By Sunday it had been two days since my cat
Daffodil had been away. Hopefully she’s all right and she’ll find her way home.
She’s sixteen years old and has been out on that roof a considerable amount of
times over the years so she should know how to find shelter out there or to
come home.
I
read for a second time “Good and Evil, Good and Bad”, the first essay from
Friedrich Nietzsche’s “A Genealogy of Morals”. It seems to be mostly about how
weak the members of our society have become since Christianity has had control
over it.
On
Sunday evening I was riding east along Bloor on my way to the Plastiscene
Reading Series when a young man passed me. That was fine because he probably
had a lighter bike than mind, but when a few seconds later his girlfriend passed
me in her effort to keep up with her beau’s bike, I wasn’t going to stand for
that. If a guy’s girlfriend passes me it makes me feel old, which is something
I don’t want to feel till I AM old. So far women rarely pass me unless they are
either athletes; obsessively gung ho girls on super light bikes; putting on the
steam just to pass me and then slow down (I assume because they want to show me
their asses); or if they are keeping up with a boyfriend. I suspect that when
the latter are riding alone they don’t care about keeping up. I charged ahead
of them between Dovercourt and Ossington.
When
I got to the Victory Café I wasn’t surprised to find the door to the second
floor locked, so I went back downstairs to wait in the entryway. A woman I
vaguely recognized from a previous night at Plastiscene came out of the main
bar. She asked if the door upstairs was open yet and I told her they never open
it right away. I asked her name and she told me it was Sophie, then I
introduced myself. I asked if she was from South Africa because that’s what I
picked up from her accent but she informed me she was English but that she was
raised in East Africa and went to boarding school there, so her accent was a
mix. I was about to say that there are boarding schools in Canada that seem to
give their students British accents, but before I had a chance, Cad came out
from the main bar, saying that Plastiscene had already happened in the late
afternoon. He said Margaret was in the main bar and she’d gotten an email that
it was happening at 16:30. I accused Cad of always having the wrong
information, since last time he’d come out and declared that someone had told
him that Plastiscene wasn’t happening that night at all, though it did. A guy
came out from the main bar that seemed to be attached to Sophie, and they went
upstairs to wait for the door to be opened.
Cad was cold
standing by the entrance so he suggested we go into the main bar. Margaret Code
had a table to herself by the window and so we joined her. She said she had gotten
an email from someone earlier that day informing her that Plastiscene would be
happening at 16:30. She told us she’d been there since that time. I suggested
that whoever sent the email might have misunderstood the 24-hour clock,
thinking that 16:30 was the same as 6:30 p.m. instead of 18:30.
I’d gotten a message from Nick Cushing
before leaving home, saying that he might come to Plastiscene for a while,
since he was in town from Hamilton. Cad confirmed that Nick had called him to
tell him he would be there.
Cad said, “Nick
dropped Bruce March off at …”
“At Sunday school”
I said.
“Sunday school?”
“Yeah”, he goes to
the Depressedbyterian Church. You didn’t know that?”
I said, “That’d be
a good name for a band!”
“Depressedbyterian?”
“Reverend Beverage
and the Depressedbyterians.”
Nick arrived and
sat with us.
Cad was talking
about a friend of his whose wife doesn’t like him. I asked if any of his
married friends’ wives like him. He answered that none of them like him.
Nick explained that women become the
gatekeepers of their husbands’ social lives, especially when they have friends
like Cad.
Nicki Ward, the
hostess of Plastiscene, hooked her phone up to the amplifier and played some
choral music by Mozart.
Nick went
downstairs to buy a beer and Cad went out in the hall to use the washroom. The
Victory Café has a very inconvenient set-up. Although there is a bar upstairs
they do not always have a bartender working there and so people have to go down
to get their drinks. The waitperson will bring them ordered food though. As for
the washroom, I’ve seen women climb the stairs from the main floor to use the
washroom, so I don’t know if it’s just a way to avoid a line-up or if there is
no washroom on the main floor.
Nicki began
playing Middle Eastern music from her phone.
Nick returned with
a beer, commenting that the stairs was really going to cut down on his
drinking.
Cad told me that
JewsNews pays him to post their articles on Facebook. I said, “Then since ISIS
is paying JewsNews, ISIS is paying you!”
“ISIS doesn’t pay
JewsNews!”
