On Wednesday morning my left ear was extremely plugged.
I ran through singing and playing verses 12 to 18 of “Ballad of a Dealer”, my translation of “Ballade de la chnoufe” by Boris Vian. There are only two more verses to run through and I’ll have that done tomorrow. I’ll also probably have time to upload the song to my Christian’s Translations blog to begin preparing it for publication.
I searched for the chords for “Dessous mon pull” (Under My Sweater) by Serge Gainsbourg but no one has posted them. I worked them out for the intro and the first two and a half lines. I tried again to flush out my left ear and dislodged a little bit of wax. It felt a touch clearer afterwards. I weighed 89.15 kilos before breakfast. I played my Martin acoustic for the first of two sessions and it went out of tune for all but a couple of songs.
Around the time when I do song practice every day there’s a large man in an electric wheelchair who rides up Dunn Avenue not on the sidewalk but on the road as if his chair was a car. He is totally unconcerned about the cars he is holding up behind him. Dunn is a one way street going north and this morning the man in the wheelchair had gone up to Queen to get his coffee and then he went south, driving towards the oncoming cars and toasting them with his takeout coffee cup. He played chicken with a car and just sat there until the vehicle finally swerved around him.
I spent several minutes trying to flush out my left ear with my rubber syringe but it didn’t feel like anything was coming out or that the water was going in very far.
Around midday I opened up the “Blue Bliss” paint and did some touch-ups. Everything is pretty much fixed now except a small area between the blue doorframe and pinkish purple wall where I curved the line a bit. It’s barely noticeable and so I won’t try to correct it with the wall paint unless I break it out to do anything major later on. So now technically the bathroom is painted but I still have to clean up where paint got onto the wall tiles, the floor tiles, the sink, and the bathtub. I also have to paint the bathroom wire rack blue and mount it on the wall; paint the lazy Susan pink; and paint the bathroom mirror frame blue and pink before mounting it.
I weighed 90.75 kilos before lunch, which is the heaviest I’ve been in the early afternoon since March.
I took a siesta at 14:30 and planned to get up at 16:00 but I slept an extra 15 minutes. I had an appointment with my dentist for 17:00 and rushed to get ready. I got there with twenty minutes to spare but they were ready for me right away so I guess someone before me canceled. Dr. Singh fixed the corner of my front filling and said if it comes off again he’ll remove the entire filling and start fresh. I brought my denture with me to see if he could adjust it so it fits because since I got the bone graft the gap is smaller. He tried to shave it down but it was still cutting into my gum so they gave me an appointment with the denturist for next week.
It was too late for a bike ride downtown but not for a ride to Ossington and Bloor so I went there and stopped at Freshco on the way home where I bought five bags of grapes and price matched them to the Food Basics price of $6.59 a kilo.
I weighed 90 kilos at 18:25. March 7 was the last evening when I was that hard on the scale.
I was about a day behind on my journal and so I worked on getting caught up.
I made pizza on a slice of seven grain sandwich bread with marinara, tomato pesto, the last of my ham chopped, and five-year-old cheddar. I had it with a glass of Creemore while watching season 3, episode 27 of The Carol Burnett Show.
During the audience warmup Carol demonstrates her exercise routine and has a middle aged man from the audience come up to do sit-ups with her.
In the first skit Carol and Harvey play their very poor characters Stella and Harry with their fifteen years old juvenile delinquent biker son Brewster played by Lyle and their 11 year old slutty daughter Dulcie played by Vickie. Harry always comes home from not looking for a job with a six pack. Stella says, “Mother warned me you were a good for nothing bum”. He says, “You and your mother!”. “She says, “Not my mother, you’re mother”. They have to fill out their tax return. He starts reading the form and concludes that if he was smart enough to understand it he’d have an income. He puts his occupation down as a freelance executive. Their income was 52 welfare cheques, unemployment insurance, and food stamps. Harry asks Brewster if he had any income last years and he says he stole some hubcaps, swiped a motorsickle, looted a couple of TV sets, and picked some pockets. Brewster says he’s going to his sex education class. Stella says for him to pay attention but he says he’s the teacher. Dulcie says she earned $2000 babysitting. Stella asked who she babysat for and she lists, “Tony, Rocko, Joey, Max, Eddy…” Stella interrupts and says “They don’t have any babies”. Dulcie says it’s easier that way. Dulcie’s leaving and Stella asks what time she’s coming home. She says, “9:00 in the morning”. Stella says, “Good, You know I don’t like you out when it’s dark”. With the kids gone they decide to delay doing their income tax, go up to the roof and make another tax deduction.
