On Saturday morning I was a little more flexible than the day before as I’ve been every day since my accident on Monday.
I memorized another verse of “Ballade de la chnoufe” (Ballad of the Snuff) by Boris Vian. There are eleven verses left.
I worked on memorizing and editing the first monologue from Zizi Jeanmaire’s performance of “Les millionaires” by Serge Gainsbourg.
I weighed 88.3 kilos before breakfast.
I played my Kramer electric during song practice for the last of four sessions and it stayed in tune the whole time.
Around midday I went to Vina Pharmacy to get them to renew a prescription, then I rode down to No Frills. I bought five bags of cherries, two packs of raspberries, two packs of five-year-old cheddar, two boxes of spoon sized shredded wheat, a container of skyr, and two bags of Miss Vickie’s chips.
I weighed 88.7 kilos at 14:30. I had Sky Flakes with blue cheese and a glass of limeade.
I took a siesta from 15:00 to 16:30 and it was too late for a bike ride downtown but not for a ride to Ossington and Bloor.
I weighed 88.95 kilos at 17:55.
I was caught up in my journal at 18:25.
I reviewed the first part of the last cassette recording of my first 20,000 Poets Under the League poetry slam.
I compared the video of my October 6, 2024 song practice electric performance of “Please Don’t Quit Me Now” to that of September 18 of the same year and October 6 looks and sounds better. I compared October 10 to October 6 and October 6 looks better. I won’t upload it to YouTube but I’ll make a movie.
I started a 2024-09-11 Song Practice Movie Maker project. I eliminated all the songs that came before “Ne me quitte pas” and then started a “Ne me quitte pas” Movie Maker project. I isolated the final take of the song and added a fade to black effect. Tomorrow I’ll publish it.
I made pizza on naan with marinara sauce, tomato pesto, the rest of my Black Forest ham cut up, and five-year-old cheddar. I had it with a beer while watching season 28, episode 4 of South Park.
It’s almost time for South Park’s annual Thanksgiving turkey trot but city businesses have come on hard times and they can’t find a sponsor. Someone suggests there is someone who would give South Park the money since they’re giving it to everyone else. Saudi Arabia becomes the turkey trot sponsor and now South Park has enough money to offer the winner of the race $5,000 as long as nobody says anything bad about Saudi Arabia.
Stan, Kyle, Kenny, and Cartman enter the race as a team. Cartman has a plan to win my recruiting Tolkien because he believes all black people are better runners. Tolkien warns him he’s not much of a runner but agrees to enter.
Meanwhile Peter Thiel is still in the South Park jail. The White House sends Pete Hegseth of the Department of War with some soldiers to demand Thiel’s release. Chief Harris tells him it’s going to be a few days. Hegseth insists and so Harris says for him to bend over and push the secret button on the floor that opens the cell doors. Hegseth bends over and Harris kicks his ass. Hegseth dares him to do it again and so he does, telling him to get out of town. Hegseth gets more soldiers and equipment.
The day of the Turkey Trot Tolkien backs out of the race in protest of Saudi Arabia’s atrocities. Cartman goes to Tolkien’s place and finds him playing ARC Raiders on Xbox. He can’t convince him to re-enter the race so he steals his Xbox and runs back to the race with Tolkien running after him.
The mayor fires the starter pistol and Hegseth thinks he’s being fired upon and has the soldiers start with tear gas. The runners can’t see where they are going. Hegseth lowers himself into the blinded crowd and starts tackling innocent people while the song “Pete Hegseth is a Fuckin Douche” to the tune of “Danger Zone” from Top Gun is playing.
Cartman wonders why Tolkien hasn’t caught up with him yet. Tolkien reminds him that he said he’s not a runner.
Harris confronts Hegseth and reminds him he told him to get out of town. Hegseth is holding an automatic weapon and asks Harris what he’s going to do about it.
Tolkien grabs his Xbox back and backs away from Cartman, not realizing he is backing across the finish line and thereby winning the race. He’s very pissed off about it even when he gets the prize money.
Harris kicks Hegseth repeatedly until he kicks him into the South Park jail with Peter Thiel.
The song “Pete Hegseth is a Fuckin Douche” plays during the end credits:
“Pete Hegseth is a fucking douche
Pete Hegseth is a fucking douche
Acting like a tough guy
Posting it around the world
Making lots of content
Like a little teenage girl
Pete Hegseth's a fucking douche
Pete Hegseth is a fucking douche
Pete Hegseth is a fucking douche
What you gonna do
Now everybody's laughing at you
Your kids are gonna hear this
And their friends will watch it too
They'll be singing
Pete Hegseth's a fucking douche
Pete Hegseth is a fucking douche”
It’s to the tune of “Danger Zone” by Giorgio Moroder, who was a heavy influence on Disco, New Wave, Techno, Synth pop, House, and electronic music. He’s been called the father of Disco. His first album was That’s Bubblegum containing his first hit “Looky Looky”. He wrote the music for and produced “I Feel Love”, “Love to Love You Baby”, “Hot Stuff”, “On the Radio”, “Call Me” (by Blondie), “Rush Rush” (by Debbie Harry), “Take My Breath Away”, His first and favourite soundtrack was for Midnight Express. He wrote new soundtracks for Fritz Lang’s Metropolis and Leni Riefenstahl’s Impressionen unter wasser. He did the soundtracks for Scarface, Flashdance, American Gigolo, Superman III, Cat People, and The Never Ending Story. He won three Oscars and four Grammys. He started playing guitar at 15 inspired by Paul Anka’s “Diana”. He produced The Weeknd’s Hurry Up Tomorrow.
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