JewsNews is the
most reprehensible online news service that I have ever come across. There’s
nothing wrong with being right wing or even extremely right wing as long as one
is posting arguably factual information. But what JewsNews often does is to
post photographs they’ve stolen from other sources and then they make up a
story around it that attacks Muslims. One example is when they posted a
ten-year-old picture of a little girl that had been mauled in the face by a pit
bull terrier and claimed it was the photo of a little European girl that had
been sexually molested by a Muslim refugee. Cad consistently posts these
JewsNews articles on his Facebook Timeline and since it’s time consuming to
disprove the claims the headlines are making, I don’t often bother. But almost
every time I do, I find that the real source of the photograph has nothing to
do with the anti-Muslim slander of the headline. For instance, one photo showed
a pretty young well-dressed blonde woman being spat upon by a dark haired young
man, while some other men were looking on. The claim was that this took place
in Sweden and that these were Muslim refugees having their way with Swedish
hospitality. I tracked the photo down to Austria, a few years before. What
really happened was that there was a Communist protest taking place outside of
a highly upscale annual ball. The blonde woman was on her way into the dance
when one of the protesters spat at her. I’m only half joking when I suggest
that ISIS pays JewsNews to make these kinds of posts. The thing is that when
people see a photograph accompanied by a headline that looks like it is
describing what’s going on in the picture, most of the people that read these
posts think that it’s real news. Hence there are thousands of people that
believe that Syrian refugees are at this minute storming through the cities of
Sweden like hordes of Vikings, raping and burning as they go. It seems to me
that encouraging non-Muslims to hate Muslims plays right into the hands of
ISIS, since an alienated Muslim may be ripe for the picking by radical Islamic
groups.
Cad told me that
ISIS exists because there are too many homosexuals in the world. He explained
that Gay sex used to cause “tseptsumis” but now it causes Islamic terrorism.
“Tseptsumis?” I asked. He said, “Whatever they’re called.” “Do you mean
tsunamis?” I asked. “That’s it!”
Nicki was playing
Moe Koffman’s “The Swingin Shepherd” when she announced that the open stage
list was ready for sign-ups. I approached Nicki and she said she’d write my
name down. Cad got up to sign up and came back complaining that he’d had to
write his own name. “Ya have ta do everything around here!” he grumbled, “Ya
have ta write yer own name on the list and ya have ta read yer own poetry!”
Nicki played “Changes”
by David Bowie.
We started a
little after 18:30.
Nicki described
the Plastiscene Reading Series as being, “eclectic, in a mainstream kind of
way. We’re accessible! One of the things we do” she continued, as she looked
directly at a small group that were chatting loudly about five tables back, “We
listen!”
With Susie Berg’s
help, Nicki went through a list of the art councils that are currently
supporting Plastiscene.
“Ontario?”
“Check!”
“Toronto?”
“Check!”
“Canada?”
“No comment!”
The guy sitting with
Sophie declared, “Stephen’s left, so it’s all gone to hell!” He had to explain
to Nicki that he meant Stephen Harper. And I’m pretty sure he was also being
sarcastic about Harper’s patronage of the arts.
As she usually
does, Nicki called me to the open stage first. I’d brought my guitar this time
and I performed my translation of Serge Gainsbourg’s “Jeunes Femmes et Vieux
Messieurs” – “ … Before there’s a chance to put a wrinkle in her lace by laying
her down upon your bed, first of all you might have to lay down her name on
your last will and testament. Young women and older men! If she’s flat broke,
well, it’s not important! Young women and older men! Cause he’s got enough
dough for both of them …” I fumbled my guitar chords on the same transition twice.
It’s funny, because I’ve played that song flawlessly at home more than a
hundred times each in French and English, and if I screw up it’s occasionally
on the words and not the chords. It just goes to show how different the context
of playing live is in comparison to practising at home. I admit that I do get
nervous just enough to push Murphy’s Law into effect. I would probably need to
put in a lot more live playing before I can play as confidently in front of an
audience as I do at home, and I really only get that kind of practice during
the summer.
After me, Nicki
invited Cad to read. I had planned on getting out my camera and trying to shoot
a video of him but he was too ready and started reading from his phone right
away – “What are you livin for? You’re nothin till your dead! … You have to be
somebody to be here …”
Next was a poem
from the hat, brought in by one of the featured readers and read by an audience
member. This one was Carolyn Smart’s “Clyde at Buster’s Party” – “ … when she walked in the air itself just turned to
somethin new, blonde hair flyin firecracker eyes explorin everythin & when
she seen me, her face it just blossomed with clear intentions … she was quick as a hiccup …”
Then, Nicki asked
Margaret how she was feeling and Margaret, getting ready to get up, said,
“Fine!” “Good!” replied Nickie, “Could you ask Sophie to come down please?”
