Monday, 13 April 2026

Tatiana Maslany


            On Sunday morning I revised my translation of the ninth verse of “Ballade de la chnoufe” (Ballad of the Snuff) by Boris Vian. 
            I translated the rest of “Dessous mon pull” (Under My Sweater) by Serge Gainsbourg. I sang along with the recording once. Tomorrow I’ll start memorizing the song.
            I weighed 87.6 kilos before breakfast. 
            I played my Martin acoustic during song practice for the first of two sessions and it went out of tune for all but the final three songs. 
            Around midday I cleaned the warm mist humidifier that’s been working most of the week and set the other one going. It’s supposed to be like summer for the next few days and so I might have less to clean next Sunday. 
            I weighed 89 kilos before lunch. I had saltines with peanut butter and baba ghanoush with a glass of iced tea.
            In the afternoon I took a bike ride downtown and back. 
            I weighed 88.55 kilos at 18:20. 
            I was caught up in my journal at 19:12. 
            I tried to digitize a cassette tape of a Christian and the Lions performance at the Rivoli. This is one of those tapes that won’t digitize using a direct line without resulting in distortion. I tried several settings and even recording with low gain doesn’t work in this case because I don’t even get a proper waveform in Audacity. The only thing that comes close to working is for me to mic the speaker and plug the mic into my audio interface. I tried it with the intro and part of the first song and got a proper waveform. There was no time to record the tape this time in that way and so I’ll do it tomorrow. I think that when I do I’ll have to set one non-clipping gain level for the whole recording. 
            I deleted several images from my hard drive. 
            I made pizza on a slice of seven grain bread with marinara, tomato pesto, a chopped slice of ham, five-year-old cheddar and an egg. I had it with a glass of Creemore lager while watching the penultimate episode of the first season of Star Trek: Star Fleet Academy
            The Athena with all the cadets aboard are crowning the end of the first year of the Academy by travelling to Betazed for the dedication of that planet as the new seat of Federation government. Caleb is not happy because in the midst of all of that sense of his friends feeling like family he has still not found his mother. Vance tells Nahla they found out what Braka stole from the Miyazaki. It’s an omega bomb that wherever it is exploded shreds space and subspace so warp travel is impossible there for millions of years. He also has the tech to make the bombs into mines. 
            Caleb goes to his room to be alone but SAM has a habit of just appearing without knocking. She notices that Caleb is monitoring com frequencies and asks why. He says he’s still looking for messages from his mother who he hasn’t seen since he was 6. SAM says he’s thinking like a 20 year old. His mother would be sending messages to the Caleb she remembers, who was 6, and so it would be a simple word. He suddenly remembers that his mother told him that the moon called “Ishaani” would always be their moon. He types the word and two years worth of messages pop up. He learns where she is right now and goes to tell Nahla but when he enters her office he hears her talking about Starfleet being in lockdown and no ships being allowed outside of Federation space. He decides not to tell her and goes directly to steal a shuttle. On the way he stops to tell Tarima that when he looks at her he sees music. He enters the shuttle and prepares it for launch but suddenly SAM appears and says she’s coming with him. He tries to dissuade her but she insists and also convinces him that he wouldn’t be able to survive without her. He is going to attempt to leave a ship while it’s travelling at warp speed by synchronizing the shuttle’s warp bubble with the Athena’s and then leave the warp bubble without blowing himself up. She knows she could survive by just popping back to Athena but Caleb has a 99% chance of dying. He needs someone who can calculate vector harmonics faster than a computer. He says she can come. Suddenly Genesis steps in because she volunteered to help lock down the shuttle bay. She learns about Caleb’s mother but says he has to tell the chancellor. He says he can’t. Suddenly Darem arrives drunk. He had a small amount to drink during a ceremony in Kraag’s quarters but he says Khionians lack a lot of enzymes including the one that processes alcohol. SAM detects a trans warp tunnel that could get the shuttle to Caleb’s mother’s location outside of Federation space in 15 minutes. Genesis says she’s going to report them but SAM locks the door and says she won’t let her ruin Caleb’s chance of finding his mother. They make it free of Athena and go through the warp tunnel. 
            Tarima and Kraag discover Caleb’s messages from his mother and realize where Caleb has gone.
