For the second day I still wasn’t able to memorize the fourth verse of “Dessous mon pull” (Under My Sweater) by Serge Gainsbourg. I had it twice but it slipped away each time. I’ll probably get it into my head tomorrow.
I weighed 88.95 kilos before breakfast, which is the heaviest I’ve been in the morning since March 7.
I played my Martin acoustic during song practice for the third of four sessions and it went out of tune during all but the penultimate song. I was really out of it while practicing and almost dozed off a few times, so practice took an extra half an hour.
Around midday I rode to No Frills where all the grapes were too soft. I bought a bag of oranges, two packs of raspberries, a pack of strawberries, some bananas, a pack of five-year-old cheddar, a box of spoon sized shredded wheat, three bags of skim milk, a tub of margarine, a jug of iced tea, two containers of skyr, and a bag of Miss Vickie’s chips.
I weighed 89.25 kilos at 14:30.
I took a siesta from 15:09 to 16:45.
I had to take a big bowel movement which made it too late to take a bike ride downtown so I just rode as far as Ossington and Bloor. On the way home at Ossington and Harbord a rain shower started and I was soaked before I got home.
I weighed 89.45 kilos at 18:00.
I was caught up in my journal at 18:58.
In Audacity I opened the project I started a few days ago to digitize the cassette recording of a Christian and the Lions concert at The Rivoli. This one had to be recorded with a microphone to the speaker because the line-in recording directly to my audio interface came out distorted. The last song “Angeline” was on the flip side of the tape but it was recorded at lower volume. I digitized it and it didn’t seem loud enough but when I played it again today it sounded okay to me. The volume on the stereo had to be turned up but that wasn’t that much of an inconvenience. I exported the audio to my hard drive and moved on to the next cassette, which is a cassette recording of a Christian and the Lions concert for Elvis Monday at the El Mocambo. The concert was only on one side of the tape and the other is Indian music. At first I couldn’t get a waveform so I restarted but that didn’t help. I finally saw that the line in to my audio interface sometimes disconnects and I lose the waveform. Maybe I need a new adaptor. Anyway I got it working and was recording but lost the waveform halfway through the song. By this time it was too late to struggle with it and so I'll start from scratch tomorrow. The tape itself is playing somewhat distorted and so I can’t expect too much from its digitization.
I made pizza on a slice of multigrain sandwich bread with marinara, tomato pesto, a chopped slice of ham, and five-year-old cheddar. I had it with a glass of Creemore while watching season 3, episode 14 of The Carol Burnett Show.
During the audience warmup Carol introduces a young actor whose in the audience. She saw her in Dames at Sea in New York and thinks she’s going to be one of the biggest stars. It’s Burnadette Peters. She asks her how was her flight from New York. She says she saw True Grit on the plane. Carol asks what she ate and she says, “True grit”.
The first skit is The Old Folks with Carol and Harvey. Nothing special. Harvey talks frisky but suddenly falls asleep.
In the second skit Harvey plays a school teacher who is having an affair with the art teacher. He’s about to go and meet her in the teachers lounge when the student Alice Portnoy (played by Carol) arrives to complain about the F she received for Geography. He tells her it was well deserved and escorts her out. Alice asks if he’s going to have lunch at the topless bar again. He says he’ll change her grade to a D. Then he takes her arm to lead her out when she accuses him of manhandling a student. He gives her a C. She says she thinks she should call an ambulance and so he changes it to a B. She shows him a nude drawing of him done by the head of the art department and thinks it will look nice on the bulletin board, so he bumps her to a B plus. When Alice leaves he calls up Muriel to tell her what just happened and mentions their relationship and the idiot principal. Then Alice returns and says she forgot her lunch box, which she says contains her tape recorder. He gives her an A.
Nancy Wilson sings “Spinnin Wheel” by Canadian singer David Clayton Thomas of the band Blood Sweat and Tears.