Sophie read two
poems. The first was called “Thoughts on a Parallel” – “This time … this
immediate living … kaleidoscope … where we live our bliss … Open arms that are
each other … Which unspent fury? … Which lives are ours? All … The parallels
right here … What unbound possible? …”
Sophie’s second
poem was entitled “Nightingale: after John Keats” – “The night wanders as if …
itself bewitched … the sky breaks in great darkling dreams … as if I cannot
live without this beautiful … there rises … a flighting joy … this song bliss …
brings a dream … When I take this last breath softly … what joy to think … in
death I will fly at night …”
Perhaps as an
apology for the tease, Nicki asked Margaret Code to the stage after Sophie. She
read two poems as well. The first was based on a writing challenge on the theme
of “I never saw it coming” – “I’m going for a walk … Where’s my key? … What
will you do at the traffic lights? … I want to go alone … Alzheimer’s, I never
saw it coming, I don’t see it now.”
Margaret’s second
poem was called “Chemistry” – “You walk with my long lost lover’s gorilla gait
… spotted your doorknob knees … don’t know your name, but I love you.”
For the next
reading we returned to the hat. Someone read a poem with the name “Signs #1”,
but I don’t think that the reader gave the author’s name. I thought about
asking him when he was finished, but it seemed to me that would have been a
good thing for the hostess to do – “When stuck to a lamppost, lift plough blade
… we long to lift the purple from the plums … we are not standing at any time …
have you considered the gravity of holes … we can only stand unumbilicaled … so
we await the violence of ploughs …”
Back to the open
stage, we had Lisa Richter reading two poems. The first was called
“Inscriptions” – “At your father’s beach house near Shediac … slivers of bottle
glass … the words from blacked out text the wind redacts. Lisa’s second poem
was “Blinded Date” – “The treadmill of talk begins its grateful decline … I
search for artefacts … concert t-shirt of a band I’ve never heard of … and just
like that we’re back to the weather …”
The final poem
from the hat was “Graduation Notes” by Sonia Sanchez – “ … Tired of tiny noises
your eyes hum a large vibration … At this moment your skins living your
eighteen years suspend all noises …”
This was the end
of the open stage. Before introducing the first feature, Christine Fischer Guy,
Nicki gave us her own reading of “Clyde at Buster’s Party”, which was the poem
that Christine had selected for the hat. She read it in a cartoon southern
drawl as only someone from Great Britain can.
In her
introduction, Nicki continued on her roll and joked that Christine is a southern
belle, fresh from a cotillion. But then Nicki went off on a rant, which may or
may not have been serious, about how annoyed she is when people pronounce
Austin, as in Austin, Texas and Austen, as in Jane Austen the same way.
Christine
introduced the short story, “Salt”, which was the only piece she would be
reading, by telling us that she had read it in Austin, Texas, but had o explain
to people who the Habs were. She was glad to be reading someplace where the
explanation was unnecessary. “Salt” is a short story centred on a couple
driving through the night. Michael, who works for Doctors Without Borders, is
driving. He is distant and mostly the subject of his passenger’s thoughts.
Their journey is showing elements of a recurring dream she’d been having. The
Beastie Boys were blaring on the car’s sound system. He would be leaving for
Darfur soon. The story flashes back to one of his missions – “He’d driven as
fast as conscience allowed … The patient died a mile from fresh saline …”
Michael is driving above the speed limit and so they are stopped by a highway
patrolman. She lies to the officer that he is on the way to the airport to go
on a mission right away and so he lets them go, telling him that they need more
people like him. As they drive on she remembers the spontaneous sex she used to
initiate with him and wants to do it then and there. “Why waste conversational
currency on banal exchanges … The steady, gradual climb of the speedometer … I
think I’m exothermic … A deer crossing sign whizzed by …” She remembers an
incident where a car hit a doe and the driver was killed instantly – “A dream
posing as memory … Reaching into the swollen belly … she swallowed as Michael
laid the baby on her belly …” Then a doe steps out on the road – “ … there was
a curious lack of echo.”
Christine Fischer
Guy tells a story well and makes effective use of shifts from present to past;
dream and reality; and internal and outer dialogue. Her prose however is not
dazzling and her descriptions are not particularly creative.
There was a break,
during which time I looked around to notice that there was pretty good-sized
crowd at Plastiscene this time around and that they were mostly quite young.
