I
spent several hours on Saturday working on my paper, which is due on Wednesday,
but it still doesn’t look like an essay. I mostly just expanded on some ideas
that I had already written down, explaining aspects of sexuality in Allen
Ginsberg’s “Howl”:
In Howl, male masturbation is a desperate drug to get one
through the night. Music, sustenance and sex are equated as handouts for the
poor, hungry, lonely and unoccupied urban masses.
In
Los Angeles in the 1950s, the Los Angeles Police Department created a vice
squad just for entrapping gay men. Undercover cops would pose as homosexuals to
ensnare and arrest men for homosexuality, public and private, wrecking their
lives for repeated necessary illegal behaviour from coast to coast. One could
be picked up by the cops for looking at another man in what could be deemed a
sexual way. There was fear of revealing oneself as gay in school gym dressing
rooms while surrounded by naked forbidden bodies. Men willingly had passionate
sex in police cars with detectives that picked them up for being homosexual
pederasts. Wild cooking relates to oral sex with adolescent boys. There was a
double standard, in the 1950s regarding sex with children, since the marriage
age with parental consent was 12 years old and so pederasty was technically
legal for heterosexuals as long as they were married to the given child. Since
homosexuality was against the law, the loophole of marriage was not available
to gay men and so a homosexual that was also a pederast was a particularly
egregious type of sexual deviant, despite the fact that it was legal for
straight men to have sex with adolescent girls.
Howling
in sexual joy from being sodomized in public places. Arrested for sex crimes
and self-exposure in body and in text. “Saintly motorcyclists” seems like an
ironic image, but the first Gay motorcycle club was formed in 1954 so that men
could travel together and be less of a target for the police as they had been
in stationary Gay bars. They were saintly because of sacrifice, generosity,
having a calm confidence in who they were, saintly in appearance, wearing crosses,
sacrificed to a lifestyle with religious fervour.
To blow
and be blown by those human seraphim, the sailors. In Christianity, seraphim
are the highest angels. Ginsberg refers to various men as “angels” or “angel
headed hipsters”. He may just mean that they are extremely attractive men.
Sailors are exotic and in the sense of being able to travel far and wide, they
have wings. They have knowledge of love from exotic lands and their
relationship with the ocean can be seen as one with the source of all life, or
god. Sailors wear white as the angels do. They are in constant motion as the
seraphim are.
That night I watched the Alfred
Hitchcock Hour and the story was about a wealthy vineyard owner named Luis, who
is throwing a party. His estranged son, Al comes to the party to ask for money
but Luis refuses because Al did to go along with an arranged marriage to Kitty,
the daughter of the owner of the prosperous adjacent vineyard to his own.
Kitty, who is also at the party, had not wanted to marry Al either. Al instead
ran off and married one of the vineyard workers and now she is pregnant. Luis
tells Al that he will give him $5000 if he can drink him under the table. He
appoints Dominic, the sheriff’s son, who was working there that night as a
waiter, as the pourer. Even though Al does not drink, he agrees to the contest,
but of course he loses. Luis’s secretary, Ruth, Al’s wife, Jeanne and Kitty
come into the tasting house to see what’s going on and find Al unconscious.
They help to take him away but Luis holds Kitty back and says that his dream
can still be realized if she marries him. He tries to hold her but she pushed
him away and runs up the stairs. He pursues her and grabs her again, but when
he pushed him he tumbles down the stairs and hits his head. She thinks he’s
dead and so she runs for help. She tells her friend Dominic and so he goes back
to the tasting house. Meanwhile, Luis is not dead. He comes to just as Ruth
confronts him and says she had overheard Luis asking Kitty to marry him even though
the whole purpose of that night’s party had been to announce at midnight Luis’s
engagement to be married to Ruth after twenty years of her having been his
secretary. He confirms that he will not marry her and so she takes a magnum of
his finest wine, “The Joyful Woman” and hits his head six times until it
breaks. Dominic comes in and finds the body but before he can leave to call the
police, Ruth pulls a gun on him. She takes him to the cellar and tries to shoot
him but finds that the gun is empty and instead hits him with it, knocks him
out, flips him into a large empty wine vat, closes the lid, turns on the water
and leaves for her bedroom. The water gets higher and higher as the rest of the
story unfolds. Dominic’s father, the sheriff, comes to investigate the dead
body and hears from Kitty that his son is missing. Kitty discovers that Luis
and Ruth had planned their engagement announcement that night and since she
knows that Ruth had overheard Luis ask her to marry him, she suspects Ruth of
killing Luis. She tells the sheriff and they both go to question Ruth but they
find she has taken an overdose of sleeping pills. They force her awake and she
tells them that Dominic is in the cellar. Kitty hears the running water and
they find Dominic.
Kitty was played by the lovely Laura
Devon. She only did five films and several TV shows between 1060 and 1967. She
recorded three songs and then she married French film composer Maurice Jarre
and retired from acting.
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