Then Carol and Nancy sing “Let’s Get Together” by Chet Powers, who was a member of Quicksilver Messenger Service. The song was a hit for The Youngbloods in 1969.
There is a Carol and Sis sketch in which Carol and Chrissie (played by Vicki) bring home a lifelike adult male dummy in a suit because they are taking a Red Cross First Aid course. Carol is keeping it a secret from Roger until after she gets her certificate because he always claims she starts things without finishing them. They act out an emergency and Carol gives the dummy “Charlie” mouth to mouth. Then Rogers car pulls into the driveway early and they hide Charlie in the closet. But Roger sees that Carol’s lipstick is smudged and finds a man’s tie on the floor. He goes into a jealous rage and wants to find the man she’s cheating with. He finds the dummy and has been punching it for a while before he realizes it’s not a man. Roger realizes his mistake and apologizes. Then he gets hit and knocked out by the kitchen door and Carol has a real emergency with a real dummy.
Then there is an episode of As the Stomach Turns. Marian (Carol) and Joyce (Nanette) are having coffee when Joyce bursts into tears and confesses that she’s a kleptomaniac. Over the course of their conversation she puts all of Marian’s chinaware into her bag. Gaylord Fontaine (Harvey) the Civic Theatre Group Sissy Director arrives. He needs Marian to play a neurotic disturbed person in his play this year and she agrees. Then a man played by Lyle comes to the door saying he’s running for congress and needs signatures. He takes Joyce’s signature and then says thank you sir to Marian. Then Marian’s daughter arrives with another baby born out of wedlock and leaves it with her. Joyce puts it in her shoplifting bag. Joyce pulls out a gun and puts it to Marian’s head saying she’s going to kill herself. Marian helps her point the gun in the right direction and then tells her she can be cured. Then Nurse Julia Carol arrives (played by Nancy Wilson). Joyce says “Tell me what to do!” and Julia says “Take two aspirin and get plenty of acting lessons”. Joyce puts the gun to her head and pulls the trigger but she forgot to steal bullets. The announcer asks “What will happen when Julia gets amnesia and forgets she’s black?
In the final number Carol, Nanette, and Nancy are discussing the generation gap. Nanette says there isn’t one since the kids are wearing their old clothes and beads. The three women change into hippy clothes and sing “We’re the Bim Bam Whim Wham Mothers of Tomorrow” which I think is written by Rusty Warren, who is called the mother of the sexual revolution. I think this is a cleaned up version of Rusty’s song.
Rusty Warren studied piano at the New England Conservatory of Music and graduated in 1954. She didn’t realize she was funny until she started responding to hecklers and made the audience laugh. Her first album Songs For Sinners was recorded live in 1955 at the Pomp Room in Phoenix, Arizona. Her second album Knockers Up was recorded live at the Golden Falcon, in Pompano Beach, Florida in 1960. Her comedy routines sang about sex from a female perspective. She became known as the “mother of the sexual revolution” with the song “Knockers Up” being her most exemplary contribution to that movement. Catherine O’Hara’s character of Dusty Towne was inspired by Warren. Her subsequent albums were Sin-sational, Rusty Warren Bounces Back, Rusty Warren in Orbit, Banned in Boston?, Sex-x-ponent, Rusty Sings a Portrait of Life, More Knockers up, Rusty Rides Again, Bottoms Up!, Look What I Got For You, Lays it On the Line, Knockers Up ’76, and Sexplosion. The singles from these albums were: from 1961: “Knockers Up”, “Basin Street”, “Bounce Your Boobies”, “Shimmy Like My Sister Kate”; from 1962: “Roll Me Over”, “Do it Now”, “Twist Blues”; from 1963: “I Like Everybody”, “Waltz Me Around Again Willie”, “Greenback Dollar”, “The Sexy Life”; from 1964: “The Pill Song”, “Surprise”, “Red River Sally”, and “Steel Drivin Man”.




















