June 21, 1996: I busked, performed then busked again

Thirty years ago today

            On Friday I probably busked and then performed on the Spit Fridays open stage in the back room of the Cameron. Afterward I likely busked again on Queen Street between The Horseshoe Tavern and The Rivoli.

Peter Matz

            On Thursday morning I uploaded “L'anguille (The Eel)” by Boris Vian to my Christian’s Translations blog and began preparing it for publication. 

            In my Christian’s Translations blog I finished editing “Les anthropophages” (The Cannibals) by Serge Gainsbourg and published it. On Friday I’ll post my translation on Facebook and then move on to my next untranslated Gainsbourg song. 

            I weighed 89.9 kilos before breakfast, which is the lightest I’ve been in the morning since June 9. 

            I played my Kramer during song practice and it stayed in tune most of the time. 

            Around midday I swept the living room, bathroom and kitchen floors, then cleaned the bathroom sink, toilet and floor. 

            I weighed 91 kilos at 14:15. 

            Nick Cushing came by at around 14:30. We sat at the kitchen table and I shared grapes, potato chips, and lemonade with him while we chatted for a couple of hours. 

            I took a siesta from around 16:15 to 17:45. It was too late for a bike ride and too late to go to the supermarket as I would normally do on a Thursday. I decided I’d go on Friday. 

            I weighed 91.1 kilos at 18:20.

            I worked on getting caught up in my journal and was still behind at suppertime. 

            I had a large potato with gravy and a thick slice of roast pork while watching season 9, episode 5 of The Carol Burnett Show. 

            During the audience warmup Carol talks about Queen Elizabeth and Prince Philip with an audience member from England who says that Philip wanted to be called King Philip. According to my research that’s not true. He was sixth in line for the Greek throne and seventh in line for the Danish crown when he was born, which made kingship for either country highly unlikely even then. Later the monarchy in Greece was eliminated and the line of succession for Denmark was changed to move him out of it entirely. It’s doubtful that he had any illusions about being the king of anything. He also had to renounce any claims to other thrones in order to marry Elizabeth Windsor. Carol says she saw Elizabeth and Philip in Australia and everybody thinks he’s tall but he just looked that way beside Queen Elizabeth who was very short. But he was taller than average at 1.83 meters while the queen was 1.63 meters. 

            Harvey plays a psychiatrist and Carol is his patient. She thinks she’s making progress but keeps breaking down into crying fits. he asks if there is something from her childhood that she feels sad about. She says there was something that happened when she was 8. She had a pale that she loved and was playing with it in the sandbox when a fat kid came and took it from her and wouldn’t give it back. The doctor explains that sometimes overweight children compensate with unnecessary aggression. He says he himself was a chubby child. She says, Not only did he take my pale away but he kicked it and put a dent in it. The doctor asks, “Was this pale blue with a clown on one side?” She looks at him with surprise and says that it was. “Was there a picture of Mini Mouse on the other side?” “Yes!” He asks what was her maiden name and she says “Crenshaw”. He suddenly remembers her from his own childhood and calls out “Crybaby Crenshaw!” She exclaims, “Fatso Hoffman! You took away my pail!” He says, “It was my pail! You sold me your pail! I gave you six pieces of salt water taffy! You said you would give me your pail if I gave you six pieces!” She says, “You waddled up to me with your fat tucked into your daddy’s swim trunks and said, ‘You better give me that pail!’” They take control of themselves briefly and return to their professional relationship but then Carol says, “How can I continue taking therapy from the very man who gave me my hang-ups?” She says if he doesn’t give her back her pail he’s going to tell the patients in his waiting room about him getting expelled from the third grade for drawing dirty pictures on the bathroom wall. He opens a desk drawer, pulls out a pail, and gives it to her. But she says it isn’t her pail because hers had a yellow handle. It has the name of another child they knew on it. She goes to the door and shouts to the patients but he calls her back. He goes to a closet and pulls out another pail but that’s not hers either. She goes the closet and opens it leading to an avalanche of pails. She finds her pail and happily leaves with it. But then she comes back, walks up to him and holds out her hand. He shakes his head but she gestures insistently so he reaches into his vest pocket, pulls out a red shovel and hands it to her. She skips out the door. 

            Tim does his new skit in which he ascends a stairs to a spotlit platform that has a stool, a music stand, and one long stemmed rose in a vase. Above is a boom mic. He begins singing “White Christmas” as he turns the pages of the music and they are all white. 

            Bernadette Peters sings and dances to “He’s the Wizard” by Charlie Smalls from the 1975 musical The Wiz. 

            Harvey plays a police detective in charge of a precinct and trying nab a serial park mugger. Carol’s old woman character comes in and Harvey thinks she’s a vice squad cop in a bad disguise until he tries to pull her wig off and it isn’t one. When he realizes she’s a real old lady she reports that her purse was snatched. Then Tim is roughly brought in by a cop who says he was picked up on suspicion of mugging. Harvey says, “I’ve been waiting to catch one of you guys at this and he throws a punch at the cop who brought Tim in, then says, “There’ll be no police brutality in my department!” Then he apologizes to Tim. Carol says he’s the one that stole her purse but Harvey says she’ll blow the whole case since he hasn’t read him his rights (I think the cop who picked him up in the first place would have read him his rights before they even brought him to the station). Then a purse falls out from inside Tim’s jacket and Carol says it’s hers. Harvey asks if she is accusing Tim of stealing her purse and she says she is. He says it’s a very serious accusation and asks her to prove it’s her purse. She says it matches her hat. Tim says, “What a coincidence!” Harvey says he needs more proof than that and she says she can tell him what’s in it. Tim says he can prove he couldn’t have snatched her purse. He puts the strap over her right shoulder so the purse hands down her left side. Then he tries to grab it but it doesn’t come off and he swings her into a wall, knocking her down. But she says that’s not the way she wears her purse. She hangs it from Tim’s left shoulder the way she wore it and tries to grab it but he grabs the strap with his hand and drags her back to swing her against the wall again. From the floor she says she’s like to drop the charges. Tim says, “Here’s your purse” and tosses it to her. Harvey takes that as an admission of guilt and Tim admits he’s got him. Harvey says not to worry because they’ll get him a free lawyer and his case won’t come up for a couple of years anyway. Then he takes Carol’s purse and tells her they have to hold it as evidence. He won’t even give her the money that’s inside so she can get home. Then Tim pulls a gun and Carol tries to tell Harvey but Tim puts it in her hands and shouts, “She’s got a gun!” Harvey karate chops her. Tim is set free and Carol is arrested. 