            Caleb and his friends make it to the planet but lose some parts along the way. They arrive in disguise in a black market and must not reveal they are with Starfleet. 
            Nahla gets permission from Vance to take Athena to the border and to scan for the shuttle from there. 
            On Ukeck Caleb goes looking for his mother while the others try to find the part they need to repair the shuttle. He follows a woman who corners and threatens him with a knife to his throat and slowly they each realize who the other is. They have a tearful reunion. She takes him to her quarters. She tells him Braka helped her escape from detention but then she gave him the slip. Suddenly SAM pops in and Caleb has to stop his mother from shooting her. SAM opens the door and lets Genesis and Darem in. Anisha doesn’t trust them and would panic if she learned they are Starfleet Cadets. Caleb tells her they are from all over but Anisha looks at their fingernails and sees they are too well nourished to be from all over. 
            The Athena finds Omega 47 mines in orbit around Ukeck. The Doctor detects two cadets in airlock B and beams them to the bridge. It’s Tarima and Kraag. Nahla confines them to her office.
            Anisha helps Caleb’s friends by building their shuttle part with programmable matter. It is clear that she intends for Caleb to stay with her and for his friends to leave. 
            Since scans from the border don’t find the shuttle, Nahla decides to disobey orders and head for Ukeck. Anisha leaves them in her quarters to go and get transport for her and Caleb. After she leaves Caleb’s friends confront him about his intentions. He says if he told her they were Starfleet it would kill her. In order to make it easier for them to leave him he begins to hurtfully insult them. He tells Darem he’s looking for himself in the eyes of his parents. He tells Genesis she will never free herself from the shadow of her admiral father. He’s about to dress down SAM as well but she just runs up and hugs him. Genesis tells Caleb that most men his age are trying to find a life of their own but he’s about to return to being a messed up kid running as a fugitive with his outlaw mother. They try to transport to their shuttle but it doesn’t work. Their signal is detected by the authorities who surround them. The public address system announces the capture of possible Federation members. Caleb asks his mother what will happen to the Federation captives and she says they will be killed in the market as an example. She wants Caleb to come with her but he says he has to save his friends. She’s shocked to hear they are Federation. Caleb holds up his com badge and starts shouting that someone sold it to him in the alley. Meanwhile the badge is transmitting the signal to the Athena so it is able to lock on for transport. Suddenly one of the Vanari Ral agents recognizes Anisha and so Anisha opens fire. Caleb starts fighting too but his friends are tied up and can’t fight. It turns out that there are blocks to stop orbital transport so the Athena has to fly down to the planet. Anisha gets shot by a phaser. Athena descends and beams the cadets and Anisha aboard. Athena goes to warp with three Vanari Ral ships in pursuit. They use some kind of charge that knocks Athena out of warp and then hook them with tractor beams. Since all the crew is in the saucer section, Nahla orders the saucer to separate from the rest of the ship. They go into warp and escape but can’t get back to Federation space because Omega 47 mines have been planted along the entire border. Each one emits an energy field that if touched would set the bombs off. 
            The Doctor saves Anisha but when she wakes up she realizes she’s on a Federation starship and is terrified. Then she is pushed further into fear when she is greeted by Nahla, who separated her from her son fifteen years ago. 
            Anisha is played by Canadian actor Tatiana Maslany, who was in French immersion in elementary school. She started studying dance at age 4 and community theatre and musicals from the age of 9. She did comedic improv for ten years and participated in the Canadian Improv Games. Her TV debut was on Incredible Story Studios. She starred in Orphan Black, playing multiple clones with different personalities from 2013 to 2017 for which she won an Emmy Award and five Canadian Screen Awards. She co-starred in the TV series 2030 CE, The Nativity, Perry Mason, She starred in the series She Hulk: Attorney at Law. She starred in the films The Other Half (winning a Canadian Screen Award), Picture Day, Pink Wall, Two Lovers and a Bear, and Keeper. She co-starred in Ginger Snaps 2, Cass and Dylan, Grown Up Movie Star, Woman in Gold, Destroyer, Stronger, She hosted the 39th season finale of Saturday Night Live. She’s a member of General Fools Improvisational Theatre and is a certified Improvisational trainer.













