Late Monday morning, after breakfast I
headed out to pay a visit to Tom Phillips, whom I’d heard was on his last legs
and in the hospital just down the street from me. I rode south on Dunn Avenue,
even though it’s a one-way street going north. Whenever any cars were coming
though I moved to the curb, got off and walked on the sidewalk. There weren’t
very many cars. I was trying to find The Bickle Centre, which I’d thought the
email told me was between King and Queen. I rode down to King but didn’t see
it, so I rode back up. I saw some people standing in front of the residence
that’s attached to the Catholic Church just south of Queen, so I rode up to
them and asked if they knew where the Bickle Centre was. The guy hadn’t heard
of that particular name but he told me that there were three small hospitals
south of King and that one of them is a place for old people that are about to
die.
In
front of the entrance to the driveway of the Bickle Centre was poor looking old
man in a wheelchair. He looked at me and held out a red lighter towards me as
he made clicking motions with his thumb and had a hopeful look on his face. I
think he might have been a patient at the centre and his gesture might have
been his way of asking for a forbidden cigarette.
The
Bickle Centre was entirely covered on the outside with orange tarp and several
sections were clearly under construction. At first I wasn’t sure if the place
was open at all but since the automatic door worked when I stepped in front of
the electric eye, I figure it must be open after all. I locked my bike to a
construction fence and went inside, where it obviously was open. I found out
from reception that Tom’s room was 425, so I went up to the fourth floor. I
walk in two directions following the numbers as they climbed to 25 but when I
got to the room, Tom’s name wasn’t on the list of patients. I asked a staff
member on his way into the room if Tom Phillips was there but he told me “413”
so I walked back and found the one marked T. Phillips.
Despite the name
on the door, when I walked in I still wasn’t sure if I had the right room. I didn’t recognize the pale, flesh-wrapped
skeleton on the bed as Tom Phillips at first. Sitting beside the bed was a grey
haired woman that I didn’t recognize and she was talking to a nurse or doctor
about the man on the bed. As I waited for them to finish I looked at the
emaciated barely conscious man and he started to look more familiar, like a bad
drawing of Tom Phillips. In fact, the horribly skinny old man in the bed looked
very much like someone that Tom would have enjoyed painting, especially from a
foreshortened perspective.
When the nurse or
doctor left I introduced myself to the lady at the bedside. I found out that
her name is Phyllis and she’s a long time friend and painting buddy of Tom.
They spent many a day painting together at Allen Gardens and she told me they
spoke on the phone almost every day. I said “Hi Tom!” and Phyllis called to
him, “Wake up Tom! Your friend is here!” He did not seem like he was asleep but
rather just below the surface of consciousness. He would raise his left arm
high in the air from time to time and it really looked like a man that was
trying futilely to swim upward to break the veneer over the top of insentience.
He moved his right arm too but it didn’t have as much mobility because he was
lying on his right side.
On Tom’s left leg
was an orthopaedic boot and his foot was covered in purple bruises. I commented
that it looked like his leg had not recovered from fall he’d had a few months
before. Phyllis confirmed that he’d been at St Michael’s Hospital for most of
that time. I had been at the studio on the morning that he fell and broke his
leg and I recounted for Phyllis what had happened. The bookkeeper, Sol had come
to ask Tom for a cheque and though Tom was having difficulty walking, he got up
from his easel to go and get his chequebook, but his cane was on the other side
of the room. He took a step and fell. The other members came to help him up. He
got his cane and took about two more steps before he fell again and this time
he either broke or fractured his leg. The paramedics came and took him to St
Michaels. Phyllis spoke the name of that hospital with disgust and declared
that it’s a filthy place.
I told Phyllis how
back in the mid 80s I’d gone out to shop lawn sales in the Annex with Tom and
he was walking so fast I could barely keep up with him.
I also told her
that Tom had given my daughter and I a kitten about twenty years ago and it was
only a year and a half ago that her grandkittens died of old age.
As we talked it
seemed like Tom was possibly aware of us and was struggling to rise so he could
break through and be part of the conversation. Perhaps the slow flailing of his
seaweed strand of an arm was an attempt to signal us and say, “I’m here! Grab
hold of me and pull me up!” The movements of his arm looked also a bit like
someone making brush strokes. On of the nurses had commented to Phyllis that a
day or so before she’d seen Tom drawing in the air in his sleep. Just a few
days before my visit, Phyllis told me that Tom had been fully conscious and
singing to the nurses. Phyllis told me that Tom had actually been at the Bickle
Centre, three blocks away from me, for the last month. I felt disappointed
because I could have visited him a few times while he was still conscious if
I’d only known that he’d been there.
I left at around
noon, telling Phyllis I’d be back at another time soon, although it looked to
me like Tom was going to sink deeper into unconsciousness and he wouldn’t be
back.