            Tim does his stairs to platform to stool, music stand skit and begins singing “Once in Love with Amy” by Frank Lesser from the 1948 musical Where’s Charlie? But the boom mic rises out of sight and a noose is lowered in front of Tim’s face. 

            Tim’s stairs, platform, stool, music stand sketch is repeated. he starts singing “Fools rush in…” and the entire audience gets up and heads for the exit. 

            In a hospital a doctor (played by Harvey) approaches two nurses (played by Bernadette and Vicki) who are standing on each side of Tim who is on a gurney. Bernadette tells the doctor Tim was bitten by a rattlesnake. The doctor tells Bernadette to give him an injection of snake bite serum. She shouts at her because she’s moving too slowly and then leaves. She’s about to inject the serum when Vickie tells her, “If you give him that needle you’re crazy, after the way the doctor spoke to you! I wouldn’t give him a shot until the doctor apologizes!” Bernadette agrees that she has to take a stand. Meanwhile Tim is starting to experience the terminal symptom of blindness. The doctor returns and wants to know why Tim hasn’t been given the serum. Bernadette demands an apology. He says, “Don’t you realize this man could die?” She says, “Don’t change the subject!” “I order you to give this man the injection!” “Over my dead body!” The doctor is about to give him the injection when Vickie says, “Wait till the other doctors find out that a nurse made you back down!” “I didn’t back down!” “You’re giving him the needle aren’t you?” The doctor puts down the needle and says, “Not on you life” then walks away. Vicki says she’ll give Tim his injection just as his body becomes paralyzed but Bernadette stops her and says it will make her look bad and they struggle with the needle until they accidentally inject him. 

            At the end everybody is dressed in period costumes for a number that wasn’t aired as Carol says goodnight. 

            Season 9 was the first time that Carol began giving verbal credit to the show’s orchestra lead Peter Matz. He studied music theory and piano in Paris from 1952 to 1954. He then returned to New York. He provided the dance and vocal arrangements for Harold Arlen’s 1954 Broadway musical House of Flowers. This led to him writing the orchestrations for Arlen’s next musical, Jamaica. He then accompanied Marlene Dietrich’s cabaret act. He arranged the music and accompanied Noel Coward during his 1955 cabaret act in Las Vegas. His work can be heard on the album Noel Coward in Las Vegas. He then worked on Coward’s musical Sail Away. He was nominated for a Tony Award for his music direction for the 1962 musical No Strings. He conducted Barbara Streisand’s first four albums and won a Grammy for arranging her album People. He arranged the albums Liza Liza, It Amazes Me, and The Ethel Merman Disco Album. He was also the music director for the film Funny Lady (for which he was nominated for an Oscar). He won an Emmy for Barbara’s TV special My Name is Barbara. He was the orchestra leader and music director on the shows Hullabaloo, and Kraft Music Hall. He wrote the theme music for Mama’s Family. He composed the soundtracks for the films Bye Bye Braverman, Marlow, Rivals, The Call of the Wild, The Great Houdini, The Last Hurrah, The Private Eyes, Lust in the Dust, and Stepping Out. He won three Emmy Awards and a Grammy.

June 20, 1996: I either worked or busked

Thirty years ago today

            On Thursday if I wasn’t working I might have busked by myself downtown or with Brian Haddon if he wasn’t working.

Shirley MacLaine

            On Wednesday morning I ran through singing “The Eel”, my translation of “L'anguille by Boris Vian. On Thursday I’ll upload it to my Christian’s Translations blog and begin preparing it for publication. 

            I worked out the chords for the last verse and chorus of “Les anthropophages” (The Cannibals) by Serge Gainsbourg. I ran through singing and playing the song in French and English, then I uploaded it to my Christian’s Translations blog. It’s possible I’ll finish the editing process and have it posted tomorrow. 

            I weighed 90 kilos before breakfast, which is the lightest I’ve been in the morning since June 9.

            I played my Gibson Les Paul Studio during song practice and it went out of tune a lot more than usual.

            Around midday I painted the first coat of the pink shade called “Crazy in Love” on the top of my bathroom lazy Susan. I’ll do the second and hopefully final coat on Friday. 

            I weighed 91.45 kilos before lunch. I had peanut butter and five-year-old cheddar on saltines with a glass of lemonade. 

            In the afternoon I took a bike ride downtown and back. 

            I weighed 90.85 kilos at 17:45. 

            I worked on getting caught up in my journal but was still behind at suppertime.

            I made pizza on a slice of multigrain sandwich bread with marinara, tomato pesto, a sliced bratwurst, and five-year-old cheddar. I kept it warm in the oven because I was waiting for my daughter Astrid to meet me on Discord to watch season 1, episode 5 of Wednesday. We were supposed to meet at 21:00 and I waited until 21:10 but she didn’t show up. She was obviously sleeping because when she’s awake she’s on Discord constantly and playing a game. Discord would have shown what game she was playing if she’d been doing that. 

            I had my bread pizza with a glass of Creemore lager while watching season 9, episode 4 of The Carol Burnett Show. 

