On Saturday morning I went to the food bank
but I wasn’t sure if I’d be able to get any food because I had to leave
Parkdale by 11:00 for a gig at Queen’s Park. I was there on the odd chance that
when Martina came around with the box that I’d draw a number between 1 and 5.
Anything higher or news that they would be opening late and I would have to
just go home and give up on the food bank for this week. I started reading my
book. Angie and Lana came out for their just opening cigarette but I didn’t see
Martina with them. I walked west a ways to avoid the fumes. I didn’t see
Martina anywhere. I turned east and suddenly saw that everyone had started surging
towards and massing around the door. I walked over and saw that a volunteer had
decided to just come to the door and hand out numbers to whomever happened to
be nearby. By the time I got there he’d already given out the number 21 and so
I unlocked my bike and rode away.
After taking my
bicycle home I walked out to Fullworth to buy batteries for my clip-on guitar
tuner and on the way back I stopped at the liquor store to get a couple of cans
of Creemore, one for that night and the other for Sunday.
When I got home I
finished the now cold coffee that I’d made before my wasted trip to the food
bank and then I selected four pages of my poetry to attach to an application
for a Creative Writing course at U of T next year.
After that I had
time to pack up my guitar and leave to meet my friend Tom Smarda in front of
Queen’s Park. I arrived a bit before 11:30 and there was no one there. At first
I experienced the same doubts that habitually early people like me often feel.
Did I get the information right? Was this the correct location? Was it the
right time? Tom was about five minutes late.
Before we
rehearsed I changed the battery on my tuner but found that even at its
brightest the LED screen on my clip-on doesn’t show up very well in the glare
of even the hazy sunlight that was coming through. I had to go over to some
bushes where it was a little shadier just to get my guitar relatively in tune.
Tom and I were
less than a minute into rehearsing the song when some of the people involved
with the anti-shock therapy demonstration arrived and came over to say hi to
Tom. After we’d all exchanged greetings, Tom politely let them know that we
wanted to rehearse and so they went over to the area near the power outlet
where the protest was scheduled to take place. Tom and I went through my song
once and then he went to join the others. I retuned my guitar and then one of
the organizers of the event came over to inform me that the legislature cops
wanted me to move my bike. I’d put it on the west side of the stairs against
the left side the stone railing that extends from one of the three arches at
the top of the steps. I had planned on moving it anyway once I moved down to
where the protest was being held but I wondered why they cared that my bicycle
was there. Maybe it was for aesthetic reasons or that it was deemed
disrespectful to prop something against the building. I suppose it could have
been a precaution against the possibility that I could have planted a bomb on
my bike to blow up the Ontario Legislature. I had parked it on top of what
looked like a little trap door that was about the size of an extra large pizza
box, so maybe they didn’t want the door covered. My guess was that what was
below were the electronics for the floodlights that shine on the building at
night. I moved my stuff against a lamppost on the north edge of the lawn area
and on the east side of the central path.
I didn’t check the
time but things seemed to get underway around noon as scheduled. This is an
event that is put on by the Coalition Against Psychiatric Assault the day
before Mothers Day every year, called “Stop Shocking Our Mothers and
Grandmothers” to protest the disproportionate amount of electro convulsive
therapy that is administered to women. Apparently two to three times more women
are given shock therapy than men. Currently 70% of shock treatments are given
to women, usually for various instances of depression, such as postpartum
depression. I was surprised that speakers were talking about people being given
ECT against their will, because I thought that was a thing of the past. Bonnie
Burstow, reading from her novel “The Other Mrs Smith” describes the main
character constantly refusing consent and yet being given electroshock anyway.
