The toilet was backed up on Tuesday morning
but I didn’t have time to plunge it because I had to leave for work early.
After arriving at OCADU, as I was climbing the stairs to the fourth floor of
the Village by the Grange campus, my phone started ringing. I didn’t bother to
answer it on the stairs, but once I was on the level I took the call. It was my
landlord telling me that water was leaking from my apartment down into the
donut shop. I told him the toilet was plugged but I hadn’t flushed it. I also
let him know that I could not come home until the afternoon. He has a key but
he said he was in London. Later it occurred to me that I did pee before leaving
for work and out of habit I flushed the toilet without seeing if it was
overflowing. I couldn’t imagine a toilet continuously overflowing like a tub
though so I figured it would have probably stopped already. Throughout my time
at work though, from time to time I was dreading what kind of a mess I would
find in my bathroom when I got home.
The
morning class for which I worked was first year when all the classes tend to try
to give an overall sampling of the various aspects of art that students can
choose to branch into in subsequent years.
The
instructor was Francisco Granados, a flamboyant man in a bright red toque. He
had me start with a full 20 minutes of 30 second poses, then a set of 1 and 2
minute gestures, followed by four 5 minute poses and a 15 minute pose. Then he
had me reverse the order and do the fives, the twos and ones and the 30-second
poses again. It was a workout.
During
the break he asked his students to look up the word “palindrome”. I had
actually forgotten that it’s a word or phrase that reads the same way forwards
and backwards. Of course the point was that my poses for that class combined to
make a palindrome.
Immediately
after Francisco’s class I had to pack up and head across the street to the main
building and work upstairs at the top of the pencil box for Kevin Compuesto. He
had the stage set up for a two-model pose, but the female model would come next
week. He had two mannequin legs sitting in a chair with a drapery over them to
indicate where the other model would be posing and I was supposed to sit on the
stage and interact with her in some way. He’d put a few props at the front of
the stage to suggest that the absent model would be some kind of worshipped
being and so I sat facing her with one hand on the arm of her “throne”. It was
a difficult pose because both of my knees were bent and they got pretty stiff
by the end of the day.
I
was feeling a bit sleepy and so on a five-minute break I laid down on the stage
to doze a bit. Kevin had to come over and poke me when I actually fell asleep
for two minutes past my break. During the long break I got enough rest to
continue to the end.
I
was glad to be on my bike afterwards and moving my knees. I stopped on my way
home at the Bank of Montreal on Queen Street, east of Bathurst, because I was
low on grocery money. The ATM in that bank sometimes rejects my card and I have
to try again.
The
following day I would be entering the second transition out of my annual fast,
as I would start eating vegetable protein, so I bought some soy milk, a couple
of tubs of spicy hummus and a plastic jar of tahini. I got the last two items
because I thought they might go well with some falafel that I had in the freezer.
All of the tahini containers were greasy from sesame oil that was leaking out
from under the cover. I picked the least slippery one.
When
I got home only the bathroom floor mat was soaked but the floor was dry. The
biggest surprise was that the toilet was unplugged. I figured that the landlord
must have let himself in and cleared the block. But that evening he knocked on
my door and told me he’d just gotten into town. To explain how the toilet had
cleared itself he suggested that the weight of the water had finally just
pushed a hole through the blockage. He said there was still water dripping down
in the donut shop but he couldn’t figure out why. He asked me to watch when I
flush next time. He’s been a lot calmer since his stomach exploded a couple of
years ago.
The
second season of the Alfred Hitchcock Hour started off with a bang in the story
about the mental patients taking over the asylum, but the next three stories
have been below par. The one that night was about a bus driver nicknamed “Driver”
who stops for a beer at one of his old haunts and runs into his trashy-sexy
ex-girlfriend, Betty Rose, who hasn’t gotten over him and continues to insist
that they were made for each other. He had gone away to Korea though and
brought back a bride named Mickie. He leaves the bar, but instead of going
home, stops to sit at a spot by the lake where he used to meet Betty Rose.
Betty Rose finds him there and once again pushed him to come back to her. She
threatens to tell Mickie about his past with her and he strangles her to death.
The next night, before Driver comes home, Mickie is visited by the sheriff, who
tells her about the death of Betty Rose, including the fact that the killer
tore a button from Betty’s coat. Mickey finds a woman’s coat button in Driver’s
coat. As she is preparing dinner, her dog Rags gets under foot and causes her
to spill a large can of milk. She ventures down to the McLeod General store and
on the way runs into Mrs. McLeod’s mute daughter, Ruby, who loves Mickie’s dog.
They walk together to the store with Rags on a chain leash. When Driver gets
home Mickey asks him about the button and he tells her that he found it on the
ground on the way home. Mickie says he should turn it in to the police and so
he says that he will go right away. Mickie and Rags come with him. On the way
though, Driver decides that it would be less incriminating for him if he just
leaves the button for the police to find. Mickie is suspicious and based on the
way he answers her questions, she figures out that Driver is the killer. She
says she never wants him to touch her again and so he strangles her too. Driver
tells the police at the store that Mickey didn’t come home after going out to
get the milk. Since he is not a suspect he is told to go home. He pulls out
Rags’s chain and tells him to come, but Ruby, who communicates with a
blackboard, claps her hands to draw attention to her board and writes that
Mickey had the chain with her when she came for milk, so Driver must be the
killer.
Mickie
certainly didn’t look Korean and in fact she barely looked Asian at all, but it
turns out that she was played by Pilar Seurat, who was a Filipina actress who
got a fair amount of work in the 60s in both television and film.
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