On Thursday morning I searched for the chords to “L'anguille (The Eel)” by Boris Vian and found one set on Boite a chanson (Song Box). I’ll find out tomorrow if those fit for me. Meanwhile I worked a few chords out for the intro.
I published “He’s a Giggle Oh My Gigolo”, my translation of “Il est Rigolo mon gigolo” by Serge Gainsbourg on my Christian’s Translations blog and posted the lyrics on Facebook. I moved on to the my next unfinished translation of a Gainsbourg song and that’s “Les anthropophages” (The Cannibals). I listened to the audio a couple of times on YouTube but I decided to not try to memorize the song until I’m sure I have the right lyrics. I already had a set but I might have just written them down as I heard them years ago and my ear for French is not that dependable. The video features Serge Gainsbourg, Dalida, and Petula Clark and it’s on the official Dalida YouTube channel. The uploader also added the lyrics and so they might be correct but I’d better do my translation before my memorization just to be sure it makes sense.
I weighed 89.55 kilos before breakfast.
I played my Martin acoustic during song practice for the second of four sessions and it went out of tune for every song.
I was behind on my journal and so I worked on getting caught up.
In the afternoon I took a bike ride downtown and stopped at Freshco on the way back. I bought seven bags of grapes, two packs of raspberries, some bananas, a pack of chicken drumsticks, a large can of Full City Dark coffee, and a jar of marinara sauce. I did a price match on the grapes with the Real Canadian Superstore’s price of $4.39 a kilo. I got $3 off on the coffee with my Scene card but it took me a while to find it on my phone. The cashier was just preparing me a temporary Scene card when I found it by typing “Wallet”, which is where the Scene card is kept. Next time I’ll just make sure Wallet is on display before going there.
I weighed 90.25 kilos at 18:20.
I was caught up in my journal at 20:11.
I recorded from cassette tape through audio interface to Audacity the first 20 minutes of side 2 of the tape I digitized last night. This was a recording session at Mike’s place of my songs “Sleep in the Snow”, “Megaphor”, “Instructions for Electroshock Therapy”, and “Seven Shades of Blues”. Mike played drums while I played my Kramer and sang. I’ll probably finish digitizing that tape tomorrow.
I had my last potato with gravy and two chicken drumsticks while watching season 8, episode 10 of The Carol Burnett Show.
During the audience warmup someone asks Carol who’s her favourite rock star and she answers “Rock Hudson”.
Carol has just noticed someone in the audience she wants everyone to applaud: “One of the finest comedians I’ve ever known: Alice Ghostly”.
Someone asks if her husband ever comes to see the show. Carol says, “No, he can’t stand me!” Her husband Joe Hamilton was the producer of the show. They didn’t divorce for another ten years.
In a parody of the movie Born Free Carol and Harvey play a couple living in Africa. Harvey is a game warden and on his way to the bush tells Carol that she has to release her pet lion Simba into the wild. He leaves and then Carol calls for Simba, who is Tim Conway in a lion costume. She says she has to talk with him and so he sits at the table and pours some tea. he looks at the paper and roars with disappointment because the Lions lost again. She tells him he must go back in the wild to live among his own kind. He feels her forehead to see if she’s sick. He wants lunch and so she gives him a raw steak, saying his going to have to get used to it. He cooks it in the microwave. She tries to lure him into the jungle by showing him a magazine centerfold of a lioness. He’s excited about her but still won’t leave. Harvey returns home and joins Carol in insisting that Simba leave. Simba slowly makes his way to pack his things, puts on his travelling clothes, his bowler hat, and then walks out the door.
Dame Maggie Smith comes out wearing the exact same glittering black pantsuit as Carol. At the time she was on tour with the play Private Lives by Noel Coward. Carol tells Maggie she’s so British. Maggie agrees that she’s British. Carol says she’d like to be Maggie Smith just once. They sing a duet of “You’re So London” by Mike Nichols and Ken Welch for a duet between Julie Andrews and Carol in the 1962 show Julie and Carol at Carnegie Hall.
Harvey and Tim play two sergeants alone for three years on a remote island with the task of spotting enemy planes of which they’ve seen none. Harvey says it’s driving him mad. Then one of their own planes drops their bag of mail in which Harvey receives a notice that he’s been promoted to lieutenant. Harvey immediately starts ordering Tim around. He has to line up for inspection and then march in parade while somehow holding both ends of a banner naming the 71st Infantry Division Observation Corps. Tim discovers there is a woman named Corporal April Calloway on the island and brings her in. Harvey tells Tim to prepare the officer’s mess for two tonight. Tim says he can’t do that since as a corporal she’s only allowed to mess with enlisted men.