            The first sketch is with Mama’s Family. Mama has been waiting for Eunice and Ed to pick her up because they’re going to a movie. They arrive and Ed brings the blender Mama asked him for. She tells him to put it in the kitchen then tells Eunice that Ed should have worn a tie. Eunice argues that it’ll be dark in the theatre. Mama says the cinema is in her neighbourhood and she wants to be able to hold her head high. Then there’s a crash in the kitchen and Mama heads there saying she’ll never figure out why Eunice married that man. This leads to a flashback to when Eunice and Ed were first dating. He brings her home to where she lives with her parents and she says they’re away for the weekend. He asks if he can come in and they sit on the couch with a couple of Cokes. I guess they went to see the movie Billy Rose’s Diamond Horseshoe as Eunice imitates Betty Grable singing “In Acapulco” from that 1945 film. She suggests that if she’d kept up with her tap dancing lessons she could’ve been a big movie star. She only took two lessons because the teacher wanted everything to be done her way. Ed tells her she’s not like other girls who look down on him because he works in a hardware store. Eunice says hardware is important to the whole world. He tries to kiss her but she resists and asks, “Is it me or my body?” “A little bit of both I guess.” He tries again and she says stop but doesn’t resist and then she hears Mama’s voice calling from the bedroom when Eunice thought her parents were away for the weekend. Mama comes out and gives Ed a very dirty look as she asks, “Who is this clown that you have dragged here off of the streets?” She shouts for her husband Carl to come out here. He says he’s in the bathroom. She asks when he went in there? He says he doesn’t know and asks if she wants him to punch a clock every time he goes to the bathroom. Mama shouts, “Ed Higgins is here and he’s worse than anything we dreamed up!” Eunice tells her Ed is a wonderful man. “What kind of wonderful man creeps into a young girl’s home and starts foolin around right outside her mama’s bedroom?” She barges in on her husband in the bathroom and says there’s an emergency going on. He shouts for her to get out or he’ll knock her through the door. Ed tells Eunice he’d better be going. He says he’ll pick her up on Sunday and take her out to Brush Creek for that picnic. Mama says, “If you think you’re takin my little girl out to Brush Creek you’ve got another think comin! I know what goes on out at Brush Creek!” Ed leaves and Eunice tells Mama she’ll never forgive her because he was about to propose. Mama says, “Well then he’s even dumber than he looks!” Eunice heads out the door and says she’s going to marry Ed. Mama says, “Over my dead body!” Eunice says, “I hope so!” The flashback is over and Eunice decides to tell Mama that she and Ed got married because they had to. Mama shocks Eunice by saying, “Welcome to the club”. 

            Carol brings out Shirley MacLaine and the two of them take turns reading funny fan mail letters they’ve received. Carol reads a letter a ten year old girl wrote to her saying how much she loves her but also sends a picture of herself on the back of which is written, “To my very favourite, Lucille Ball”. Shirley reads one: “Whenever my friends talk about actresses they can’t stand, I always stick up for you”. Another writes, “Dear Shirley. You are my idol because we are so much alike. My brother got all the looks in the family too”. A reference to Shirley’s brother Warren Beatty. Carol and Shirley do a song about fan mail and stop singing sometimes to quote more of the letters. Another fan tells Shirley what a wonderful dancer she is. She adds that she’s a singer and she’s found a wonderful voice teacher who’s helped her. She suggests she could do the same for Shirley. 

            Queen Elizabeth (played by Carol) and Prince Philip (played by Harvey) are trying to enter Buckingham Palace but they are stopped by a Queen’s Guard (played by Tim not even trying to do an accent) who won’t let them in unless they give the password. Elizabeth insists, “But I am your queen!” He checks a list and says, “That’s not it”. Philip tells him the queen has to get to the throne. Elizabeth recognizes the guard as the soldier who saved his entire platoon by swallowing a live hand grenade. He now has no internal organs and is completely hollow. She proves it by walking over to him, opening his mouth and calling, “Hello!” There is a big echo. Philip tries to give him a shilling but he says for him to stick it in his ear. The queen tells him his refusal of money is commendable. He says what he wants is a popsicle. By coincidence an ice cream salesman on a bicycle rides up. The queen says they want a popsicle and the salesman asks “What flavour”. Tim says, “Buffalo”. The seller says, “There’s no such thing as a buffalo flavoured popsicle”. Tim says he’ll take a double cone instead with one scoop of antelope sherbet and one scoop of goat hoof ice cream. The queen says, “You’re out of your gourd guard!” Philip calls from the seller’s cart and says he sees a buffalo popsicle way in the back. Tim hands the queen his gun and goes over to lean down and look. Philip kicks him inside and the seller pedals away with him while he and the queen enter the palace. 

            Shirley plays a mother new to a neighbourhood and she is having a drink with a neighbour (played by Carol) after their sons’ little league game. Shirley is talking about how much fun the boys had but Carol is bitter because their team lost. She reminds Shirley that her Billy’s fumble cost them the game. Shirley says, “I hope my baby doesn’t feel too bad”. Carol says he should feel bad. Shirley argues that it’s only a game. Carol says, “Wall Street is a game, insurance is a game, but baseball isn’t a game!” The waiter overhears that Shirley is the mother of the kid that blue the game and he is disgusted. Shirley says her son is 8 years old and shouldn’t go to jail for dropping a ball. Carol says, “What about the three strike-outs?” Carol asks how the parents can face each other knowing their kids are losers? Shirley shouts, “Our kids are not losers!” Carol says she’s right, “It’s your kid who’s the loser!” The coach comes in (played by Harvey) and he’s very upset about the game loss and refers to Billy as a little creep. Carol says he’s a child psychiatrist. He says to the bartender while making a fist, “If I ever get that kid on my couch…!” He finds out Shirley is Billy’s mother and goes over to say, “Nice goin lady!” He asks her what she’s going to do about it. Shirley says, “We are talking here about tiny, undeveloped minds… Namely yours! It’s how you play the game that counts!” Carol looks at her with a stunned expression and tells her, “You’re sick!” Harvey tells her Billy is off the team. Shirley says, “It’s not the first time”. She recounts how in New York a ground ball went between Billy’s legs. The only thing they could do after that was move to Syracuse. But the same thing happened again and her husband had to sell his business again and they moved again to Jacksonville. But it happened again and now they are in Paducah. But Billy loves the game even though he stinks at it. Suddenly both Carol and Harvey are sympathetic and Harvey says Billy is back on the team. They leave and Billy comes in. She’s a little girl. 