In most countries
what is required is informed consent but for a patient that is considered
unresponsive, someone else can give consent on their behalf. Consent tends to
involve signing a document but about a third of those that have done so say
they do not feel that they were in the right state of mind at the time of
signing to have made an informed decision. Even after giving consent, in many
legal systems one still has the right of refusal, but the two extreme ends of
Canada are apparently the worst places to be a psychiatric patient in our country
because in British Columbia and Newfoundland there is no right of refusal after
informed consent. It turns out that the best place to be a psychiatric patient
in Canada is Ontario, since the right of refusal is always there. Of course
though, if you are taking psychiatric drugs that are putting you in a catatonic
state or in any condition in which your judgement is impaired, your will to
refuse may also be compromised.
Connie Neil read from “Aftershock”, her autobiographical account of her experiences with electroshock treatment. A few others stood up and gave testimonies or read the testimonies of others that had appeared at this event on previous years.
Connie Neil read from “Aftershock”, her autobiographical account of her experiences with electroshock treatment. A few others stood up and gave testimonies or read the testimonies of others that had appeared at this event on previous years.
The stories of
memory loss were often horrific, such as a mother losing the memory of the
birth of her two children; losing 27 IQ points; losing 20 years of memory,
including how to do simple things like brushing one’s teeth. This last one
seems to be fairly common. I shared an apartment with a man in Montreal back in
the mid-70s who also lost the first twenty years of his life after his parents
gave consent for him to receive shock treatment. All he came to know about his
own childhood afterwards were what his parents told him happened. Imagine the
power that a mother and father would have if they could re-write their own
child’s history. Frederick Serafim said that one of the results of his memory
loss was the destruction of the smoothness that he’d acquired throughout his
life in communicating with others. He’d lost all the social skills he’d learned,
which compromised him in both friendships and professional settings.
While one of the
biggest neuroscience discoveries in the last twenty years has been that parts
of the brain do produce new neurons, a 2017 study found that the hippocampus,
one of the brain’s key memory centres does not create new neurons after the
first year of life. If it is true that some parts of the brain to not acquire
new neurons, then since electroshock does destroy neurons, which are parts of
the body, then the treatment is effectively a type of permanent amputation. It
seems to me then that because of this the process of arriving at informed
consent for ECT should be as rigorous as it is for those that are making the
decision to undergo sexual reassignment surgery.
Speaking of
transgender people, though I haven’t been able to find any statistics relating
to the percentage of transgender women and men that have undergone shock
treatment, it seems to me that since a much larger percentage of that
population experience depression than do cisgender people, transgender people
would be more in danger of being set up as candidates for ECT than the general
population.
Certainly an
overwhelming number of studies have shown that ECT is effective in the
treatment of depression but is it worth the loss of memory? I think a great
part of the blame for what would compel people to consent to having their
memories destroyed is our society’s obsession with the pursuit of happiness.
Depression is seen as an illness and not part of the process of living. When
someone asks, “How are you?” we are expected to answer “fantastic”; “great”;
“awesome” or at least “fine”. This
compulsion to act happy at all costs and to be made to feel that something is
wrong if we’re not happy may be one of the most dangerous aspects of modern
life. It may cause us to make desperate decisions in order to kill depression
when we have it. Personally I would rather be depressed every day of my future
than lose any memory of my past.
Some of the people
involved with this event officially announced that next year, in solidarity
with the main organizer, 87 year old Don Weitz, they plan to join him in a
hunger strike on the day before Mothers Day next year.
After the
testimonials, we came to the musical portion of the event. Diem Lafortune, also
known as “Mama D”. The problem was that there was only one microphone and no
microphone stand and so one of the organizers of the event had to stand and
hold the microphone up so Diem could be heard. She did a song I’d heard her do
before that asks, “What are you gonna do with the pain inside of you?” Her
second song was new and very slow but I didn’t pick up on what it was about.