Carol and Harvey play Helen and Martin who are about to receive as a guest their old college chum Karen Burns, who is now a movie star. Karen arrives played by Maggie, but Helen and Martin find it impossible to treat Karen like their old friend because they believe Hollywood changes people. They think that Karen is condescending to visit them and refuse to listen to Karen trying to express how much she’s been looking forward to it. They offer Karen a drink but she says she doesn’t drink so early in the day. They don’t believe her and urge her to stop pretending she hasn’t changed. Helen asks who she’s living with but Karen says she lives alone. Helen has read that living with someone is now the “in” thing in Hollywood. Karen insists that she lives alone with her two pets but Helen is offended that Karen won’t tell what she believes is the truth to her old friend. Helen says Karen must have felt awful when she didn’t win the Oscar. Karen says she did win the Academy Award but Helen says, “Not that year, the other year”. “But I was only nominated once”. “But didn’t you feel awful when you didn’t get a second nomination?” “No”. Helen says she felt humiliated and could hardly hold her head up around the neighbourhood. Karen tells Helen she’s sorry and she’ll try harder next time. Helen asks to see Karen’s face lift scars. Karen says she hasn’t had a face lift but Helen is sure everyone in Hollywood has had a face lift. Martin tells Karen he wanted to get her some marijuana but Helen was afraid they’d get arrested. Karen tries to tell them she doesn’t smoke but they’re too busy arguing with each other on the subject. Finally Karen says loudly, “I don’t smoke marijuana!” But Helen and Martin take that to mean she’s a pill popper. Martin says, “You can tell us! We read Valley of the Dolls!” Karen insists she doesn’t take pills and they think that means she’s hooked on the hard stuff. Finally Karen shrugs and realizes the only way out is to act like everything they believe about her is true and then adds more, such as depraved orgies and countless drug arrests. She says she’s had an affair with Paul Newman and urges them not to tell Joanne Woodward. She adds she’s also been with Robert Redford, Steve McQueen and Mickey Rooney. She begs their forgiveness and pretends to leave in tears.
Vicki is being interrogated by two cops about a murder. Her alibi is that she was taking a walk and found an unlocked house where there was no one home but there were three bowls of porridge on the table. She continues with the story of Goldilocks and the Three Bears. But the cops tell her there was no house in that area. She says she’ll tell them the truth this time, that she put on her little red riding hood and headed for her grandmother’s house.
Carol as The Charwoman comes to clean up on an empty theatre stage. She sings “Oh To Be a Movie Star” by Jerry Bock and Sheldon Harnick from the 1966 musical The Apple Tree. In her fantasy the dancers sing and tap about their “Hubba Hubba Honey”, then the Charwoman as a scantily clad starlet descends a stairway and sings “Cuddle Up a Little Closer” by Karl Hoschna and Otto Harbach from the 1908 musical The Three Twins. When the fantasy is over the Charwoman finishes “Oh to Be a Movie Star”.
Maggie Smith started studying at The Oxford Playhouse at the age of 16 and made her stage debut there at 17 as Viola in Twelfth Night. In a 1964 production of Othello she was knocked out by Lawrence Olivier when he struck her across the face. She made her Broadway debut in New Faces of 1956. She made her film debut in Child in the House in 1956. She made her TV debut in Much Ado About Nothing in 1967. She starred in The Prime of Miss Jean Brodie (for which she won an Oscar), Travels With My Aunt (Oscar nominated), Love and Pain and the Whole Damn Thing, A Room with a View (Oscar nominated), The Lonely Passion of Judith Hearne, Tea with Mussolini, Gosford Park (Oscar nominated), Quartet, and The Lady in the Van. She co-starred in Nowhere to Go, Othello (Oscar nominated), Go to Blazes, Young Cassidy, The Honey Pot, Hot Millions, California Suite (for which she won an Academy Award), Murder by Death, The Missionary, Clash of the Titans, Better Late Than Never, A Private Function, Lily in Love, The Secret Garden, Hook, Sister Act, Washington Square, The Last September, Curtain Call, Ladies in Lavender, Keeping Mum, From Time to Time, The Best Exotic Marigold Hotel, My Old Lady, and The Miracle Club. She played Professor McGonagall in the Harry Potter films. She played Violet Crawley on Downton Abbey (winning 3 Emmys). She’s been nominated for six Oscars. She’s won 4 BAFTA Best Actress awards, the most for any actress. She won an Emmy for My House in Umbria. She was nominated for three Tony Awards (Private Lives, Night and Day) and won one for Lettice and Lovage. She was made a Dame by Queen Elizabeth in 1990.








