I couldn’t sleep when I went to bed after midnight on
Wednesday, probably because I’d taken a late siesta on Tuesday evening and had
only been up for six hours. I guess being wide awake made me more inclined to
reach back between my shoulder blades and to fiddle with a bump that had been
there for about two months. I’d tried squeezing on several occasions over that
time but nothing happened. I was beginning to think that it was something that
I should show to my doctor but this time when I squeezed it a tiny hole in the
bump opened up and a stream of puss came out onto my hand. I got up and went to
the bathroom to look at it. The liquid was clear but I really didn’t want to get
it onto my sheets so I spent a long time reaching awkwardly back to squeeze
what I guess was a boil so I could get as much out of it as I could so it
wouldn’t come out while I was lying in bed. After at least the next half an
hour I finally stopped from exhaustion, though some of the stuff was still
leaking out.
I’m
not sure if I slept at all, but I’m pretty good at relaxing and so I
nonetheless felt fairly rested when I got up at 5:00. The boil seemed to be
gone though there was still an itchy and slightly elevated wound remaining.
I
spent quite a bit of the day writing about the events of Tuesday. In the
evening I had to go to 20th Century US Literature class. It was much
cooler outside than it had been lately and on top of that it was raining a bit.
I wore my hoody and my leather jacket. The rain wasn’t enough to make me wet
before class.
As
usual I was early so I sat in a chair that happened to be sitting in front of
the elevator. I finished reading W. E. Du Bois’s “The Souls of Black Folk”,
which struck a balance in the early part of the 20th Century between
encouraging African Americans to be patient with slow progress but also not to
give up pushing for full civil rights. A guy approached me who happened to be
one of the three other guys named Christian in the class. He wanted to know if
I’d gotten the email informing us that this week’s reading had changed from
Washington, Du Bois and Hurston to Hemingway and Fitzgerald. I answered that I
hadn’t gotten the message but I knew that it had changed because I’d heard
Scott mention it at the end of last week’s class.
After
roll call, Scott Rayter went over the changes to the syllabus. Our test was
moved two weeks forward into the middle of November. The strangest thing is
that we only have one essay for a full course, but it’s worth 35%. We’ll only
be reading Elliot’s “The Wasteland” and not Prufrock as well.
Scott
said he might throw in an extra story or two later on.
He
spent some time talking about the state of the Humanities at U of T. He explained
that the Humanities are shrinking more and more each year. There are tenured
professors getting paid by the university but with courses that get cancelled
every year because nobody enrolls in them. One-quarter of incoming students are
international and so it’s hard to get them interested in taking English
literature. There are other Humanities programs that are less functional than
English and with less nice people running them.
F.
Scott Fitzgerald and Ernest Hemingway were both alcoholics.
One
reason for a lot of these authors living in Paris was because the US dollar was
worth a lot more over there in 1930. They were both celebrities.
Ernest
Hemingway didn’t like being interviewed; he was in his fourth marriage when he
committed suicide. His father, his two siblings and his granddaughter Margaux
Hemingway also committed suicide. His daughter or son Gloria or Gregory
Hemingway (It’s not clear from my readings if Gloria identified as a woman or
not) died of what was diagnosed as hypertension.
When Hemingway
died he was the most famous writer in the world.
He lived for about three-quarters of a year in Toronto but still sent stories to the Toronto Star after moving to Chicago.
He lived for about three-quarters of a year in Toronto but still sent stories to the Toronto Star after moving to Chicago.
He was obsessed with masculinity. Scott says the
gender politics is fascinating in “The Sun Also Rises”.
Both Hemingway and Fitzgerald were Modernists but
Hemingway was more radical.
We looked at the very short story, “Hills Like White
Elephants”. This is classic Hemingway. There is no “he said, she said”. The
prose has a journalistic feel.
Hemingway created a style of writing that he called
“The Iceberg Theory” in which the deeper meaning (Scott says 7/8) of a story
must be hidden.
This story is pared down and does not have a lot of adjectives. The prose is turgid (Scott says “erectile”). There is a lot of anxiety.