            Harvey plays himself standing in front of a large painting and speaking to the camera about a drummer named Warren Holt that it depicts (played by Tim) who was instrumental in a battle 200 years ago during the Revolutionary War. The moral of the revolutionary troops was low but his drumming led his fellow soldiers ever forward, even into the face of enemy cannon fire. The painting is alive and the cannon fire actually causes the soldiers to run away. Warren is separated from his fellow soldiers. He listens to Harvey to hear what’s going to happen next. Before he could reach his comrades he was set upon by a roving band of divorcees who were making their way westward in a covered massage parlour. Harvey says, “But he broke free!” Warren says to Harvey, “No, he went with the girls”. He puts the drum over Harvey’s head and runs away with the three women.

            Carol is standing in an elegant gown in front of several mirrors. She sings about being dressed up but only pretending to have a life of glamour. Shirley appears as her reflection and sings how she is pretty and glamourous. Shirley sings that she’s what Carol is inside and she steps out of the mirror. They sing the song “Gorgeous” by Sheldon Harnick and Jerry Bock from the 1966 musical The Apple Tree. They sing about the type of man they’d like to dance with and two men in tuxedoes appear to dance with them. Shirley show off her dance skills with her partner and then there are several partners. She finishes as Carol’s reflection and they finish the song “Gorgeous”. 

            Shirley MacLaine’s mother was a Canadian from Nova Scotia. Shirley studied ballet from the age of 3 and was the tallest in her class so she was cast in the boys’ parts. She played baseball on a boys team and held the home run record. She made her acting and Broadway debut in Me and Juliet in 1954. In 1955 she was an understudy to Carol Haney in The Pajama Game when Carol sustained an injury and Shirley filled in. That night movie producer Hal B. Wallis was in the audience because Jerry Lewis had urged him to come and see Shirley and he signed Shirley for a five year contract with Paramount. Three months later she starred in Alfred Hitchcock’s The Trouble with Harry. She co-starred in Artists and Models, Around the World in 80 Days, Ask Any Girl, Hot Spell, Some Came Running (her first Academy Award nomination), Career, The Children’s Hour, Can-Can, What a Way To Go, Two Mules for Sister Sara, The Sheepman, The Matchmaker, The Apartment (second Oscar nomination), All In a Night’s Work, Irma La Douce (third Oscar nom), Woman Times Seven, Bernie, The Secret Life of Walter Mitty, Turning Point (her fourth Oscar nom), Being There, A Change of Seasons, Loving Couples, Postcards from the Edge, Bruno, Two Loves, The Yellow Rolls Royce, Carolina, Bewitched, In Her Shoes, Rumour Has It, She starred in John Goldfarb Please Come Home, Gambit, The Bliss of Mrs. Blossom, Desperate Characters, The Possession of Joel Delaney, My Geisha, Sweet Charity, Waiting for the Light, Terms of Endearment (for which she finally won the Oscar), Madame Sousatzka, Used People, Wrestling Ernest Hemingway, Get Bruce, The Dress Code, Mrs. Winterbourne, Wild Oats, American Dreamer, Steel Magnolias, Guarding Tess, The Evening Star, Closing the Ring, Elsa and Fred, The Last Word, Noelle, She was an honourary member of The Rat Pack. She starred in the short-lived sitcom Shirley’s World, She wrote, directed, and starred in the documentary The Other Half of the Sky: A China Memoir (nominated for a Best Documentary Oscar). She authored the books Out On a Limb, Dancing In the Light, Dance While You Can, Out On a Leash, Don’t Fall Off the Mountain, Going Within, You Can Get There from Here, It’s All in the Playing, I’m Over That and Other Confessions; The Camino, Out on a Leash, Sageing While Ageing, She has the same birthday as Barbara Streisand and they celebrate together every year. she had affairs with Danny Kaye and Robert Mitchum. She said she was not attracted to Jack Lemmon because he was not dangerous and complicated. Yves Montand bet her husband he could seduce her and won. William Peter Blastty based his character of Chris O’Neil in his book the Exorcist on Shirley.

June 19, 1996: I performed at Fat Albert's and the Art Bar

Thirty years ago today

            On Wednesday night I performed on the open stages of Fat Albert’s and the Art Bar reading series.

Wendi Smallwood

            On Tuesday morning I ran through singing and playing “L'anguille (The Eel)” by Boris Vian and made some chord adjustments. On Wednesday I’ll run through singing and playing my translation. 

            I worked out the chords for all but the last verse and chorus of “Les anthropophages” (The Cannibals) by Serge Gainsbourg. On Wednesday I’ll finish it, then run through singing and playing the song in French and English, then upload it to my Christian’s Translations blog to prepare it for publication.

            I weighed 90.05 kilos before breakfast. 

            I saw from the many tributes being posted on Facebook that Wendi Smallwood lost her battle with cancer. I came to know Wendi when we were both working as models at the Ontario College of Art probably back in the 90s. She was always very friendly with me and we chatted on many occasions during our breaks. I think she was related in some way to the famous Newfoundland politician Joey Smallwood. She went back to Newfoundland and had some success as an actor. The last time I saw Wendy was on May 29, 2018 at a poetry reading in Toronto. I had just performed and then the host introduced Wendi from Newfoundland. “Wendi? I know a Wendi from Newfoundland! Could it be Wendi Smallwood? It was Wendi Smallwood! From Wendi’s poem: ‘My mother cleaned the toilet with Pinesol … resin thick … disinfecting … rubber gloved … pouring it undehydrated … cushioning … nostrils flared … fingers smudging spit … hand dipping, swirling … toboggan … body rigid … elbow bent back … flushed.’ We took a break and I went to the washroom. On the way back I looked for Wendi, whom I hadn’t seen since she left for Newfoundland many years ago, although we became friends on Facebook a few years after that. We met and came to know each other from both working as art models at various studios and schools around Toronto. I saw her walking towards me and we embraced. We chatted for a while and then she went to the washroom. When the readings were over I left the church, but on my way to my bike I heard Wendi, who was outside smoking, call to me. We spent at least half an hour getting caught up. She said she was in Toronto for a few reasons. She said something about doing a one-woman show called Resurrecting Mary as part of Women From the Future at the Factory Theatre from June 21-24. She also said something about representing Newfoundland at the ACTRA conference in Toronto and that they paid for her trip and her hotel, even though she’s staying at her son’s place. She told me that getting work on television in Newfoundland is very difficult because the production company that handles The Republic of Doyle, instead of using local actors actually brings in actors from the mainland and hires vocal coaches for them so they’ll sound like local actors. Our conversation got interrupted by someone in the street that was arguing with a short guy with a beard and glasses that was standing on the sidewalk. The street person didn’t like the fact that the short guy was speaking to him in a monotone. Then he asked everybody for change. Someone offered him the rest of her bag of chips but he said he was cautious about being poisoned. The short guy said he’d give him some money but first he would have to listen to him. I don’t think the guy realized he was beyond listening. “Wendi walked east. She would be in town for another month. 

