On my way to class along College Street on Thursday morning, just before St George, a guy on a construction crew held up a stop sign to block eastbound traffic while a truck was turning into the site. While we were arrested, three of the guy’s colleagues took advantage of the halt to nonchalantly cross to the site. One of them appeared to be toasting us with his coffee, but he did have a coffee in each fist so he might have been simply talking to his pals with his hands.
At Alumni Hall, a
student was sitting outside of the lecture theatre, still all bundled up for
outdoors and working on his laptop. He looked like he was waiting for a bus.
When Naama arrived
she asked how I’d done on my essay. It turned out that we got the exact same
mark of 72, but I suggested to her that for her to get a B-minus while writing
in English as a second language, it’s probably the equivalent of her getting a
much higher mark.
After
Professor Gibbs came in, as part of another comment, he joked sarcastically
about the moneymaking prospects of philosophy. It made me think of a skit that
had been on the old SCTV show and so I asked Naama if she’d seen any SCTV
reruns since she’d been in Canada. The professor smiled in recognition of the
show. She answered that she hadn’t. With Professor Gibbs eavesdropping, I told
her that they had done a fake TV spot advertising “Careers in Philosophy” and
that the selling line was, “Many philosophers can make as much money as some
poets!” The professor laughed.
Naama
told me that she grew up watching Middle Eastern television because there
weren’t a lot of Israeli channels. She said that she’d learned English by
reading the subtitles of Christian cartoons broadcast from Lebanon. She
described one such show that featured a Bible quoting robot that would give
quotations in response to given situations. I looked this up and what I found
that fits this description closest is a show from the early 80s called
Superbook, in which some kids and their robot go traveling in time through
various Bible stories.
I
related a Christian claymation show called Davey & Goliath in which Goliath
was a boy’s talking dog. It was a Lutheran Church vehicle but it was produced
by the same company that created Gumby.
Naama
said that her family didn’t have cable till she was twelve. I told her that we
got our first TV when I was four but we didn’t have an indoor bathroom till I was
ten. She thought it was funny that we got a TV before we got a bathroom.
As
he began the lecture, Professor Gibbs announced that the Blackboard glitch had
been cleared up and he found out that he has even more internet power as a
professor than he previously thought. He said that he can change anyone’s grade
from any course at any time and he can also tell what students were eating when
they logged onto Blackboard.
The
professor had a few last words on Nietzsche before moving onto Heidegger.
Human
beings would rather will nothingness than not will anything. The will to
nothingness was stronger in the 20th Century than in the 19th.
But what can resist this will to nothingness?
Free
thinkers? No, because belief in truth is dangerous. Maybe we need to abandon
truth.
Science?
No, because there is an unwillingness to evaluate it. There is a notion that
all knowledge is good. Modern Science is derived from Protestantism. ‘
Historians?
No, because their discipline serves to try to prove that nothing matters.
Philosophers?
They wear the mask of asceticism. They are critical of others and themselves.
They use reason to limit the self because they hate the self and they even use
reason to fight reason.
Cyborgs?
Siri?
Transferring
power to god allows us to deny power to the self.
The
desire to be honest with oneself destroys morality. Suffering has too much
meaning and so it hides the will to nothingness.
Possession
of the will to power could be the engine of self-overcoming. But how does one
do this without killing the self? Will we be able to turn to human suffering
and say it’s meaningless? Is that the way out or in?
“Reading
Nietzsche is like listening to a bombastic friend,” the professor said,
“Reading Heidegger is like I don’t know what.”
Heidegger
wants to untie thinking.
His
“Being and Time” was the most important philosophical work of the 20th
Century. It asks what is the meaning of being.
Martin
Heidegger became the rector of Freiburg University in 1933 and joined the Nazi
party a little over a week later. He expressed limited but real praise for
Adolph Hitler. He removed Jews from high positions at the university. Later, he
sort of apologized.
The
Nazi’s found that Heidegger’s philosophy was well suited to their idea of
historical destiny. Perhaps Heidegger was flattered to have a national
government backing up his ideas.
He
spent most of the 1930s arguing in his mind with Nietzsche’s philosophy. Later
he moved to poetic thinking or thinking with words. He tried to argue the
closeness of poetry and philosophy.
Professor
Gibbs told us that you don’t have to be German to be an existentialist or an
atheist. He said that even Schelling was an existentialist.
Heidegger’s
“Letter on Humanism” is a bashing of Jean Paul Sartre. The ideas put forth in
the letter are confusing, hard to understand and impossible to prove.
Kierkegaard
is funny. Heidegger is not.
Every
time Heidegger discloses something he hides something else. His work does not
read like philosophy. It’s poetic and obscure and does not communicate readily.
At this point the professor stressed that we have to communicate readily. We
can’t write our essays the way that Heidegger wrote his Letter on Humanism.
