On Tuesday morning I found another set of
chords for “Le complaint de progres” by Boris Vian. One more set and I'll just
choose between them or work out my own.
I
memorized two verses of “Pamela Popo” by Serge Gainsbourg.
I
typed some more of my Monday lecture notes.
I
took an early siesta because I had to work in the early afternoon.
I
had a piece of chicken and some yogourt before leaving.
I
worked for Nick Aoki on the third floor of the Village by the Grange campus.
The
walls of the little changing room for the models in studio 316 have all been
filled with dynamic artwork in black and white. I was also pleasantly surprised
to see an electrical outlet that had been put in the change room. I had brought
my laptop and was setting it up to sit in the change room during my breaks when
I realized that the electrical outlet was just painted with the artwork on the
wall. I found somewhere outside the change room to plug in.
I
did the standard sets of gradually lengthening poses from ones to threes to
fives to tens and finished with a twenty-minute pose. I had longer breaks than
usual because Nick lectured for about ten minutes a couple of times. Near the
end he gave his students an analogy relating to Deep Purple’s Smoke on the
Water. I asked the class if anyone had actually gotten the reference but none
of them had. Nick said it’s too bad because there aren’t any three-chord guitar
riffs now that are iconic enough to reference.
When
class was over I commented to Nick that “Smoke On The Water” was way before his
time but he said it was only ten years before. He went to high school in the
80s. I guessed correctly that his era was Grunge. He said that “Smells Like
Teen Spirit" came out when he was in Grade Seven and Nirvana was enormous.
They used to have air guitar competitions and guys would lose it. But there’s
actually nineteen years between “Smoke On the Water” and "Smells Like Teen
Spirit". I guess Nick is about twenty years younger than me. He looks like
a kid.
I
had a potato and the rest of the whole chicken I’d cooked on Sunday with some
gravy for dinner while watching Zorro.
In
this story the new commandant Don Juan Ortega arrives at Los Angeles. He turns
out however to be another agent of the Eagle feather and not even the real
Ortega, whom he killed. Ortega and the magistrate discuss their leader whom
neither has seen but whom they agree pays well. In his efforts to find new
revenue the magistrate learns that Franco Barbarosa, one of the wealthiest
ranchers in Los Angeles, does not own his property, which belongs to the king.
Living on the king’s land and improving it is a legitimate way to eventually
own it but the magistrate said that has changed and arrests Franco for
trespassing, sentencing him to hard labour turning a millstone while being whipped.
Meanwhile Don Diego becomes reacquainted with his childhood friend Rosarita.
When she learns of Franco’s arrest she asks Diego to intervene. He speaks with
the magistrate but to no avail. Rosarita is angry that Diego only uses words.
Later as Zorro he returns to rescue Franco and has his first swordfight with
Ortega. He defeats him and makes him promise to never treat a man like a mule
again.
Rosarita
was played by Sandy Livingston, about whom there is very little information
online.
No comments:
Post a Comment