On Monday in the
late morning I rode up to Sham Florists in the rain because my daughter wanted
to know what florist they’d connected with in Montreal to send the flowers I’d
ordered for her birthday last year. I’d somehow gotten the impression that they
were at Brock and Dundas but they weren’t and so I continued up to College
where they weren’t either. I suddenly remembered that they are at Dundas and
Dufferin and so I pedaled along College and then south. The man behind the
counter was not whom I’d dealt with last year. He couldn’t find Astrid’s name
on his computer but said he could look through the paperwork if he knew the
exact date of delivery. I told him it had been either May 16 or 17. He told me
he was all alone in the store that day and that he would try to look for the
information before the afternoon and so I should call him at around 16:00. I
assume that even the day after Mothers Day is pretty busy for florists so it
was understandable that it would take a while. When I called him back in the
afternoon he still hadn’t gotten to it and so he said to call on Tuesday
afternoon.
I got caught up on my journal.
Because of the rain I stayed home.
I reviewed the recording of my song
practice from August 3, 2017. About half of the video was taken up by me
practicing “Sixteen Tons of Dogma”. Watching an old video of yourself
struggling with something that is less of a struggle now is like watching your
own child. I kind of felt like stepping into the screen and giving myself a
hug. The only song that came out all right was “Jeunes Femmes et les Vieux
Messieurs” but one can see the metal of my zipper. Usually I would have had my
undershirt pulled down over that area
but I guess it climbed up.
I weighed 90.7 kilos before dinner.
I would think I’d weigh less when I’m hungry.
I boiled a carrot and a potato and
heated a chicken leg for dinner with gravy.
I watched two episodes of Sea Hunt.
In the first story Mike is training
two members of the Florida Highway Patrol to be skin divers. He’s also teaching
them underwater self-defence. Meanwhile there is a scuba diving criminal
robbing boats and shoreline houses. Mike interviews Waco, the old man who runs
the local scuba equipment rental place. Waco has 19 regular rental customers
and he gives Mike a detailed description of all of them from memory. Based on
the description by a young woman who was robbed, the closest match is a local
mechanic named Herb Warren. Mike goes back to Waco and puts tracing liquid on
Warren’s tanks so that anything they rub against will show under a black light
that he’s been there. Waco phones the police next time warren takes his tanks
and tells them the area toward which he’s headed. Warren robs a house and is
about to emerge from the water to get to his boat when he sees Mike and the
cop. They chase and capture him and the house that was robbed shows evidence of
the tracing liquid. But whomever they used as an underwater stand-in for the
actor that played Warren was not short and stocky like him.
In the second story Mike is helping
two married friends, Marie and Alex, dive for sponges when he approaches an
underwater cave and hears music coming from inside. Suddenly an incredible
force begins to suck him inside but he grabs the overhanging rocks and manages
to struggle free of the current. His friends tell him that he’d found the Cave
of the Mermaid where Marie’s uncle died and so have many other divers. Only one
man has survived and now Nick wanders the docks in a daze. He says he saw the
mermaid smiling at him before he blacked out. Not believing in mermaids, Mike
decides to solve the mystery but on his second attempt he comes even closer to
being violently sucked into the cave. He begins to study the currents of that
area and thinks he’s figured out a time when they are less strong. He enters
the cave and finds it rich with sponges. He sees the bodies of dead divers, the
music being made by the clanking of an old anchor chain as the current passes
through it and he sees that the mermaid is the carved figure of a woman that
had broken off from the prow of an old wreck.
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