Wednesday, 30 September 2026

September 30, 1996: I was on the internet now but had no I idea how to do anything there


Thirty years ago today

            On Monday Andrew helped me find an internet service provider so I could go online with my new computer. I got a dial up account with Global Serve (which later changed its name to Primus). My first email address was christia@globalserve.net. Andrew also helped me find a second hand printer for my computer but when we connected it the thing refused to work with Windows. Andrew had to split my computer into two operating systems as he installed OS2, so whenever I needed to use the printer I had to sign in to OS2. It was really fucked up.

Tuesday, 29 September 2026

George Schlatter


            On Saturday after midnight I added some fresh carpet tape to parts of the edge of my bed that had gotten less sticky. I lint rolled the curtains between the bedroom and the living room and caught a few bedbugs, then lint rolled the top of my bed and my pillow and found a couple more. I shook out my top sheet and my comforter on the deck. I went to bed around 1:35 and slept until just before 4:00 when I had to pee and noticed bedbugs all over me. After peeing I lint rolled my bed again and must have picked up about 30 bedbugs. I went back to bed but couldn’t sleep. After yoga I noticed quite a few bedbugs stuck to the tape and a couple crawling free. When they get stuck it’s usually on the edge of the tape and it’s often the ones that have already fed on my blood and get caught leaving the restaurant without paying. 
            I memorized the first two verses of “Elle voulait toucher du pognon” (She Wanted Change for the Toilet) by Boris Vian. 
            I worked out the chords for a little more than half of the chorus of “La fille aux claquettes” (The Tap Dancing Girl) by Serge Gainsbourg. There are little instrumental bits after each line so it takes more time. 
            I weighed 90.65 kilos before breakfast. I played my Martin during song practice for the third of four sessions and it went out of tune all the time. 
            Around midday I rode to No Frills where all the grapes were too soft. There were watermelons but they weren’t from Canada. They were from the States but the state of Michigan, which is against Trump’s tariffs so I guess it’s not so bad. I got two watermelons, a pack of blueberries, some bananas, a pack of chicken legs, a strawberry-rhubarb pie, mouthwash, some medium Ziploc bags, a jug of lemonade, a jug of orange juice, two containers of skyr, and some wedge fries. 
            I weighed 91.15 kilos at 14:40. I had peanut butter and five-year-old cheddar on saltines with a glass of lemonade. 
            I took a siesta and got up too late to take a bike ride. 
            I weighed 91.2 kilos at 17:25. 
            I was still three days behind in my journal and worked on catching up. 
            I made pizza on a slice of 7 grain sandwich bread with marinara, tomato pesto, two chopped slices of ham, and five-year-old cheddar. I had it with a glass of Creemore while watching part 1 of a 2012 cast reunion of The Carol Burnett Show. 
            When Carol first called Vicki she told her she was coming to see her compete for Miss Fireball. Carol told her she was very pregnant and didn’t want to be seen so she asked for seats in the back so she could slip in and out. The organizer didn’t believe Vicki when she told him Carol Burnett was coming. It was at the Hollywood Park Race Track. It was the Firemen’s Ball with an 1890s firehouse theme. There were 8 girls in the competition with two cancan numbers, and Vicki had her individual talent where she played the guitar with a kazoo strapped around her neck. Vicki won the contest. The organizer announced that Carol was there. That was November and two months later Carol gave birth. Vicki was on her way to a recording session with The Young Americans when she decided to stop at the hospital and bring Carol some flowers. The nurses thought Vicki was Carol’s sister Chrissie so they let her in right away. Carol told her she was going to call her when she got her tummy back. Vicki got the call at the end of her senior year in high school. By coincidence, Carol’s manager saw Vicki singing with the Young Americans on The Andy Williams Show and called Carol, saying he’d found the girl to play her sister on her new show. 
            Carol says when they did the mini-musicals Ken and Mitzi Welch would write a whole story around the works of a certain composer and or lyricist like George and Ira Gershwin. 
            Vicki could read music but Carol made up her own musical shorthand. 
            When the Jackson 5 were on the show there was an earthquake. 
            Lyle says somebody gave Harvey a gold chain with the letter H on the end and they called it “the Preparation H Award for the biggest pain in the ass”. 
            Vicki says she got to touch the golden age of television because Carol’s show was the last show of that age. 
            Carol hired the very best people and then just let them fly. 
            Tim says George Schlatter was doing a show with John Wayne and Tim as guests. Tim asked George if it would be funny if he called John “The Duck” instead of “The Duke”? George said John Wayne has a great sense of humour. When Tim tried it John broke a picture, a bottle, and a breakaway chair over his head. Carol says she never met John Wayne. 
            They all sing Carol’s theme together. 
            George Schlatter was the creator and executive producer of Laugh-In and Real People. He established The American Comedy Awards. He co-wrote and produced Sinatra: 80 Years My Way. He won 5 Emmy Awards out of 25 nominations. He produced the first five years of The Grammy Awards. He wrote the book Still Laughing: A Life in Comedy. When he wrote a script for The Jackie Gleason Show Jackie threw it up in the air and said, “This is shit!” The next day he presented Gleason with the exact same script and he said, “That’s a lot better.” He said Jackie Gleason and Red Skelton were not nice people. Red Buttons and Bob Hope were murder on writers but Jack Benny was not. He wrote Victor Borge’s 20th anniversary in 1971. He produced the first five episodes of The Judy Garland Show. He co-wrote, produced and directed the movie Norman Is That You?