This story is pared down and does not have a lot of adjectives. The prose is turgid (Scott says “erectile”). There is a lot of anxiety.
The
writing is a reaction to the popularity of the sentimentality of 19th
Century women writers. The changes that literature has gone through
historically can be seen as reflecting the changes in women’s fashions. Glenn
Close had one of her ribs broken as a result of being tied into a corset for
the film, “Dangerous Liaisons”.
“Hills
Like White Elephants” appeared in a short story collection entitled Men
Without Women. Scott asked for some examples of men being without women. I
offered “war”. Others said sports, some kinds of work and certain types of
emotional and mental suffering. When Hemingway first thought of the title of
“Men Without Women” he wrote to Fitzgerald about it and told him his readership
would be the fairies and the spinsters.
The
first courses on Modernism only featured male authors, though there were
outstanding female writers in the genre, like Virginia Woolf. Male writers have
anxieties about the place of women. Woolf called T. S. Elliot “the banker”.
“Hills
Like White Elephants” is Hemingway’s most famous short story. He does strange
things with time here. 35 minutes pass on one page. The missing parts are the
silences between the man and the girl. There is no interiority. Are they communicating
at all? The first paragraph gives weight to the location.
She
is the one who observes that the hills look like white elephants. She uses
metaphor while he does not.
He is
taking her to get an abortion in a Catholic country in 1930. He’s been through
this before. The story is not about the abortion but about their relationship.
She is weary of his talking. What does her smiling mean? A white elephant is a
burden that someone else might value. White elephants are sacred. There is an
elephant in the room.
When
they are apart the view follows him rather than her.
She
says that everything tastes like licorice. Scott wondered why she would say
that since everything doesn’t taste like licorice. I pointed out that in Europe
the flavour of anise is in everything, such as candy and drinks. I added that
many people say that men taste like licorice. He said, “None of the men I’ve
tasted taste like licorice!” He’d never heard of that.
The
man in the story says for the girl to be reasonable, meaning do what you are
told.
Did he change trains when he put their bags on the platform?
Did he change trains when he put their bags on the platform?
She
is vulnerable because she does not speak Spanish.
The
story is about absences, silences and the unspeakable.
Her
name is Jig. The jig is up?
During
the break, Scott came over to ask me more about men tasting like licorice. I
told him that I’d first heard about it from translating the Serge Gainsbourg
song, “Les Sucettes”. The lollipops are really penises that taste like aniseed
or at least their semen does. I think he was flirting with me. We discussed the
various drinks that are made from anise and that have the flavour of licorice.
I mentioned Calvados but he corrected me that Calvados is a Norman apple
brandy. I see now that he’s right.
After
the break we moved on to F. Scott Fitzgerald. He wrote 178 short stories and he
was a master of the medium. He’s interested in substance and character.
“Babylon Revisited”, about the relation between morality and money is from
1930, just after the killer crash. People are not well. His wife died and he
had a breakdown. This is perfect for modernism, which thrives on things being
off or not right. Babylon Revisited is in the aftermath of decadence. But
Modernism also strives to make things new.
The
Snowbird is a coke addict.
Scott
sees the story as a modern telling of Orpheus and Eurydice.
It’s
a story of global loss brought to the personal. Charlie is selling short.
What
counts as knowledge? What caused his wife to die?
His
wife’s sister did not even like her but she can’t own her own grief.
What
is the meaning of Charlie’s one drink a day ritual? I seemed to be the only one
that saw it as a show of strength. Showing that he’s changed but keeps the past
as a conquered trophy.
He
gave out his sister in law’s address but denied it when the two drunks show up.
This
story somewhat parallels Fitzgerald’s own life.
The
past is mythologized.
Scott
thinks Charlie will never get custody of his daughter.
Women
don’t do very well in Fitzgerald’s works.
Class
ended later than usual
I
finished watching David Byrne’s ”True Stories”. John Goodman’s character ended
up marrying the woman that never gets out of bed, in bed. I liked the film but
I guess critics didn’t. He never directed another one, though he’s done a lot
of scores for theatre, ballets and movies.
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