Then Tom and I
were invited to the microphone. I introduced my song by explaining that back in
the late 80s I had worked moving furniture for the Ministry of Government
Services and on one occasion we took the furniture from some offices of the old
Lakeshore Psychiatric Hospital. I was working alone and was about to flip a
desk on its end, slip a hand truck underneath and then wheel it out to the
truck when I checked the drawer to see if it had been emptied and found a
manual entitled “Instructions for Electroshock Therapy”. I took the little book
home and turned the instructions into a song of the same name. I sang it while
Tom tossed in some guitar and a few shouted repeats of the lyrics. Naomi was
kind enough to hold the mic to my face while I sang, though during instrumental
bits she put the microphone near the guitar, which caused me to hit it with my
hand when it jumped higher up the neck.
Plug the
female end of the cord into the place where it’s meant to go,
plug the
male end into any, any, any old electric hole.
Now hit
the switch,
the light
is green,
Why don’t
we wait now to warm up the machine?
We’re
wearing white and we’re feeling clean
for shock
therapy!
We strap
their legs and their arms
for shock
therapy!
They
can’t do any harm
without
their memory!
Shock
therapy!
And if
you think someone’s insane
why don’t
you drive some lightning through their brain?
They
won’t remember who to blame
for shock
therapy!
Undress
the patient and then lay them down just like a sacrifice.
To avoid
any bruises let no metal touch the skin,
that’s my advice.
Now take
a razor and shave the hair
around
the temples, then rub electrode-jelly there,
put some
on the electrodes and we’re soon prepared
for shock
therapy!
Under
fluorescent glow!
Shock
therapy!
You know their
flesh looks so cold under that canopy
for Shock
therapy!
We dance
some sparks through twisted wires
and
randomly black out the stars.
Best of
all it doesn’t leave any scars.
Shock
therapy!
(Chaotic
guitar break)
Insert
and fasten the mouthpiece so the patient won’t bite their tongue,
slip a
pillow underneath the back to reduce the spinal motion,
now turn
the shock-power-switch on
and
rotate the dial to choose the voltage you want,
to serve
another cold meal in the restaurant
of Shock
therapy!
Let’s fry
some frontal lobes with shock therapy!
add some
gelled electrodes to the recipe
of shock
therapy!
But if
you want to make it work
use a
tight rubber belt to hold those spastic jerks.
Let’s
burn up the temples and raise the church
of shock
therapy!
Keep in
mind that every patient has a different convulsive threshold,
so start
at three-tenths of a second at ten or twenty volts.
But the
voltage on the screen
is not
the voltage in the human being,
so let’s
meditate upon the golden mean
of shock
therapy
(Spacey
meditative instrumental)
Multiply
the patient’s current by the machine’s resistance,
then
subtract from the meter voltage.
Is all of
this making sense?
Now push
the start-shock button on,
and keep
your finger there until the shock is done,
secure
the jaw and force the shoulders down
for shock
therapy!
We’re
looking for the threshold
in shock
therapy,
but if
convulsive codes have not been breached
in shock
therapy,
either
the threshold has not been found,
or a
delayed attack is coming around
in ten to twenty
seconds on the killing ground
of shock therapy!
If
unconsciousness follows the charge a delayed attack will come,
but if
you’re looking for a grande mal seizure, just raise the voltage some.
Two
hundred and fifty volts
at
point-one seconds makes them shake like Jell-O,
though
for the rest of their lives they may be walking slow
from
shock therapy!
To get a
grande mal seizure,
from
shock therapy,
you know it
couldn’t be easier, get one right away.
Shock
therapy!
Just two
hundred volts
at
point-fifteen seconds could deliver some jolt,
so it
helps us to remember it’s the patient’s fault
in shock
therapy!
For details
on injections of amytal and other drugs,
just in
case you want to reduce the violence of these convulsions,
refer to
current literature,
so now
we’ll open our books to page thirty-four
as we all
join together now to sing a prayer
to shock
therapy!
After we were done Tom said that into the mic he agrees with Don Weitz that there is no such thing as mental illness. That seems like an absurd statement to me. One would have to be able to deny that physical illness exists or that somehow the brain is miraculously the only part of the body that does not get sick. A more legitimate statement would be that everyone has some degree of mental illness.