Dick Clark


            On Friday after midnight I added more carpet tape to the south east corner of my mattress as that part loses its stickiness sooner because my socks are always rubbing against it. I lint rolled the curtains between the bedroom and the living room and picked up a few bedbugs. I went to bed a little after 1:30 and slept until just before 4:00 when I got up to pee, then I slept until 5:00. After yoga I found a few bedbugs stuck to the carpet tape. 
            I uploaded “Les bienfaits de la pratique” (The Benefits of Practice) by Boris Vian to my Christian’s Translations blog and published it. I posted my translation on my Boris Vian fan page and on my personal Facebook page. The next Vian song on my list is “Elle voulait toucher du pognon” (She Wanted Change for the Toilet). There’s audio for that one so I’ll start learning it on Saturday. 
            I worked out the chords for the first verse and part of the chorus of “La fille aux claquettes” (The Tap Dancing Girl) by Serge Gainsbourg. I might have the chorus done tomorrow. 
            I had to skip breakfast because I was scheduled for my implant surgery at the U of T School of Dentistry and so I had to start getting ready at 8:30. I left my place at 9:00. The Elm Street entrance was closed for construction and so I had to go in through the Edward Street entrance and figure out how to get up to the third floor from there. I finally found the elevator and got to the Periodontics office where I had to pay $1640. I guess the big fee will probably be for the crown when that goes on, which I assume will be between $3000 and $4000. At least that will be a few months so I can get more money in the bank from my pension payments. 
            Dr. Martin Lambert froze me up pretty good. I got mildly yelled at for closing my mouth while there was a pin there but I should have been told beforehand not to close my mouth because a pin was there. The assistant Isabella called the pin the CN Tower and I saw later it was because there was a part around it that looks something like the CN Tower’s observation deck. Martin drilled down and then screwed in the implant. 
            Some of Dr. Xia’s bone graft collapsed and so Martin had to fill the space around the implant with a new bone graft and also bury it with more bone to put it to “sleep” for a few months. The original plan without glitches would have been a four month wait before the crown goes on but now it will be six to nine months. Martin’s professor suggested that I take vitamin D to strengthen the bone. Apparently most Canadians are vitamin D deficient because it’s a sunshine vitamin. But I probably get more sun in the winter than most people as I have southern exposure and big windows. Plus I eat a lot of meat which is a rich source of D3. 
            Martin stitched the gum together over the bone graft. He frequently complimented Isabella for her assisting work. He said that at U of T the dentists are spoiled because the assistants are professionals. He said that in a lot of the dental schools in the States the assistants are also students and they often don’t know how to assist.
            He prescribed the same things Dr. Xia prescribed after my bone graft: Amoxicillin the antibiotic to be taken three times a day for a week; Ibuprofen for pain, though I still have a full container from last time because I didn’t need it; a chlorohexidine gluconate oral rinse to be taken twice a day starting a day after surgery; and he added dexamethasone to reduce swelling with one and a half tablets to be taken the next morning, one tablet the morning after that, and half a tablet on the third morning. I’m scheduled to see Martin again for a follow up in two weeks when I assume he’ll be removing the stitches. 