When I got home I
couldn’t put off doing my laundry any longer, so I stuffed my bedding and
clothes into two large President’s Choice cloth shopping bags and carried them
on my handlebars to the Laundromat. While everything was washing I went home
and did some dishes and listened to Beck’s “Stereopathetic Soul Manure”, which
is one of my favourite of his albums that I’ve listened to so far and my track
is “Satan Gave Me A Taco”: “Satan gave me a taco and it made me really sick /
The chicken was all raw and the grease was mighty thick / The rice was all
rancid and the beans were so hard / I was getting kind of dizzy from eating all
the lard / There was aphids on the lettuce and I ate every one / and after I
was done the salsa melted off my tongue … Some old lady came along and she
thought I was a freak / so she beat me with her handbag till I could hardly speak
/ I was lying there naked, my body badly bruised / in a pool of my own blood,
unconscious and confused / Well the cops came and got me and they threw me in
their van / I woke up on the ceiling and I couldn’t find my hand / They took me
to the judge, his eye’s a glowing red / The courtroom was filled with witches
and the dead / Well the sheriff was a hellhound with fangs and claws / The
prisoners were tied up and chained to the walls / The air was getting thick,
the smoke was getting thicker / The judge read the verdict and said ‘Cut off
his head!’ (Though I assume the rhyme is supposed to be ‘pecker’) / Well they
placed me on the altar and then they raised the axe / My head was about to
explode when I noticed the Marshall stacks / I noticed all the smoke machines,
the cameras and the lights / and some guy with a microphone dancing in tights /
and I noticed the crew and the band playing down below / and I realized I was
in a rock video / So I went and joined the band and I went out on tour / I
smoked a lot of heroin and passed out in manure / I made out with groupies,
started fires backstage / I made a lot of money and I gave it all away / Well
the band got killed so I started a solo career / and I won all the awards and I
drank all the beer / I opened up a taco stand just to smell the smell / cooking
with the devil while frying down in hell.”
In the late
afternoon I took a bike ride. Just before leaving I went out on the deck to
check the weather. My next roof neighbour Taro was sitting outside his
apartment and he called out, “Beautiful day!” I told him I was about to take my
bicycle out and asked if he thought just my tank top would be okay, He
responded, “Beautiful!” I left with only the undershirt on but actually it was
almost too chilly for just that. It was okay once I got moving though. I
managed to pass everybody without getting passed all the way out to Donlands.
Well, that’s not entirely true. A woman passed me just after the light at Bay
because she hadn’t had to stop, but I caught up with her just before Yonge
where neither of us could get past the cars in front of us. She commented that
it was a tight squeeze and told me to go ahead of her. Just before Donlands a
guy did pass me though maybe I had unconsciously slowed down because that was
as far as I wanted to go. I went down Yonge to Queen and then home.
That night I
watched an Alfred Hitchcock Hour teleplay about a bald, bespectacled computer
technician named Walter Mills. This was in 1965 before tech nerds became sexy.
He is engaged to a young woman that works for the same company but she breaks
it off and goes on a rant about him being the least interesting and the most
ordinary man on the planet, who never does anything different from one day to
the next.
On his lunch hour
Walter stops into a wig shop and enquires “for a friend” about the price of a
real hair toupee. The salesman, sensing that it’s really for Walter, takes him
in the back and fits him with not only a toupee but also a Mitch Miller style
beard. Walter is transformed. He looks and feels like an entirely different
person. While wearing the beard he creates the persona of Philip Marshall.
Later in a bar he hears a couple, Noreen and Curly arguing about boats and,
suddenly full of confidence, Philip pretends that he is an expert who can
settle their dispute, as he has sailed all around the world several times.
Noreen is impressed with Philip and tells Curly to get lost. Noreen becomes
Philip’s girlfriend and he buys a boat to take her sailing, arranging with the
marina owner for him to help Philip so he doesn’t look like he doesn’t know
what he’s doing. Meanwhile Walter’s landlady sees Philip come into his place
and thinks two people are cheating her by paying rent for one. Walter moves out
and gets a room as Philip, this time making sure the new landlady understands
that Walter is a business associate that will be visiting regularly.
While leaving
Noreen’s place one night Philip is confronted by Curly, who calls him “Walter”
and threatens to tell Noreen what he knows unless Philip uses his bought to
help him hide some stolen jewellery. Philip agrees and they go out in the boat
to a mooring from which Curly’s bag is anchored.
Walter’s ex-landlady tracks down Philip’s landlady because she is looking for the rent that she thinks Philip owes her. They go to Philip’s room where she sees nothing but Walter’s clothing. Philip comes home to find both landladies and the cops waiting for him. He is accused of having murdered Walter and so he has to reveal that Philip and Walter are the same person.
Walter’s ex-landlady tracks down Philip’s landlady because she is looking for the rent that she thinks Philip owes her. They go to Philip’s room where she sees nothing but Walter’s clothing. Philip comes home to find both landladies and the cops waiting for him. He is accused of having murdered Walter and so he has to reveal that Philip and Walter are the same person.
Walter then goes
to Noreen and reveals that he is Philip. He begins to leave but she stops him
and kisses him, saying she doesn’t care. He tells her about Curly’s
blackmailing of him and she advises him to go and pull up the bag of jewellery
then moor it somewhere else. When he does so the cops arrive on a tip from
Noreen. It turns out that there were no jewels but rather a dead body and her
and Curly had been scamming him from the start.
It seemed kind of a rip-off for Walter, considering that he was innocent of murder, but I guess the lesson is don’t wear a toupee and a fake beard.
It seemed kind of a rip-off for Walter, considering that he was innocent of murder, but I guess the lesson is don’t wear a toupee and a fake beard.
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