This is the season finale and so there are no special guests.
A dance number features Tony Rizzi on guitar and the Earnie Flatt Dancers. They are kind of dressed for flamenco dancing but what they do is pretty modern with some Spanish dance stylizations.
In the second skit Fillmore and Pamela Cartwright are going to be featured in the magazine Home Beautiful. Lee Henderson the photographer arrives and comments that he has never seen a more immaculate interior design. The Cartwrights have contributed equally and Fillmore explains that their tastes blend so perfectly that there is not a jarring note in the entire room. Lee goes to get his equipment and then Fillmore thinks that maybe one item is out of place. It’s the ashtray that Pamela bought in Copenhagen. He puts it in a drawer out of sight but Pamela takes it back out. They begin to argue gently as they go back and forth until finally Fillmore simply tosses the ashtray out the window. She responds by throwing out his Thai vase. He smashes her Venetian stemware and she says that was dreadfully middle class of him. He tears down her drapes, then she takes a knife to his imported silk sofa. He smashed her coffee table, she breaks his Grecian urn, he destroys her jade figurines, she totals his Stradivarius violin, and this continues back and forth until the apartment is a disaster area. Then Lee returns and Fillmore and Pamela are ready to happily toast each other for the camera.
There is a skit in which there is a similar dance routine to ones of the great 1930s musicals, with the couple in a elegant crowded restaurant who begin dancing dramatically and no one thinks it’s odd as they leap over the furniture. Lyle and Vickie perform such a scene together. Then the same scene is done with an ordinary nerdy couple, Myrna and Walter played by Carol and Harvey. Then to Myrna’s embarrassment and everyone else’s annoyance Walter starts singing “Cheek to Cheek” by Irving Berlin. Then he grabs her and starts spinning her around to her horror, causing chaos in the restaurant until a cop arrives and arrests them.
Clive Kensington played by Harvey is a famous actor performing in a hit play that’s been running for two years. A man played by Lyle comes to Clive’s dressing room and says it’s an honour because “This is the first time in two years you’ve spoken to me”. Clive says “You can’t expect me to have the time to speak to all the little people. What do you do?” “I’m the director”. The director informs Clive that his leading lady is ill and being replaced by a “friend” of the producer. Sabrina Hackmeister (played by Carol with blonde hair, large fake breasts and a ditzy manner) come in to greet Clive. On stage they play lovers Franklin and Sylvia. Sylvia is wearing a very tight gold gown and when she walks she bumps and grinds across the floor like a stripper. She has trouble sitting down in the dress. Franklin confesses he owes money to the mob and they’re going to kill him. The hitman arrives and shoots him so he can have his dramatic death scene. He’s trying to impress a movie producer who’s in the audience. She’s holding him and accidentally pulls his toupee off.
The Charwoman skit is slightly different than usual. She is cleaning up on the Carol Burnett stage with several familiar sets, such as the “Carol and Sis” set, “The Old Folks” set, and the “As the Stomach Turns” set. She remembers the announcer saying that Marian received an obscene phone call and was so upset that she hung up within ten minutes. She goes through the autograph book that Carol’s guests sign at the end. She sings her theme song, “I’m so glad we had this time together” by Carol’s husband Joe Hamilton but there are extra verses. The end does not have the gathered cast waving goodbye and swaying together but just Carol singing the song and then leaving the empty theatre.
One of the writers for The Carol Burnett Show was Gail Parent who worked on 133 episodes. She started as part of a writing team with Kenny Solms. Carol Burnett was her big break. In 1972 her novel Sheila Levine is Dead and Living in New York became a best seller. It was made into a movie starring Jeannie Berlin in 1975 for which she and Solms wrote the screenplay. She and Solms wrote the Broadway musical Lorelei. She co-created The Tim Conway Show and Mary Hartman Mary Hartman. She wrote the screenplay for The Main Event and Confessions of a Teenage Drama Queen. She was also a writer for The Smothers Brothers, Rhoda, and Tracey Takes On. She wrote 12 episodes of The Golden Girls. As a writer she was nominated for 14 Emmys and won two.