            Before going home I went straight to Vina pharmacy and had to wait several minutes for a newbie pharmacist to fill my prescription. At first he said they didn’t have the dexamethasone but later he discovered they had it after all. They cut one of the tablets in half and put the half tablets in a separate container as if I’m too stupid to tell the difference between a whole and a half tablet. I also bought some vitamin D3 because it was the only D vitamin they had. Apparently it’s generally the most effective form. 
            I weighed 90.25 kilos before lunch. 
            I took a long siesta.
            I weighed 90. 8 kilos at 17:25, which is the lightest I’ve been in the evening since July 24. 
            I was still three days behind in my journal and worked on catching up. 
            I had my last potato (a tiny one) with gravy and a chicken leg while watching Let’s Bump Up The Lights, a Carol Burnett Special from 2004. 
            Carol, Vicki, Tim, and Lyle are sitting together. Vicki tries the Tarzan yell and pretty much nails it. Both Tim and Lyle mime a silent Tarzan yell to be dubbed with Johnny Weismuller’s original Tarzan yell. Actually the Tarzan yell in his movies was engineered from recordings of Swiss yodeling, opera singing, and the cry of a camel, then some of it was played backwards. Apparently he later on learned how to do it with his own voice. Carol says she entered a Tarzan yell contest in London once and came in third. She was the only female in the contest. Lyle asks, “What show did the winner get?”
            Lyle says he and his wife took a vacation to Peru and were chopping through the Amazon jungle to visit a First Nation village when they met another tour group from the States chopping their way out. One of them recognized Lyle from The Carol Burnett Show. 
            Vicki says she and her daughter went to visit the Taos Pueblo in New Mexico. They went into one of the wood huts to buy souvenirs. There was an old Tiwa man sitting in the dark corner with his hat down. Then he looked up at Vicki and asked, “You Mama?” He came out into the light to take pictures with her. 
            Lyle says even after he was on the show for a couple of weeks he’d have people calling him by name anywhere in the country. Carol says when people view television performers from home they become more familiar than movie stars. Vicki says she noticed early on that if a guest on the show was in movies they would be “Miss Hayworth” or “Mr. Stewart.” But if it was a TV star they would call them by their first name. 
            Carol says they were one of the few shows in the world that finished in time to go have dinner.
            Vicki says of Carol she cared about the whole crew and knew if the prop man’s dog was throwing up. 
            Vicki says when they did the take-off on Showboat she couldn’t find her starting note. Hal Linden, who was stage trained, was staring at her as if to say, “You little twit!” 
            Vicki calls The Carol Burnett Show "The Emerald City" because it was unique in show business.
            Vicki says she used to go home to Lyle’s place for lunch with his wife. And Lyle taught her how to do plaster of Paris sculptures. Vicki also became friends with Bob Mackie because he was one of the youngest of the staff and came from the same part of California. 
            Lyle says that while nobody planned to break up during a sketch, players did plan to break the other player up with what they called “savers”. 
            Tim says when he tricked Harvey into being on Dick Clark’s Bleepers, Bloopers, and Blunders, the race horse they brought out to sell wasn’t even their race horse but Harvey couldn’t tell. After he got punked Harvey didn’t talk to Tim for months. 
            Lyle says he was in the Green Room with Harvey when he got the script for Blazing Saddles. He was reading it and commenting that it would never sell. 
            Vickie says Bob told her he had 45 seamstresses putting together between 60 and 80 pieces a week. 