Cad called home and found out from Goldie that she’d thrown up. I suggested
jokingly that she might be pregnant and asked how he would react if the baby
looked like me. Cad told me what I already knew, that Goldie was
post-menopausal, but I argued that a Jewish woman in the Bible got pregnant
much older than she did. He said that people lived longer and matured
differently in Biblical times. I told him that was a myth and that to say that
someone lived hundreds of years was just a way of saying how long their
immediate family was prominent, because a family was nothing but the product of
its patriarch in those days. He said his rabbi told him it was true. I told him
his rabbi is a dummy. He described his rabbi as looking like a cross between
Tony Soprano and Alan King.
Our conversation
shifted to which of our ex-girlfriends were good in bed. There is one former
lover that Cad and I have in common. We differed as to how spectacular she had
been in the sack though.
Cad said he’d
found a big screen TV that works perfectly, which is also a good thing for his
deteriorating eyesight.
Nickie was playing
Count Basie just before returning us from the break.
Nickie said that
one of life’s truest lessons is, “There is no destination. There is only a
thing.”
In introducing
Phinder Dulai, the second invited reader, Nickie informed us that he’d cycled
here all the way from British Columbia and that he now has calf muscles as firm
as those of John Keats. While reading Phinder’s prepared bio, she came across,
“He is currently touring dream/arteries …” and wondered if “dream slash
arteries” was really what he wanted to say. She continued reading until, “ …
two previous books of poetry …” and wondered if the grammar was correct. She
asked, “What were they before they were books of poetry?” But Phinder quickly
answered, “Manuscripts!”
Phinder told us
that his book, “dream/arteries” tells the story of the SS Komagata Maru, a ship
that one hundred years ago brought 376 Sikh immigrants to Vancouver but they
weren’t allowed to disembark. They starved on board while waiting for an
official decision and were finally sent back to India. Phinder sees the ship as
a metaphor for ideas around the Diaspora after having done extensive research
(something that he loves to do) into the SS Komagata Maru’s history. He found
that it had carried thousands of immigrants to new homes all around the world
over many years.
The first poem
Phinder read was called “This Stubborn Bulk” – “ … she was delivered by … we
moved backward on the quiet waters … the river swallows me whole into commerce
… my guide threads me through this bulbous … my body slowly eases into my
transient home … I will carry each burden … anonymous journeys … slip the
border … lost in the rip of tide … sisters, brothers, cousins and great
ancestors pass in quiet … we curl into the confluence of the Labrador … I
transmute and shift my name and become the SS Komagata Maru.”
Phinder told us that sections of
manuscripts have an invisible conversation with one another.
His second poem
had the line – “ … steeped in a rust filled sunset …”
His third
offering, called “Temple of Prayer” was based on the attack on the Sikh temple
in Wisconsin back in 2012 – “The mind semi-automatic … and the sun runs high
into the day …”
From “The Rivers”
– “There was no fifth finger on the baby … the dead carried the young …”
Phinder informed
us that the Punjabi community has been in British Columbia since the 1890s.
His next poem had
the line – “ … the sleeping basement had the sun above …”
From “Melancholy”
– “ … a yoga mat … a double dose of a placebo … two tapering worms … the
unrequited and unanswered kiss … a deathly synapse.”
Phinder confessed
that he’d written a slam poem – “ … I am a bomb to the dead … my Punjabi
nostrils curling out …”
He finished with
an anagram that he said was from Cedric the Entertainer – “ … sits here ear …
here in sin … s.o.s. soma … I am so sincere …”
Phinder Dulai
shows poetic talent and some nice turns of phrase but his creativity becomes
limited by research. The more that his imagery is drawn from archival
information the less real it becomes and the less he has access to metaphors on
which his subconscious can get a grip. Granted that the issues on which he
writes are important for people to learn about, but he should realize that he
is making a sacrifice of more powerful poetry when he chooses not to write from
his own experience.
Nicki was
impressed by Phinder’s anagram and tried to take a fumbling crack at reading it
before handing it back to him.
She was about to
call a break but seemed to either change her mind seamlessly or forgot, because
she went right ahead to introduce the final feature. When I saw it was Andrea Thompson, I suddenly realized
why the room was packed with twenty year olds. These were probably a lot of the
(mostly female) students from her creative writing class at OCADU. Nickie
continued with her shtick of making up biographical details for the featured
readers. She said that Andrea is also a milliner and that she has a large
selection of hats for sale in addition to her books.
Andrea
told us that every Black History Month she picks a hero to focus on and this
year hers was Sonia Sanchez. Andrea’s first poem
was a riff based on Sanchez’s “To Blk/Record Buyers” called “To White Anthology
Editors” – “They aint write about nothing … signifyin can’t see the forest
monkey gibberish … dark like words you can chew through.”