April 13, 1996: My daughter spent the weekend at my place


Thirty years ago today 

            On Saturday I picked up my daughter and she spent the weekend at my place.

Sunday, 12 April 2026

Robert Picardo


            On Saturday morning I revised my translation of the seventh and eighth verses of “Ballade de la chnoufe” (Ballad of the Snuff) by Boris Vian. 
            I translated the first three verses and the chorus of “Dessous mon pull” (Under My Sweater) by Serge Gainsbourg. That’s over half the song so I might be done with that tomorrow and then I’ll start memorizing the lyrics. 
            I weighed 87.6 kilos before breakfast, which is the lightest I’ve been in the morning since April 2. 
            I played my Kramer electric during song practice for the last of two sessions and it stayed in tune most of the time. Tomorrow I’ll begin a two session stretch of playing my Martin acoustic and chances are it will be out of tune most if not all the time. 
            Around midday I rode to No Frills where all the grapes were too soft and so I got three bags of oranges instead. I also bought three packs of raspberries, some bananas, a loaf of multigrain sandwich bread, mouthwash, dental floss, a box of saltine crackers, a jug of iced tea, a jug of orange juice, two containers of skyr, and a bag of Miss Vickie’s chips. 
            I weighed 88.05 kilos at 14:20. March 28 was the last early afternoon when I was so easy on the scale. I had saltines with peanut butter, saltines with baba ghanoush, and a glass of iced tea. 
            I took a siesta from 15:00 to 16:47. It was too late for a bike ride downtown but I rode to Ossington and Bloor. 
            I weighed 88.6 kilos at 18:00. 
            I was caught up in my journal at 18:49. 
            I recorded from cassette tape through audio interface to Audacity and then exported to my computer a Christian and the Lions Sedated Sunday concert at the El Mocambo. Tom Smarda was on his Stratocaster, Steve Lowe was on acoustic guitar, Mike Martin was on drums, and Bob Cook played harmonica as a guest on a couple of songs near the end. I sounded drunk but I also couldn’t hear myself sing for the first few songs. We did my songs “I Saw My Reflection in an Open Wound”, “The Next State of Grace”, “Seven Veils of Armour”, “Thin Red Line”, “Sixteen Tons of Dogma” and “Seven Shades of Blues”. The band sounded pretty chaotic and it wasn’t one of our best concerts. Yesterday I tried to digitize the same recording but it was too distorted but this time I established the gain level on my interface that was generally below any clipping and just kept it there without adjusting it. This time there was no distortion. Tomorrow I’ll try to digitize another Christian and the Lions concert, this one at The Rivoli. 
            I deleted several images from my hard drive. 
            I made pizza on a slice of seven grain bread with marinara, tomato pesto, two slices of bacon, and five-year-old cheddar. I had it with a glass of Creemore while watching episode 8 of Star Trek: Starfleet Academy. 
            Tarima returns to school but they have decided to transfer her from the War College to the Academy because they think it will be more conducive to her recovery. If she were to let loose her full power again it could kill her. She needs to study science rather than combat in order to survive. Caleb is happy to see her but she ignores him. 
            All of the cadets are suffering from PTSD after their experience with the attack on the Miyazaki. Sylvia Tilly has been brought in to give them all veiled therapy in the form of drama class. She tells them to select plays to read in class. SAM is the only student excited about a theatre class. Tilly says she doesn’t care if any students don’t like it. SAM has read half of the 20th Century melodramas in a matter of minutes. 
            SAM has been glitching ever since the Fury attack but she is ignoring the symptoms. 
            In the next class Kraag recites a Klingon opera. 