            Vicki says she took Carol shopping once and in a boutique she went into the dressing room with about fifteen outfits and shocked the salesperson with how lightning quick she could try on and take off clothes. She developed the skill from doing live TV. 
            Carol says on the Garry Moore Show she would change in the elevator with her dresser but Garry didn’t know that and ran in to also use it to change with his dresser. They just turned their backs on each other and did it with four people in a tiny elevator. 
            Dick Clark got his first job when he was 16 in the mail room of WRUN Radio in Ithaca New York. The station was owned by his uncle and managed by his father. He worked his way up to being a weatherman and then an announcer. He graduated from Syracuse University with a degree in Business Administration. In 1952 he was working at WFIL Radio when he became a substitute host for Bob Horn’s Bandstand on the WFIL TV station. After Horn was arrested for drunk driving Clark became the permanent host. In 1957 the show got national distribution and the name was changed to American Bandstand. Clark added interviews, starting with Elvis. He introduced lip synced performances and a “rate a record” segment. The latter established the catchphrase: “It’s got a good beat and you can dance to it!” Clark mandated a dress code of skirts or dresses for the girls and coats and ties for the boys. Clark was also the first bandstand host to allow black performers on the show. The biggest names in rock and roll appeared on the show over its long run and helped to ease the TV viewing public into feeling more accepting of rock and roll. He saved the career of Connie Francis when he played her song “Who’s Sorry Now?” on his show and caused it to become a hit. In 1958 Chuck Berry made his network television debut on American Bandstand when he sang “Rock and Roll Music”. By 1959 American Bandstand was reaching an audience of 20 million. Many performers got their first national television exposure on American Bandstand, including The Supremes, The Beach Boys, Johnny Cash, Jerry Lee Lewis, Sam Cooke, Fats Domino, Chubby Checker, Tina Turner, Smokey Robinson, Stevie Wonder, Simon and Garfunkel, Iggy Pop, Prince, Talking Heads, and Madonna. Clark began managing artists, arranging concert tours, and hosting live sock hops. Paul Anka credited Clark with creating youth culture by showing teenagers publicly enthusing over rock and roll. In 1960 an investigation into payola found that Clark owned partial copyrights to over 150 songs, many of which were featured on his show. Nothing illegal was found on Clark’s part but he was given a choice to sell his shares or leave the show, so he sold and stayed. Clark moved the show to LA and started Dick Clark Productions. He hosted The Dick Clark Show from 1958 to 1960. He produced Where the Action Is, TV Bloopers and Practical Jokes, and So You Think You Can Dance? He hosted the game shows $10,000 Pyramid, The $100,000 Pyramid. Scattergories, The Challengers, and a male version of The View called The Other Half. He also hosted the radio shows The Dick Clark National Radio Survey, Countdown America, and Rock Roll and Remember (which was inspired by Dick’s autobiography of the same name). He owned several radio stations. He starred in Because They’re Young. He co-starred in The Young Doctors. In 1968 he co-wrote and co-starred in the movie Killers Three. He produced the film Psych-Out. In 1972 he produced In Concert. In 1972 he produced and hosted the first Dick Clark’s New Years Rockin Eve, which continued every New Year except for 1999. He created and produced The American Music Awards in 1974. He became the mentor of Ryan Seacrest, who took over New Years Rockin Eve after Clark. He’s won five Emmys and one Peabody Award. He had a chain of restaurants and was criticized in Michael Moore’s documentary Bowling for Columbine because he would hire single welfare mothers for very little pay and the son of one of his employees became a shooter at the Columbine school. Clark refused to be interviewed.



