired to direct the reboot of the Camp Miasma slasher franchise. The killer in the franchise is a transgender character named Little Death (the name is derived from the French “La petite mort”, which refers to orgasm or the moment after).
Little Death’s origin story is told to some teenage campers and the teller claims that the child was brought up by hermaphrodite parents who raised him and her as a boy one day and as a girl the next. As a teenager we see the child dressed on one side as a woman and on the other as a man.
The transgender teenager was drowned by hateful teenagers at the summer camp and sunk into the bottom of the lake. But then the vengeful killer emerged wearing a wall vent as a mask and carrying a spear to slash and puncture anyone in sight. The victims don’t bleed slowly but rather shoot blood out of their bodies like an ejaculation.
Kris Williams has been tasked with making a sequel to the original franchise that makes the transphobic premise of the original films more palatable to modern audiences. Kris is determined with getting the now 60 year old but still beautiful Billy Presley who played the final victim in the first movie to star in her reboot. She is obsessed with the look in her character’s eye at the moment she was killed by Little Death while uncomfortably losing her virginity in the original film and she wants to recapture that moment. She tracks Billy down to the abandoned campground where Camp Miasma was filmed and where she lives alone.
Billy tells Kris that during the final scene in Camp Miasma she was actually being sexually assaulted but then she began seeing herself through the eyes of Little Death and at the moment her character was killed she had her first orgasm. Kris admits that she can only enjoy sex if she imagines herself as the final victim in a slasher film.
Billy convinces Kris that Little Death actually exists and lives in a hole at the bottom of the lake where all movies come from. Kris pitches this to the studio executives and they humour her but obviously think she has lost her mind.
Kris then returns to Camp Miasma where it has suddenly changed from winter to summer. The real Little death begins pursuing her as she runs with her boobs bouncing under her t-shirt feeling and looking alive and sexy, as Little Death slashes everyone she knows. All of the studio executives who arrive to tell her that they will make the move the was she has imagined it and they are also bloodily slashed to death.
Little Death chases Kris to a cabin where Billy is waiting for her with rose petals scattered on the bed. They make love and Little Death arrives to pierce them both at the same time at the moment they both orgasm before dying.
The next morning Kris and Billy come back to life, covered in each other’s blood. The go hand in hand to the gas station to buy movie watching snacks and look forward to the next time they will be killed by Little Death while making love.
Billy was played by Gillian Anderson, who lived in Britain from the age of 2 to 11. She easily switches between British and US accents. She started acting in high school. As a teenager she was mohawk-haired and nose-pierced punk and a fan of Skinny Puppy and The Dead Kennedys. She was arrested on graduation night for trying to glue the locks shut at her high school. At 19 she studied at the national Theatre of Great Britain Summer Acting Program at Cornell University. She completed her education at the Goodman Theatre School at De Paul University in Chicago with a Bachelor in Fine Arts degree. She made her professional theatrical debut in Absent Friends at the Manhattan Theatre Club in 1990. She made her film debut in The Turning in 1992. She made her TV debut in Class of ’96 in 1993. She starred for 11 years as Dana Scully on The X-Files, and for which she won an Emmy Award. She wrote and directed the season 7, episode 17 story “all things” and was the first woman to do so. Her character inspired many young women to enter the studies of medicine and law enforcement. This phenomena is studied academically as The Scully Effect. She starred in the British series The Fall. She co-starred in the series Hannibal. She co-starred in the British series Sex Education, She played Margaret Thatcher in The Crown (for which she won her second Emmy Award). She starred in Playing By Heart, The House of Mirth, The Mighty Celt, Straight Heads, Boogie Woogie, No Pressure, Scoop, UFO, She co-starred in The X-Files: Fight the Future, The X-Files: I Want to Believe, The Last King of Scotland, Shadow dancer, Viceroy’s House, Tron: Ares, Chicago Cab, The Mighty, A Cock and Bull Story, How to Lose friends and Alienate People, Johnny English Reborn, I’ll Follow You Down, Robot Overlords, Sold, Crooked House, White Bird, Robin Robin, Room on the Broom, The Spy Who Dumped me, The Sunlit Night, The Pale Blue Eye, The Julia Set, Animals, She narrated the British documentary series Future Fantastic. She moved to London, England in 2002 where she says it is easier to be oneself and one is less harassed by the press. She made her West End debut in What the Night is For in 2002. She says there is no freedom of speech in the US anymore. She was appointed an Honorary Officer of the Most Excellent Order of the British Empire in 2016. She co-wrote the novel A Vision of Fire and two sequels that became The Earthen Saga Trilogy. She co-wrote WE: A Manifesto for Women Everywhere, and has stated that by “Women” she includes trans women as well. In 2022 she launched a podcast called What Do I Know?