            SAM selects the play Our Town by Thornton Wilder. She says it is about hopeful defiance. Suddenly SAM collapses and goes into convulsions. She is taken to sick bay and tells the Doctor it feels like she’s falling into herself. The Doctor says her processors have been overloading ever since the attack. Each glitch triggers her recess circuit which overloads causing another glitch. Her system is self destructing and he doesn’t know how to fix her. Captain Ake says she and the Doctor will take SAM back to Kasq to be healed. 
            With SAM gone it’s hard for the others to focus on the play. Caleb and Tarima are supposed to play George and Emily in Our Town. Tarima says it’s bullshit and Tilly reprimands her. It’s really hard to believe Tilly is suddenly qualified to teach drama when we know her as an engineer who never expressed any interest in theatre before. 
            Caleb gets a message from Tarima to meet her but he finds her drunk. She comes onto him but he doesn’t want to connect with her when she’s inebriated. 
            SAM, the Doctor, and Namah arrive on Kasq. The Makers know of the Doctor and recreate his world to honour him. They say they need to Swarm with SAM in order to assess her problem. She asks the Doctor to hold her hand but he refuses.
            As they work on the play, Tarima suddenly blows up and accuses Tilly of manipulating them all so she can pat herself on the back. She wanted to be at the War College where she was making friends but she wasn’t given a choice. Now no one will look her in the eye or touch her. She doesn’t need to play Emily because she’s already a ghost. Tilly tells her the difference between her and Emily is she gets to come back and everyone wants her to. Tarima walks away. 
            The Makers say there is no way to save SAM. They say the Organics killed her and they will not send an Emissary back to the slaughter. They terminate SAM and she falls silent and motionless. 
            SAM’s friends discuss how SAM chose the play as a way of holding on while she was falling apart. Ocam starts reading his part as the Stage Manager and the others join in with their parts. 
            The Doctor talks to SAM even though she is gone and explains why he couldn’t hold her hand. 800 years ago when he was on Voyager he lived a life with a holographic family and had a daughter who died. When he first met SAM he saw his daughter in her. He couldn’t risk feeling that loss again by getting too close to her. The Makers didn’t give SAM any preexisting memories and the Doctor argues that she needed to have had a childhood in order to process the experiences of young adulthood. Nahla suggests that they rebuild Sam but this time with a real parent. The Doctor knows she means him and he says no. Nahla says it’s time for him to stop telling the story and start being part of it. 
            The Doctor tells the Makers he’ll parent SAM and they agree. Time is different on Kasq. He spends 17 years raising her even though it only takes two weeks of Earth time. All the while she still has the memories of her time at the Academy.
            Tarima returns to participate in the play as Emily. 
            SAM returns alive to the Academy. It must be weird to grow up from childhood and the whole time to have complete memories of being a young adult. 
            The Doctor is played by Robert Picardo, who starred in the European premiere of Mass. He entered Yale as a pre-med student but graduated with a degree in Drama. He was a member of Yale’s Society of Orpheus and Bacchas a-cappella singing group. He enrolled in the Circle in the Square Professional Theatre Workshop. He made his Broadway debut in Gemini in 1977. His TV debut was on Kojak in 1977. He played Officer Maxwell on the sitcom Alice. He was nominated for an Emmy for his role of Coach Cutlip on The Wonder Years. He co-starred in the series China Beach. His film debut was in The Howling in 1981. He played the Doctor on Star Trek: Voyager, in Star Trek: Prodigy, and in the film First Contact. He played Richard Woolsey on three Stargate shows. He co-starred in the movie Innerspace, Matinee, and Ben 10. He is an accomplished singer. He wrote The Hologram’s Handbook. He toured with John De Lancie in the show Star Trek: the Music. Since 1999 he’s been on the board of directors for the Planetary Society.