September 29, 1996: My daughter and I played Doom on my new computer


Thirty years ago today

            My daughter and I played games on my new computer, like Doom, Descent and Fire and Ice until her mother picked her up.

Monday, 28 September 2026

September 28, 1996: I bought my first computer


Thirty years ago today 

            On Saturday morning my landlady Marjorie’s boyfriend Andrew drove me to the International Centre in Mississauga for the CompuFest Computer Show. I had asked for his help in finding my first computer since he worked at IBM. He guided me through picking what he thought was the best package. I got a PC tower, though I don’t remember the brand, but when I look through computer images and names from that year, Compaq Presario sounds and looks familiar. It came with Windows 95 and some game samples like Doom, Descent II, and Ice and Fire. It came with one of those big clunky monitors that also had speakers, a keyboard and a mouse. We brought it home and Andrew helped me set it up. A printer didn’t come with the package but I still needed one and I wanted to get online. 
            Later Nancy brought our daughter to my place to spend the weekend and True and I enjoyed playing the new games, especially Doom.

Sunday, 27 September 2026

Charo


            On Thursday after midnight I was running the lint roller over the curtains between the bedroom and the living room to catch bedbugs when the wooden bracket that holds up the right end of the curtain rod fell off. Inside the wall where it had been attached was a bedbug nest. I covered the hole with carpet tape to trap the monsters inside and then I propped up the right end of the rod with a camera tripod. I finished lint rolling the curtains, the top of my bed, and my pillow. I shook out my top sheet and the comforter on the deck and went to bed around 2:05. I didn’t sleep very well before the alarm went off at 5:00. After yoga I didn’t find any bedbugs around my bed. 
             I finished translating “Les bienfaits de la pratique” (The Benefits of Practice) by Boris Vian. Since there’s no audio and I can’t work out the chords, tomorrow I’ll just post in on my Christian’s Translations blog and then move on to the next Vian song. 
             While I was typing a yellowjacket was landing on my keyboard and I paid close attention so my hands didn’t get too close. Later though I put my left hand on my leg and I guess the yellowjacket had moved to that spot and I got stung on the inside of my pinky. It really hurt. 
            I worked out the chords for three-quarters of the first verse of “La fille aux claquettes” (The Tap Dancing Girl) by Serge Gainsbourg. I should have that and maybe the chorus finished on Friday. 
            I weighed 90.75 kilos before breakfast. 
            I played my Martin during song practice for the second of four sessions and it went out of tune on every song. My little finger still bothered me while I was playing but not enough to impede my chording. 
            I weighed 91.35 kilos before lunch. 
            In the afternoon I took a bike ride and on the way back stopped at Freshco where most of the grapes were too soft but I managed to find one bag of firm red ones and two of the green. I also bought bananas, a pack of blueberries, half a brown sugar ham, a small tub of I Can’t Believe It’s not Butter, a jug of orange juice, a large can of Full City Dark coffee, some two-in-one shampoo, and a lint roller. I price matched the grapes to Walmart’s price of $6.47 a kilo. 
            I weighed 91 kilos at 18:40. 
            I was three days behind in my journal and worked on catching up. 
            I cut up a whole chicken into legs, wings, breasts, and spine and grilled the parts. I had a leg with a potato and gravy while watching a video of Carol Burnett Show Show Stoppers from 2001. 
            It starts with short clips of bloopers. Like one where Carol says, “I said to myself, Blossom Butterworth” then she pauses and repeats the start but obviously has forgotten the line so she says, “You’ve had it, Carol Burnett!” 
            Carol comes out to the same stage where her show was filmed to a live audience and a standing ovation. She takes questions from the audience. Someone asks Carol how she would like to be immortalized. She says she’s having a rose named after her. A guy named Scott says he’s been in love with her since he was small and one of the sexiest things she’s ever done is the Tarzan yell. Carol says, “You think the Tarzan yell is sexy? Are you all right?” She does it for him. 