Language
is the house of being and it costs less in Winnipeg.
In
the motion of essence from action to being, thinking carries the ball. Thinking
is the highest action. Professor Gibbs commented at this point that Heidegger
sounds here like Aristotle, but he added that he means that thinking is an
activity in a different sense than Aristotle. Thinking lets human beings be
what they are, which is thinking beings. Language is how being shows up. When
we think and speak, stuff gets manifest. Language is where being lives and is
addressed. Being needs a place. Thinking guards the house of being. The core of
thinking is letting, which is openness welcoming into being.
Nobody
knows what being is, but it has a history. History has not housed being very
well. Can thinking free us from that history?
Our
model of knowledge is bound up with technology controlling skill sets.
The
professor said that philosophy wants to become a science. Philosophy wants to
focus on problem solving and to teach people to make better, sounder and more
valid arguments. Heidegger says that we gave up thinking for technology. He
wants a new reflection on science.
On
the word “humanism”, we only get “ism”s at the end of the day when things are
no longer working. “Ism” looks like it is going to be essence. Every kind of
humanism is metaphysical. Metaphysics presents entities in their being but
doesn’t think there’s a difference between being and entities. How can we think
the difference between whatever being is and the way things are? Can we imagine
being that is not another object?
Thinking
is the thinking of being. Being needs thinking. The essence of being human is
to think about being in such a way that being is changed. Language is a mode of
access to things that don’t fit into language. For language to approach being
we have to take the risk that there is nothing to say. Language negotiates in
the boundary zone where it doesn’t work. What we need is language to house but
not to own or pin down.
Humans
are unusual because they think about being.
After
the lecture I rode up to The Jackman Humanities building at St George and Bloor
to meet with Sean during his TA office hours and to go over his comments on my
essay. He said that there were too many comments for him to cover all the
points, so I just asked him to give me some overall advice as to how I could
improve and get a better mark the next time around. He told me that I’d had a
good thesis but I hadn’t supported it throughout my paper. He also said that I
should never do any writing on the body of my essay on the day that it’s
scheduled to be handed in. I couldn’t see how that could be avoided. He argued
that one should have a first draft of their essay a week before the deadline.
Of course, I always aim to start the essay as soon as possible, but the
material in this case was so difficult that I had to read it three times. He
advised me not to try to have a full grasp on the whole topic for a seven-page
essay but to just pick an aspect of it to address. Reading the complete work
over and over is what one would do for a dissertation. I was the only student
that came to see Sean that day.
In
reference to the situation that Sean had related to us in tutorial of a six
year old having attacked Sean’s six year old with a brick, I told him that when
I went to school, we played war every single recess. We threw snowballs, apples
or potatoes at each other, depending on the season, but we never threw rocks at
one another. I suggested that it’s because we got our frustrations out. He said
that it wasn’t in his experience that schools are schools are more restrictive
of children’s aggressions than they were when he went to school.
After
leaving Jackman, my plan had been to ride home and take a siesta, but it was
snowing when I came out. I decided that I might go to University College and
just read or sleep on the bench again, so I rode down there but on the way the
prospect of sitting around for four hours seemed too tedious. The streets were
merely wet with snow rather than covered in it, so I changed my mind and went
home. I had about twenty minutes to spend on the computer and then I slept for
about an hour and a half before heading back downtown.
On
Thursdays, though I’m always half an hour early, I’m never the first one in
class. There are two or three students that are always there before me. When
Madeline, who sits beside me, came in I greeted her and since she was absent
from class on Tuesday, she asked me for the highlights.
We
spent the hour talking about Sinclair Ross’s “The Painted Door”.
Women’s
writing is the articulation of inarticulate experience. In “The Painted Door”,
Anne struggles for narrative control.
“It”
represents unvoiced desires. Anne both denies and cultivates “it”. Maybe she
knows “it” but refuses to understand “it”. Or maybe she understands “it” but
won’t go there.
The
storm reflects Anne’s desires. When she tries to go out into it she wears men’s
clothes. But “little snakelike tongues of snow discover her”. The snake
represents forbidden desire. The story has Freudian overtones. The storm beats
her back into the house. The shadow that Anne sees, whether it was really
John’s shadow or not, is the shadow of her guilt. Having guilt is not being
guilty but as a woman she will get the blame anyway.
Andrew
said that the phrase, “texture of the moment” made him wonder if Sinclair Ross
had ever read Gustave Flaubert’s “Madame Bovary”. I looked it up and found that
he had a copy of it in French in his duffel bag, along with a French-English
dictionary when he shipped off to fight in World War II.
That
night I watched the second third of the film adaptation of Stephen King’s short
story, “The Mangler”. The dialogue is pretty horrible. I guess that in adapting
a short story they had to add a lot of extra story. There are a lot of
deviations.
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