April 12, 1996: I had to supplement my income with social assistance


Thirty years ago today

            On Thursday I probably worked and it could have been for one art group or school, or two or three. It wasn’t like in the 80s, which was the golden age of figure modelling when one could get several 40 hour weeks in one season. In those days one could afford to eat in restaurants. Now I had to supplement my income with social assistance.

Saturday, 11 April 2026

Jaelynn Thora Brooks


            On Friday morning I revised my translation of the sixth verse of “Ballade de la chnoufe” (Ballad of the Snuff) by Boris Vian. 
            I made one final search for the song “Chaussures noires et pompes funèbres” (Black Shoes and Funeral Parlours) by Serge Gainsbourg but it does not seem to exist online. So I started focusing on his song “Dessous mon pull” (Under My Sweater). I transcribed the lyrics from Gainsbourg.net and translated the first four lines. 
            I weighed 87.35 kilos before breakfast, which is the lightest I’ve been in the morning since April 2. 
            I played my Kramer electric during song practice for the first of two sessions and it stayed in tune more than half the time. 
            My upstairs neighbour David and I were supposed to meet for lunch at 13:00. He didn’t meet me downstairs and didn’t answer his phone. This was a waste of my time because I could have gotten some painting done today in the bathroom. At about 13:15 I got undressed and put my home clothes back on. At 13:30 David called and said he slept in but wanted to still go for lunch. I told him we can go next Friday. 
            I weighed 88.95 kilos before lunch. 
            In the afternoon I took a bike ride downtown and back. 
            I weighed 88.55 kilos at 18:10. 
            I was caught up in my journal at 20:04. 
            I tried to digitize a cassette tape containing a recording of a Christian and the Lions concert for Sedated Sundays at the El Mocambo but it came out distorted. I think I had the gain too high, plus I was fiddling too much with the gain and so some parts are too loud. Next time I’ll keep the gain at just the highest level possible without clipping. 
            I had a potato with gravy and three pork ribs while watching Star Trek: Starfleet Academy.
            Tarima is out of her coma and has been recovering for the last month on Betazed. Caleb has been recording heartfelt messages to her but deleting them. 
            Everyone is leaving for the All Worlds Day holiday which seems to last for more than one day.
            Before Genesis leaves for her father’s shuttle Nahla tells her she’s recommending her for Captain’s Training. 
            Kraag is going with Kyle to Ibiza. 
            Caleb decides to stay at the Academy and he will be the only student there. 
            Darem is walking alone in the corridor when he thinks he sees something. There is a gemstone on the floor and he picks it up. He is grabbed from behind, subdued and taken through a portal. Kraag sees this and follows. He emerges in Khionia, Darem’s homeworld. He confronts Darem’s abductors but Darem intervenes. He tells them Craig is his best man. 
            At the Academy Caleb is sunning himself when Genesis arrives. She says she hacked her way back into the Academy. She talks him into hanging out and playing games she made up. They accidentally let a warp slug loose and have to try to recapture it. 
            Kraag is surprised to hear that Darem is getting married to Kaira the future queen of Khionia. The abduction is one of the pre-wedding rituals. He was promised to Kyra when he was a child but didn’t know it was going to happen now. It means he can’t return to the Academy. Kaira asks if he has second thoughts but he says there are none. He tells Kraag that he refuses to disappoint Kaira, his parents, and his people. 
            Genesis wants Caleb to help her hack onto the bridge so she can sit in the captain’s chair. 
            Kraag is disappointed that Darem is going to abandon his life and ambitions at the Academy because of a sense of duty. Kraag says he’s going back to Earth. 
            On the bridge Genesis acquires the captain’s programmable key and that’s what she really came for. She needs it to access and delete some of her files before they are assessed leading up to Command Training. 
            The night of the prewedding ceremony Kraag steps up to deliver the toast. He says that Darem is someone who will always put another’s needs above his own. At this moment Kaira starts reading between the lines. 
            Caleb and Genesis are caught by Reno and are judged by Chancellor Nahla who says she’s not going to nominate Genesis for Command Training. 
            Kaira confronts Darem and tells him to abdicate because she knows where he really wants to be is at the Academy. 
            Genesis urges Caleb to call Tarima. This time he writes a heartfelt message and sends it. 
            Kaira was played by Canadian actor Jaelynn Thora Brooks, who studied at the Creative School of Toronto Metropolitan University, which used to be called Ryerson. She co-starred in Davey and Jonesie’s Locker. She starred in How We Ended Us.