            Carol says she has Harvey, Vicki, and Tim with her and then starts a song about what a perfect team they were. “With our golden throats we hit all the notes” then she shows clips of them fumbling their songs. Vicki goes off key; Harvey loses his note on “King of the Road”. Carol continues that “Nothing could break up our perfect team” and then shows several clips of sketches where broke up. Carol says most of the clips they’ll be showing have never been seen. There’s a clip of Harvey and Tim cracking up during an Old Man sketch, then Carol brings Harvey and Tim out. Tim shuffles out very slowly in his old man wig to a standing ovation. Someone asks if they always did the series live. Tim says, “A couple of us were dead at the time.” They show the clip of Tim playing a superior officer drumming Harvey out of the service and it’s the first time Tim used the accent that would later be that of Mr. Tudball. The accent causes Harvey to crack up. He tells Harvey he left his men in a ditch to get knots on their heads “while you went into town to sing. I like to sing myself but there is a time for singing and there is a time for duty. When you’re on duty you shouldn’t sing.” He starts on listing places he can sing and then the clip stops. 
            Carol, Harvey, and Tim are now sitting down. Referring to the clip, Harvey asks if anyone could have stood up to that kind of torture? He says he tried and he’d even lie awake nights thinking of ways to get Tim but he’d always turn it around. 
            Harvey shows a clip where Tim got himself. It might be a parody of Jaws. Tim tells a story of how he lost a girlfriend to the sharks. He says they were in a sailboat off Hawaii when she tried to swim to shore. She’d have made it too if…” Tim starts to laugh and totally cracks up as he says, “She’d have made it if she hadn’t been wearing her lucky ham!” Harvey says they had a betting pool all week on whether Tim would get through it. 
            Carol says she got Tim once when he was playing a man pretending to be a mannequin in the window, Carol comes out in a housecoat and dances like a stripper in front of Tim. Then she opens her coat and he starts laughing. She turns to the camera to show she’s wearing prosthetic breasts. She also got him in the sketch where she’s giving him a sponge bath while singing “You Light Up My Life” but she also cracked up. 
            Carol brings out her mother, sister, and friend, Vicki Lawrence.
            An audience member asks for Vicki’s origin story again. Vicki asks, “Doesn’t everybody know this story?” Carol says she’ll tell it anyway. Tim sits down and Harvey wanders off and shouts stage right, “Could you order me a tuna fish sandwich on rye?” Tim and Harvey sit on the couch while Carol continues the story. Tim asks Harvey, “Do you use Viagra?” Harvey answers, “That would be like putting a new flagpole on a condemned building!” 
            Carol shows the famous scene when Mama is insulting Eunice’s sanity and ad libs some that crack Carol up. Then she shows a clip of the other insults that never aired from the same scene: “I think you done sprung a leak in your dingy! Is it yer time of the month or somethin?” Eunice is turned away to laugh and Mama grabs her to say, “Look at me!” before Mama cracks up too. There’s another family sketch when they are playing Sorry and Mama is supposed to say, “gosh dern” but she says “God damn”. 
            They show the clip where Tim is improvising a story about Siamese elephants joined at the trunk. Eunice tries to move on to mama’s line when Mama says, “You sure that little asshole’s through?” and everybody falls to the floor laughing. 
            Vicki’s first character that she developed for the show was the high voiced bimbo. She asked Harvey, “How come when I play her I’m stupid for the whole week?” Harvey answered, “Any character you do well is truly a part of you.” To which Vicki responded, “Then how come you’re so good in drag?” She says she never got an answer but Harvey now puts on an effeminate voice and says, “I haven’t the faintest clue!” 
            They show the first time Harvey ever appeared as Mother Marcus in the As the Stomach Turns soap opera parody. Carol as Marian is sitting with Marcus and she reaches over to squeeze Marcus’s big boob. Then Marcus says, Turnabout is fair play” and reaches for Carol’s boob but Carol turns away and says, “If you can find it!” 