            “On June 26, I was back at the poetry reading and when the event was finished, after I’d packed up my stuff and left, outside the church was Wendi Smallwood, so I stopped to talk with her. I asked her why she hadn’t read a poem and she explained that she’d just finished her show and hadn’t felt like getting up on a stage again right away. She complained that from her seat at the back she’d had a problem hearing a lot of the people that used the microphone. I was glad to have her tell me that despite the fact that I don’t use a mic she heard me loud and clear”. 

            During song practice I played my Martin and it went out of tune for every song. 

            Around midday I finished the second and final coat of the shade of pink called “crazy in love” on the bottom of my bathroom lazy Susan. Tomorrow I’ll do the first coat on the top. 

            I weighed 91.45 kilos before lunch. 

            In the afternoon I took to Long and McQuade the RCA output cable that runs from my stereo receiver to the extension cable that connects to the adaptor that connects to the stereo breakout that connects to my audio interface. It was the last link in the chain that was decades old as I’d replaced all the other cables recently. I asked one of the guys in the audio department to test it to see if it was faulty. I was surprised to find out that the test wasn’t as easy to do with RCA cables as it was with the cable adaptor and the extension cable they’d tested before. It took at least ten minutes for two guys to gather two sound boards that they needed to use for the test. It was such a big production that I felt like I had a couple of roadies. Finally they found that the black RCA jack had a much weaker signal so I bought a replacement for $15 and change. 

            I rode downtown and I was stopped at the lights at Spadina and Bloor when a dishevelled guy with a scraggly beard came up and spoke my name. When he said he was Danny I recognized Danny Blue who I used to see with his guitar performing his songs back in the 90s. He said he doesn’t gig anymore but he sometimes sits in and plays where others are playing. I reminded him that I was still friends with him on Facebook but he told me that page is dead because Facebook screwed him out of it. Now he’s on Facebook as Danny Wilson. 

           On the way back stopped at Freshco where I bought seven bags of green grapes for $4.39 a kilo and paid $26. 

           When I got home I connected my new RCA cable and recorded the radio on Audacity. At last I had waveforms for both channels and no fading out of the right one. The right one was slightly lower in volume than the left but not enough to be concerned about. The gain just has to be slightly higher for the right channel to make equal sized waveforms. 

            I weighed 90.8 kilos at 18:15. 

            I worked on getting caught up in my journal. 

            I made a new batch of gravy with roast pork drippings and had some with a potato and a slice of roast pork while watching season 9, episode 3 of The Carol Burnett Show. 

            During the audience warmup someone asks Carol if she remembers her first kiss. She says it was from a dog. 

            In the first skit, Harvey plays a concert pianist who tells the audience that for the first time he would be performing a duet with one of his students. There are two grand pianos facing each other and Tim comes out to play the other one. There is no speaking during this skit. Tim takes a long time getting started because he has to crack every one of his fingers and his nose first. Tim indicates that he can’t read the music because the light is bad so Harvey switches pianos with him. Harvey starts but Tim is having trouble figuring out where he comes in. It seems he has the wrong music and when he plays it, Harvey pushes his piano against Tim’s. Tim gets up and breaks the front leg from Harvey’s piano so now it’s tilted upward so he has to stand and play. Harvey walks over and breaks the music desk from Tim’s piano over his head. Tim kicks out the last two legs of Harvey’s piano so now he has to play on his knees. Harvey slams the keyboard cover from Tim’s piano onto his fingers. Tim jumps into the body of Harvey’s piano and while he’s standing there, every time Harvey hits a key it makes Tim jump. So Harvey jumps on his own keyboard and launches Tim into the air to land inside his own piano. 

            Cher sings the 1974 song “Just This One Time” by Jimmy Webb. 

            Carol comes out and she and Cher talk about how great it is to have their own variety shows because of all the staff one has to help out from production down to makeup. Carol says they are the only two women with variety shows and Cher adds that they are also both Taurus and have the same initials… sometimes. They sing a duet that I assume was written for the show about how the world would be a better place if everybody had a variety show. The repeated word in the song is “variety” and they go into the audience with their microphones to get various members to sing “Variety!” 

            Harvey comes home with Carol who is made down to look as plain and unattractive as possible. She’s also extremely shy about being there because she knows this is a place he shares with his wife. She’s very nervous but he tells her that when his wife comes in he’s going to tell her that it’s over and he wants a divorce so he can marry Carol. Carol says to not tell his wife that he’s seen her in pajamas without the feet. Cher arrives, playing Harvey’s wife and looking extremely elegant. She seems indifferent to his other woman and asks if he found her in obedience school. She says, “Another woman I can take Victor but this?” “What’s wrong with her?” Carol urges Victor not to ask that question because his wife will tell him. She offers Carol and drink and she asks for a Gatorade. Cher gives her straight Scotch. Cher says Carol looks like someone dumped a Goodwill truck on her. “You bring that into my house and only two days after I’ve cleaned it?” Victor asks how she can talk like that and Cher admits it’s because she’s desperate. She says she’s just an ordinary housewife and can’t compete with Carol. She begs her not to take her husband away. Victor suddenly is moved by Cher’s plea and wants to be back with her. They decide to take a second honeymoon, ignoring Carol so much they even knock her over. Carol gets hit by the door on their way out and again when Victor opens it to say goodbye to her. 