She then shared a
poem about being mixed race – “Who I am depends on which side of my skin you
stand on … inside is all flux and flow … the question … not who I am, but
what.”
Her third poem was
entitled “Being Unmade Human” – “Being artefact means to be dis-played … what
doesn’t matter can’t be hurt …”
Andrea called her
next two offerings “non-Valentines poems”.
The first was
“Frog Medicine” – “He’s got thunder in his bones … tells me he is the last
Cheyenne medicine man … fox runs down my street twice in one week … They were there
that weekend and later after our big drunken fight about nothing …”
The second non-Valentines poem, she
admitted to us beforehand that it was silly. She sang it to the tune of “My
Favourite Things” – “Guys with ex-girlfriends who still do their laundry …
Credit card criminals who live like kings … Second rate liars with lame cover
stories … When it’s Friday night, when it’s Valentines, when I’m feeling bad …”
Her next poem,
certain lines of which she sang, was called “The Great History of Soul-Speak” –
“Seemingly innocent spirituals … Swing low sweet chariot … But these words were
charms … ‘Chariot’ became ‘train’ … Where to board that subterranean? … Crosses
burned till dawn … I aint had nothing but bad news … Our history will not be
undone … A language deep as the Euphrates …”
Andrea’s last
piece, I think she said had the title “The Next Stage of Evolution:
Consciousness Revolution” and at the beginning, inside the poem and at the end,
she inserted verses of the Bob Thiele and George David Weiss song, “What a
Wonderful World” – “ … They’ve invented a bathmat made of moss … In Milan
they’re erecting an apartment building made of shrubs and trees … These are not
miracles. They’re simply good ideas … We’re trained into passivity … Clicking
away our freedom … How many terms and conditions? Just give me the Black Eyed
Peas’ latest release! … The word ‘possibility’ teases our lips like a raspberry
… The world is a big blue wonder where anything is possible…”
I wonder what kind
of bugs a bathmat made of moss would attract.
Of the Bosco
Verticale in Milano, to be accurate, it is not made of shrubs and trees. That
would be impossible. The trees are planted in big pots, and since these trees
will be on the balconies, I assume that there would have to be pretty tall
fences between the trees and the abyss so that climbing juniors won’t tumble to
their doom. I’m also wondering about what the wind factor during storms will do
to the trees higher up if they are not extremely deeply rooted. An analyst has
also asked about the extra concrete that would be needed to sustain the weight
of all those trees and the soil they would live in, and whether the carbon
footprint of the concrete would be offset by the trees. You can also be sure
that only the rich will live in this building or any ones like it.
I have heard
Andrea Thompson read on a few occasions and though she always reads well (if a
little pretentiously), I recall her showcasing at those times better samples of
her poetry than she did this time at Plastiscene. It seems like she was trying
to contrive her writing to fit a theme and so it mostly came out as sounding
clichéd.
Nickie told us
that the next Plastiscene would be on March 20th. Then she said that
a cynic is someone that knows the cost of everything and the value of nothing,
but a poet is someone that knows the cost of nothing and the value of
everything.
She closed down
the night with the recitation of the first two verses of “Ode to a Nightingale”
by John Keats – “MY heart aches, and a drowsy numbness pains …as though of hemlock I had
drunk, Or emptied some dull opiate to the drains … But being too happy in thine happiness … O for a draught of
vintage! that hath been Cool'd a long age in the deep-delvèd earth, Tasting of
Flora and the country-green, Dance, and Provençal song, and sunburnt mirth! O
for a beaker full of the warm South! … With beaded bubbles winking at the brim,
and purple-stainèd mouth; That I might drink, and leave the world unseen, and
with thee fade away into the forest dim …”
On the way out,
Cad told me that Goldie had vomited again. We discussed what might be the
cause. Did she have the flu? Was it food poisoning from one of those free
prepared meals they frequent? Cad said that before he left for Plastiscene,
when she complained of a stomachache he gave her an over the counter pill that
had been kicking around for months. Hmmmm.
At home I watched
an episode of Dennis the Menace from 1959 in which the comedy was drawn from
the problems of having a party line. I remember those problems well from my
childhood. It was annoying and yet fascinating because of the culture of
eavesdropping that built up around it because you would know who was being
called by the ring combination that sounded on your own phone as well, and you
knew that certain people had more interesting or revealing conversations than
others. This was reprised years later in Toronto when in 1987 I moved into the
Lansdowne and St Clair area, where there were still party lines and an old
Italian lady used to occupy the line continuously. Sometimes she would cut in
on my conversations with the question, “You finish?”