            They show a clip from when Charo was a guest on the show and Carol played Charo’s mother in a similar skimpy costume but with sagging and swinging breasts. Carol says Bob Mackie would put raw rice in the boobs. Vicki remembers having a whole rack of different sized boobs fitted for her in the costume department: “Small, medium, large, little push, medium push, over the top push, down to the knee, raisins, no raisins…” 
            They show a clip where Carol says she’s going to go down the pier and fish for sea bass” but she pronounces it like “bass guitar”. 
            In a commercial parody Harvey plays a minister being served something by Carol as an elderly housekeeper or wife. Harvey says he doesn’t want it because it tastes fishy’ She shoves some in his mouth and he says, “It doesn’t taste fishy! I wonder why!” Carols says, “It’s a veal cutlet you asshole!” Then in the next take Harvey says, “This doesn’t taste fishy asshole, I wonder why!” In the next clip Harvey says, “It doesn’t taste fishy, I wonder why!” Then the crew shouts in chorus, “It’s a veal cutlet you asshole!” 
            They show a clip of Tim as the old man in an out of control electric wheelchair. It’s supposed to go out through the window but after several tries he just stands up and shuffles through. 
            They show the clip of the old man sketch in the butcher shop with Tim behind the counter and messing up Harvey’s order. Harvey was a nervous wreck because Laurence Olivier was in the audience. Harvey’s pants were supposed to fall down and when your pants fall down in a sketch you are supposed to wear boxer shorts but Harvey forgot to and wore briefs instead. 
            There is a clip of Carol dressed as her character Stella Toddler and she strips down to the padded undergarment and the swinging breasts to show what goes into a sketch. 
            Carol has Bob Mackie wave from his seat. Carol and Vicki dance and sing a song called “The Mackie Rag” describing costumes that make you feel like a queen, or slightly obscene, cute as can be. Vicki sings “You’ve seen some hot mamas but you never seen a Mama like me”. “Formal, informal, or drag (and they show Harvey the fairy godmother Markus) Wonderful or wacky, elegant or tacky, gimme gimme gimme, gimme a Mackie rag”. They bring Bob on stage. Then Tim comes out in drag and struggling in platform shoes to kiss Bob’s hand. 
            Carol sings the full version of her theme song. Thetn the cast and Bob come out and stand together to join arms as usual and sway from side to side as the music plays and the credits roll. 
            Charo’s native language was Spanish but she also spoke Italian, French and English. She started playing guitar at the age of 9 and at 14 she won a scholarship to learn guitar from Segovia. She was discovered by Xavier Cugat when she was 16 and he brought her to the US. He later married her. She won a court case proving that she was born in 1951 but that would have made her 15 when she married Cugat at Caesar’s Palace in Las Vegas. She was the winner of the Guitar Player Magazine poll of Best Flamingo Guitarist for two years in a row. Her trademark phrase “Cuchi Cuchi” came from her talking to her dog Cuchillo. Later she would say it and wiggle her hips. She said, “Around the world I am known as a great musician but in the US I am the cuchi cuchi girl.” She made her film debut in New Friendship in 1963. She made her TV debut on the Danny Kaye Show in 1965. She co-starred in Tiger By the Tail, Thumbelina, In the late 60s and 70’s she made frequent appearances on several popular shows such as Laugh-In, Fantasy Island, The Love Boat (ten times), Johnny Carson’s Tonight Show, and The Mike Douglas Show, which she co-hosted at least once. She was a semi-regular on Hollywood Squares. Her son Shel Rosten played drums for the heavy metal band Treazen.











September 27, 1996: I bought my first electric guitar


Thirty years ago today

            On Friday I went to the annual Long and McQuade sale where I bought my first electric guitar. I got a beautiful vermillion Kramer with the Floyd Rose tuning system. I didn’t know anything about the Floyd Rose but just thought it looked cool. It was complicated getting in tune initially but once it was in tune it stayed there for weeks. I also bought a Roland Jazz Chorus-50 amplifier.
    I played it that night on the Spit Fridays open stage in the back room of the Cameron and some people said the electric was a better sound for me than my acoustic.