            They do parodies of the commercials of the year. 

            Carol is playing cards with Cher and another friend. Her voiceover says, “Imagine my embarrassment when I stood but my pantyhose didn’t. She sneaks away with them down to her ankles. Cher says, “Someone ought to tell Madge about her coffee!” 

            At a party, Carol and Harvey (as Jim) are sitting on the couch finishing their coffee. Cher approaches Jim and asks if he’s like another cup and says she has one in the bedroom. He enthusiastically follows her away. Carol says, “That’s funny! Jim never wants a second cup of coffee!”

            On "As the Stomach Turns", Marian is unsatisfied. She says she has financial security and even has two two two mints in one. She says, “It seems any Gypsy tramp or thief has more fun than I have!” The doorbell rings and it’s Cher in her long First Nations appropriated war bonnet, wearing low on the hip white jeans and gold halter top with her midriff exposed. Marian says, “It’s Pocahontas Perelli the town half breed. Half Native North American and half dressed!” Poc tells Marian she knows there’s something missing in her life from reading her bumper sticker that says, Welcome Shriners”. She says she too was unfulfilled until she got her hair done by Warren Pretty at The House of Shampoo” (a reference to Warren Beatty and his hit film Shampoo). Marian says she hears he’s quaffed every woman in town but her. Pocahontas tells her if she uses her name she’ll get a reservation. Poc says, “I’ll be going now Marian”. Marian says, “You’d better!” Soon Warren Pretty (played by Tim) crashed through the door on his motorcycle. He’s in pain because he’s been riding with a blower in his pants. He asks if she’s ever had a pageboy. She smiles and nods. Vicki arrives as the rich Beverly Hillsdale wearing a wig that mostly covers her face. She hasn’t got a lot of time because she has to go to her Primal Scream class. She wants a touch-up for the Farewell to the Maharishi event tonight so Warren takes her before Marian. Then Mother Marcus (Harvey’s Jewish mother drag character) comes in. Warren looks at her large bosom and says, “That’s far out!” He wants to give her a bob. The announcer asks if Beverly needs Zen Buddhism, Transcendental Meditation, or a shot in the mouth? 

            Carol introduces the greatest rock band of all, The Who What Where How and Why. The Ernie Flatt Dancers pretend to be in a band, with Vicki on drums and looking a lot like she’s really playing them. Carol and Cher play the two lead singers. They sing a song about being superstars that was obviously written just for this bit. Then they do a song about gold records and silver platform shoes with lyrics like, “Bette Midler eat your heart out” and “Alice Cooper hang up your snake”. Harvey pretends to do a guitar solo. Tim imitates Elton John.

June 18, 1996: I hosted my gritty, electric, uncensored open stage

Thirty years ago today

            On Tuesday night as always I hosted my Orgasmic Alphabet Orgy writers open stage in the Art Bar of the Gladstone Hotel, at 1214 Queen Street West. My event always had a gritty, electric energy and offered a vital, supportive, and un-censored platform for writers.

The Bonnot Gang

            On Monday morning I finished working out the chords for “L'anguille (The Eel)” by Boris Vian. On Tuesday I’ll run through singing and playing it in French and English before uploading it to my Christian’s Translations blog. 

            The song “L’anguille” is one of the songs Vian wrote for a comedy musical called “La bande à Bonnot (The Bonnot Gang)”, with music by Jimmy Walter. Vian took a week to write twenty songs for the play. The Bonnot Gang was led by Jules Bonnot and active between 1911 and 1912. They robbed, burgled and murdered with somewhat of an Anarchist ideology as an act of rebellion against what they considered to be an oppressive society. They were the first crooks to use a getaway car, which overwhelmed the police, who didn’t even have many cars at that time. Most of the gang was captured or killed and Bonnot was holed up in a residence surrounded by 500 cops. He wounded three officers and held them back in the shootout until the police dynamited the front of the building. He was shot ten times before he was captured and later died in the hospital. Bonnot’s operations inspired many Anarchists to try to imitate him. The police cracked down so hard that anyone who said anything positive about Bonnot could end up in jail.