Tom finished
things off with a much gentler choice of one of his own songs in which he had
the nice rhyme of “fragrant” and “pavement”.
Afterwards, almost
everyone at the demonstration told me that my song was great. Don Weitz told me
about three times that I’d done the best anti-shock therapy song he’d ever
heard. He added that he’d thought from the sincerity that I’d put into my
performance of the song that I must have had shock treatment myself. I assured
him, “I’ve been shocked, but I’ve never had shock.”
Considering that a
third of those that give consent to receive electroshock treatment don’t feel
they were fully informed, it was surprising that there were only about fifteen
people at this protest. It didn’t seem very well organized, which was evidenced
in the fact that they didn’t even have a microphone stand. Their slogan for
this year was inspired by the Burstow novel, as on their banner was written, “I
am the other Mrs. Smith” and people were asked to chant the same thing. I can’t
see how anyone passing would know what the hell “I am the other Mrs. Smith”
even meant. I think they should make their slogan more to the point so that the
tourists taking pictures of the old building with their selfie sticks could
hear something like, “Stop electroshock therapy now!”
Tom said that they
told him that next year they should have us play at the beginning rather than the
end. If we get invited to perform next year I think I’ll bring my mic stand.
I
walked with Tom to the subway, we did another hug and then I rode home. The
Spring Into Parkdale festival was going on throughout my neighbourhood but I
didn’t go out again that day.
That
night I watched a fairly predictable Alfred Hitchcock Hour teleplay about a
stock market con artist who preys upon women of inherited wealth that do not
know much about investing money. We see his modus operandi at the beginning as
he swindles a young woman out of her life savings after having charmed his way
into her affections and then investing her money in a stock that failed. He
claims each time that he has lost everything as well and that he is in the same
financial boat as his loved one, but then he disappears with a suitcase full of
her money and changes his name.
We
next see him as James Jarvis Smith on a plane pouring on the charm to an
elderly woman named Mary and her companion Agatha. He finds out the hotel where
they live and claims that by coincidence that is where he is booked. Of course
he isn’t but he manages to charm his way into getting a room anyway. Mary is
quite taken with Jarvis and thinks he would be a good match for her companion.
Agatha though is standoffish with Jarvis at first and it seems that she does
not trust him, but eventually she comes around and they begin a romance. He
tells Mary of the stock in which he wants to invest but she says that she
always shows all potential investments to her attorney first. That night her
lawyer mysteriously dies after a visit from James Jarvis. Mary ends up giving
power of attorney to Jarvis, which means that he has access to Mary’s money and
the freedom to invest it wherever he wants. Once again he took everything she
had and pretended to invest it in stock, for a company that no longer exists.
He then told Mary that he’d lost hers and his life savings. Mary is devastated
that she can no longer provide for her niece and that she’s lost everything
that her father and his father had worked for. When Agatha comes home from the
market she finds that Mary has shot herself dead. Mary’s niece comes to see
Mary but Agatha tells her she’s resting. Aileen informs her that her and Mary
have been swindled because the Arlo Trust Company no longer exists. Agatha gets
in touch with James Jarvis and tells him the lie that their problems are over
because Mary has just inherited her brother’s estate but she’d like Jarvis to
come down and explain the documents to her. Of course he comes. Meanwhile
Agatha takes Mary’s gun, wipes the prints from it and puts it in a drawer. When
Jarvis arrives she tells him that she needs to show him something that has her
worried. She says that Mary has bought a gun and Agatha asks him to take it and
get rid of it because it frightens her. So now his prints are on the gun and
the gun is in his pocket. She lets him into Mary’s room and locks the door
behind him. He discovers that Mary is dead and tries to get out. Agatha calls
the police to tell them that Jarvis has just shot Mary. He uses the gun to
shoot the lock off Mary’s door so he can get out but emerges from her room
holding the gun just as the police arrive in the apartment. They shoot and kill
him.
No comments:
Post a Comment