April 11, 1996: Brian and I rehearsed for our upcoming gigs


Thirty years ago today

            On Wednesday Brian Haddon and I rehearsed for our upcoming feature performances at Fat Albert’s and the Art Bar reading series.

Friday, 10 April 2026

Paul Giamati


            On Thursday morning I revised my translation of the fifth verse of “Ballade de la chnoufe” (Ballad of the Snuff) by Boris Vian. 
            I continued to try to figure out if the lyrics that I got Sonix to transcribe yesterday are really for the song “Chaussures noires et pompes funèbres” (Black Shoes and Funeral Parlours) by Serge Gainsbourg. On the album “Zizi je t’aime” these lyrics are just listed as “Finale” but also that they are written by Gainsbourg. There’s no song with the title “Finale” by Gainsbourg. I listened to the song a few times and organized the lyrics into verses and then used a search engine to see what comes up for each verse. The third verse revealed that the song is actually “Dessous mon pull” by Serge Gainsbourg, which I have never learned. I’ll work on that but I still want to find out if “Chaussures noires et pompes funèbres” is available in any form. I’ll try one more search tomorrow and if nothing turns up I’ll just work on “Dessous mon pull”. 
            I weighed 87.75 kilos before breakfast. 
            I played my Gibson Les Paul Studio during song practice and it went out of tune about three times. An old man with a walker crossed the street wearing an old boot on his right foot and a worn out sneaker on his left. 
            I deleted several images from my hard drive. 
            I weighed 88.35 kilos before lunch, which is the lightest I’ve been in the early afternoon since March 31. 
            In the afternoon I took a bike ride downtown and didn’t need to wear a scarf or gloves. On the way back I stopped at Freshco where I bought four bags of grapes, two packs of raspberries, some bananas, two packs of Full City Dark coffee, and out of curiosity a bottle of cherry tomato sauce. 
            I weighed 88.45 kilos at 18:30. 
            I was caught up in my journal at 19:26. 
            I tried for a fifth day to record from the cassette tape two poems that I chanted at Fat Albert’s, one of them being “Watching Mom and Dad Make Love”. It has come through distorted every time and with extreme fluctuations in volume and my first couple of tries tonight were no exception. But then I tried it with the gain knob fairly low with its white line directly left and didn’t try to adjust the gain through the whole recording. The digitization had to be played at plus 12 but there wasn’t much distortion. I tried recording again with the gain slightly higher and this time there was some distortion so I think I’m satisfied with the low gain recording and so I can move on to side 2 of the tape, which I think is a Christian and the Lions concert for Sedated Sunday at the El Mocambo. I’ll find out tomorrow if I need to record at low gain for this one as well. 
            I had a potato with gravy and four pork ribs while watching episode 6 of Star Trek: Starfleet Academy
            Caleb and Tarima have become lovers and their connection results in the two going to her safe place, which is a field of flowers in her mind. But this also automatically connects her to Caleb’s mind and when she touches a toy among the flowers she accesses his trauma when at the age of 6 he saw his mother taken from him. He is upset that she accessed his mind without his permission and it puts a rift between them. 
            The Starfleet cadets join the War College cadets in a training exercise in a starship graveyard. One team consisting of Caleb, SAM, and Kraag from the Academy; and B’Avi and Kyle from the War College board the derelict USS Miyazaki to try to power the ship. Meanwhile Genesis and Darem are assisting from the bridge. Caleb is able to power up life support systems in record time using programmable matter.