            I worked out the chords for the chorus and the instrumental lead-in to the second verse of “Les anthropophages” (The Cannibals) by Serge Gainsbourg. That probably completes the pattern and the rest of the chords should be the same. I weighed 90.9 kilos before breakfast, which is the heaviest I’ve been in the morning since March 2. I played my Martin during song practice for the first of two sessions and it went out of tune for every song. I weighed 91.8 kilos before lunch. That’s the same as the early afternoon of February 20. I took my stereo extension cable to Long and McQuade. The same guy who tested my cable adaptor last week tested the cable and said that the sound goes in and out when the jack is wiggled so I bought a new one. I rode downtown and on the way back stopped at Freshco where I bought seven bags of green grapes for $4.39 a kilo. When I got home I tried out the new cable but the same problem of only getting one channel persisted. I tried switching the RCA jacks with the black on the left and for a little while I got both tracks. But when I switched it back to the red on the left I lost the extra track and even when I put the black back onto the left I only got one channel. The black RCA jack doesn’t work at all. Whether the red is in the right or the left plug I get the left channel. On my audio interface if I switch the red and the black I get only the right channel. I weighed 91.1 kilos at 19:20. I worked on getting caught up in my journal. I had two small potatoes with the last of my gravy and a slice of roast pork while watching season 9, episode 2 of The Carol Burnett Show. Tim Conway is now a regular member of the cast. In the first sketch Sammy Davis Jr. plays Johnny, a similar character to himself. He is famous and now returns to do a show for the first time in his home town where he grew up and experienced a lot of racism. The reporters come in along with a richly dressed woman (played by Carol) who shyly enters behind them. Johnny says he’s going to be starring in a western film. He says he met Queen Elizabeth last year but didn’t give her the soul hand slap. The well dressed woman begins to laugh and Johnny looks over to recognize Eleonor Simpson. He tells the reporters that they practically grew up together as his mother was the Simpson family’s maid. He says he bought his mother a big house in Beverly Hills with a lot of servants but she still insists on doing all the cleaning. She says their silverware has not been as shiny since she left. She tells Johnny that he was no slouch at shining her daddy’s boots. She says, “Daddy always said that he thought you had some kind of magic spit”. She adds that whenever her daddy sees Johnny on TV he wishes he was back there to shine his boots. He invites her to supper but she says she can’t tonight. She compliments the show he did tonight and says his diction was perfect. She understood every single word he said and he tossed off those polysyllables like you were born to them. He says, “I guess Mama did manage to throw in a few long words along with the ‘honey childs’”. She says she’s been doing some singing too and gives a sample. He recognizes that it’s Gilbert and Sullivan. She says, “How clever of you! Don’t tell me you’ve done Gilbert and Sullivan too!” He says he hasn’t and she says, “Thank goodness for that! I do think some things outta be sacred!” He hands her a spoon for her coffee and she wipes it on her dress before using it. She says, “Some people might say you’re a little out of place doing a western. You don’t see John Wayne doing Porgy and Bess”. She says, “I do believe a performer must stretch. Many of you people now are playing upper class roles. Can’t even turn on the TV without seeing a whole bunch of you doing commercials and using products and everything”. She says she’s married now and her husband’s sitting at the bar. Johnny suggests they go meet him but Eleonor says he’s in a bad mood because of the expense of the evening. She says he said, “What kind of gyp joint is this? A $10 cover charge just to sit and watch a…” He says it’s too bad she can’t come for supper because the mayor and his wife would be joining them. Eleonor says that might have taken the curse off it for her husband. She tells Johnny she shouldn’t get the wrong idea about her husband because he is very liberal. He has a restaurant and hires all black waiters, but of course the cashier is white. She repeats that she wishes she could get his mama back to clean the house. She says it’s hard to find decent help since all the coloureds got hired by the phone company. You call them up to ask for information and you can’t understand a word they’re saying. He says goodbye to her and calls her “honey” but she finds that too familiar. He mockingly says he’s sorry for being uppity but she says it’s alright because they’re such wonderful friends. Carol says they’ve been trying to get Sammy Davis Jr. on for the last eight years but the schedules didn’t mesh but now she introduces him. He does a medley of his most popular songs: “Yes I Can” by Charles Strouse and Lee Adams from the 1964 musical Golden Boy; “Too Close for Comfort” by Jerry Bock, George David Weiss, and Larry Holofcener from the 1956 musical Mr. Wonderful; the 1954 song “Something’s Gotta Give” by Johnny Mercer; “Hey There” by Jerry Ross and Richard Adler from the 1954 musical The Pajama Game; “The Birth of the Blues” by Duddy DeSylva and Lew Brown from the 1926 revue George White’s Scandals; “The Candy Man” by Leslie Bricusse and Anthony Newley from the 1971 musical Willie Wonka and the Chocolate Factory; and “What Kind of Fool Am I?” by Leslie Bricusse and Anthony Newley from the 1962 musical Stop the World I Want to Get Off. Vicki says that not long ago many of the commercial airlines introduced a new low cost fare that was nicknamed “The No Frills Plan”. The next skit is a parody of that plan. Harvey and Tim board a plane and Tim is in the No Frills section, which begins just behind Harvey’s seat right where the carpet stops. Tim says he saved $40 by choosing the No Frills plan and he thinks the only difference is that one has to bring their own lunch. He adds that it’s a lot safer in the back the plane because planes never back into mountains. Carol plays the flight attendant and she comes back to ask Tim if she can take his coat. She then rolls it up and uses it as a pillow for Harvey. She then tells Tim to get his foot off the rug of the frills section and kicks his foot. Carol gives all the regular passengers the emergency instructions by whispering them in their ears so Tim can’t hear them. Tim doesn’t have a seatbelt so Carol ties him to his seat with a rope. There’s no glass in the window of his seat. Harvey lights a cigarette but when Tim does it Carol puts it out with a fire extinguisher. The captain announces that they will be going through some turbulence but only Tim’s seat experiences it. Carol asks Harvey if he’s getting off in Chicago and he’s not but Tim says he is. Carol tells him to come with her. he asks what time they’ll be landing? She says, “Landing?” Then she opens the door and pushes him out. In a wild west saloon the sheriff (played by Harvey) is getting drunk at a table by himself. Vicki the saloon girl asks the bartender what’s the matter with the marshal. He says that his Deputy Pecos left him for another marshal (This is another skit in which the professional relationships of men are treated like romantic relationships). Vicki tries to console him. He says he should have known there was another marshal. He says if he was a good marshal he wouldn’t have run off with another lawman. She says there’ll be somebody else but he cries, “I don’t want somebody else. I want my Pecos back!” Sammy comes in dressed in black and walking like John Wayne. He fires his gun in the air then spins it in a fancy way similar to when I saw him guest star on The Rifleman. The sheriff recognizes his old deputy Ringo who he left for Pecos. Ringo admits he came back to gloat but didn’t realize he was in so much pain. Ringo talks about how he waited for the sheriff’s posse on the road to Abilene but he never came. The marshal says he was supposed to go all the way to Abilene. Ringo says, “It was my first posse and you expected me to go all the way?” The sheriff asks if they can start again and hands him a badge. Ringo refuses it and asks, “You didn’t expect me to wait forever did ya?” “What are you sayin?” “Don’t you understand? There’s somebody else! I’ve been deputized!” “Congratulations. Who’s the lucky lawman?” “Wyatt Earp.” “Earp? (he looks like he’s burping when he says it).” Someone comes in to tell the marshal that the Dalton boys are on their way to kill him. The sheriff prepares to face them alone. Vickie asks Ringo to help but he refuses at first. Finally he gives in and says he’s going with him but, “If you tell Wyatt about this I’ll scratch your eyes out!” They end the show with a mini-musical celebrating the songs of Harold Harlen. Sammy plays a bartender in a tropical bar. He sings “Two Ladies in the Shade of the Banana Tree” with lyrics by Truman Capote from the 1954 musical House of Flowers. Then he sings “Get Happy” with lyrics by Ted Koehler from the 1930 musical The Nine Fifteen Revue. Carol and Vicki sing to Tim each different parts of “Gotta Have Me Go With You” with lyrics by Ira Gershwin from the 1954 film A Star is Born. Carol sings to Tim “Come rain or Come Shine” with lyrics by Johnny Mercer from the 1946 musical St. Louis Woman. Sammy sings “Hooray for Love” with lyrics by Mercer from the 1935 film of the same name. Vicki tells Tim to “Follow the Yellow Brick Road” with lyrics by Yip Harburg from the 1939 film The Wizard of Oz. Carol and Sammy sing “The Man That Got Away” also from A Star is Born. They sing “Down With Love” by Yip Harburg from the 1937 musical Hooray for What. Carol sings “I’m Through with Moanin” from the same musical. Sammy sings the 1941 song “When the Sun Comes Out” with lyrics by Ted Koehler. Then Harvey comes in and sings “I Gotta Right to Sing the Blues” with lyrics by Koehler from the 1932 show Earl Carroll’s Follies. Then Harvey sings the 1933 song “Stormy Weather” with lyrics by Koehler while Carol sings “Over the Rainbow” from The Wizard of Oz. Harvey sings “Let’s Fall in Love” by Koehler form the 1933 film of the same name. Sammy sings “Hooray for Love” again. Then he sings the 1944 song “Accentuate the Positive” with lyrics by Johnny Mercer while Carol and Harvey sing “Get Happy”.