            Suddenly thirty power signals begin circling the Miyazaki followed by ten transporter signals boarding the ship. They reveal themselves to be Furies and they capture the cadets, threatening to eat Caleb if a ransom is not paid. Led by War College commander Tomov, the cadets break free of the Furies and make their way to the bridge while Tomov holds the Furies back. The cadets take command of the bridge but Tomov is jettisoned into space. The Furies try to force their way onto the bridge while the cadets try to wake up the Miyazaki’s security systems in order to activate a force field. But the ship’s computer sees the cadets as invaders. SAM is able to directly access the computer with her Photonic abilities and begins to try to reassemble the broken code. 
            Meanwhile Admiral Vance suggests to Captain Nahla Ake that her enemy the pirate Braka has a weapon that has in the past successfully defeated the Furies. Nahla is reluctant but gives in and Braka is contacted. He makes several demands before agreeing to help. 
            B’Avi has a comic book about the death of the crew of the Miyazaki and teaches the ship’s computer the fate of her crew, then convinces the computer that the cadets are its new crew. The computer then puts up a force field to temporarily keep the Furies out. The Furies are blocking the Athena from communicating with the cadets. But because of her connection with Caleb, Tarima can appear to him on the Miyazaki and speak with him. But it’s temporary. With the Doctor’s help she is able to turn off her psionic inhibitor so she can communicate directly with Caleb. 
            The Furies are highly sensitive to sound and Braka previously used a sonic weapon to subdue them. Starfleet has a ship called The Sargasso that is experimenting with sonic disruptions and so they send for it. 
            Tarima is instructed on guiding Caleb to get the Singularity Drive on the Miyazaki online. She connects with him and tells him he can access engineering from the bridge. He does this and then brings B’avi to help activate the singularity drive because it was the War College cadets that created the program but never had time to finish. Tarima tells Caleb to wait for her signal. 
            The Sargasso arrives. 
            The bridge crew decrypt a message to the Furies vessel that reads, “They took the bait”. The vessel uncloaks and it’s not a Furies vessel after all. It’s a Braka’s Vanari Ral ship and they realize that Braka has been working with the Furies the whole time. The Sargasso is disabled. 
            Tarima gives the signal and the singularity drive is activated. The Furies break through the force field. Tarima rips out her inhibitor and her physical body goes into convulsions but her mind is even stronger as she reaches to help Caleb. B’avi is killed by one of the Furies and SAM is damaged. Braka steals the Singularity Drive. Tarima takes Caleb to her safe place and then she begin screaming. Her screams destroy the Furies. 
            SAM is repaired but Tarima is now in a coma. 
            Braka is played by Paul Giamati, who earned a Masters Degree in Fine Arts Drama from Yale. He made his TV debut in She’ll Take Romance in 1990. He made his Broadway debut in Arcadia in 1995. He starred in American Splendour, Sideways, Win Win, Private Life, Barney’s Version (for which he won a Golden Globe), John Adams (for which he won an Emmy), The Hawk is Dying, The Holdovers (Oscar nominated), and Lady in the Water. He co-starred in Past Midnight, Man On the Moon, Duets, Shoot em Up, The Nanny Diaries, Ironclad, John Dies at the End (which he produced), Cosmopolis, Turbo, The Illusionist, Fred Clause, Cinderella Man (for which he was nominated for an Oscar), Winchell, Big Fat Liar, Pretty Bird, and Jungle Cruise. He co-starred in Too Big to Fail for which he was nominated for an Emmy. He won an Emmy for guesting on Downton Abbey.