June 17, 1996: Work was winding down for the season

Thirty years ago today

            On Monday modelling work was winding down because it was near the end of the school season. They were already into the summer classes at the Ontario College of Art, which provided very few posing gigs. There was still a week and a half left for secondary schools with advanced art programs so I might have still had a few gigs.

June 16, 1996: I took my daughter to a fancy Father's Day brunch

Thirty years ago today 

            On Sunday it was Father’s Day and I took my daughter to a fancy all you can eat brunch at some hotel, but I don’t remember which one. I just remember that it was very good.

Sandy Denny

            On Sunday morning I worked out the chords for all but the last few lines of “L'anguille (The Eel)” by Boris Vian. I should have it finished tomorrow. 

            I worked out the chords for the first three lines of the chorus of “Les anthropophages” (The Cannibals) by Serge Gainsbourg. 

            I weighed 90.4 kilos before breakfast. 

            I played my Kramer during song practice and it stayed in tune about half the time but at the end I had to unlock the E string to put it in tune. 

            Around midday I painted the first coat of the “Crazy in Love” shade of pink on the bottom of my bathroom lazy Susan. I’ll finish the bottom on Tuesday and paint the top on Wednesday. 

            I weighed 91.4 kilos before lunch, which is the heaviest I’ve been in the early afternoon since March 2. I had saltines with peanut butter, five-year-old cheddar and a glass of lemonade. 

            In the afternoon I took a bike ride. It was raining a bit at first and I thought I might only go as far as Ossington but the rain let up and so I continued downtown. On the way home it began raining again for a while but stopped before I was soaked. 

            I weighed 91.2 kilos at 18:15. 

            I was behind in my journal because of my continued recording problems from the night before and so I worked on getting caught up. 

            I made pizza on a slice of multigrain sandwich bread with marinara, tomato pesto, two sliced bratwurst, and five-year-old cheddar. I had it with a glass of Creemore lager while watching the 8th season finale of The Carol Burnett Show. 

            In the Mama’s Family sketch Eunice and Mama visit Ed in his hardware store. They’re going to a movie later and want Ed to take them out to lunch but he says he can’t because Mickey Hart’s not there to mind the store. He’s gone to the warehouse to pick up some inch and a quarter flathead screws. Mama says she needs a new rubber stopper for her bathtub drain. Ed asks what size and she says the same size as the other one. He asks what size was that but she says, “How the hell should I know? I didn’t measure my rubber stopper!” Mama observes there are hundreds of items in the store that no one would ever use in a hundred years like purple light bulbs but some slick con artist found a sucker and sold them to Ed. Eunice begs again for Ed to take them for lunch but he says he’s waiting for an important phone call on some copper tubing rejects. Mama tells him he can miss that call since he’ll never sell the rejects he’s already got. He argues that he sells everything he buys. If he can’t sell the purple light bulbs they can put them on the Christmas tree. Mama asks if he’s gonna put the butterfly nets on the Christmas tree too. An attractive woman comes in to buy some tape to fix her mattress. Ed tells her a joking rhyme: “I dreamed of shredded wheat / I ate and ate till dawn / But when I woke it wasn’t no joke / Half my mattress was gone”. Ed tells Mama that’ll be 35 cents for the stopper but she’s offended that he would charge her. He says if she doesn’t like it she can go to Acme Hardware which she says is a better store anyway. Eunice starts arguing with Ed about lunch again while Mama slips the stopper into her purse. Mickey Hart has been mentioned since the first Mama sketch but now he walks in played by Tim Conway. He says hello to Eunice and shouts hello to Mama because he thinks she’s hard of hearing. He shouts that he likes her blue hair and it’s obviously an ab ad lib because Carol, Harvey and Vickey have to suppress laughter. Mickey tells Ed they didn’t have inch and a quarter flathead screws at the warehouse. They only had inch and a quarter roundhead screws and inch and sixteenth flathead so he came back to ask if he should buy them both. Ed says for him to go back and get them but Eunice protests that while Mickey is there he can run the store while they go for lunch. Ed says he needs the screws now. Mama asks if he’s expecting a stampede for flathead screws over lunchtime. Eunice leaves with Mama and sarcastically thanks him for lunch, adding that’s exactly what he’s getting for dinner. After they’re gone someone comes in and asks Ed to lunch. He says it’s the best idea he’s heard all day. 

            Carol introduces Vicki Lawrence and she comes out looking very pregnant. Her Mama costume hid it well in the previous sketch. She also announces that Vicki is now Mrs. Al Schultz but doesn’t mention that Al is the makeup artist for the show. Carol asks what she’s going to name the baby. Vicki says if it’s a girl they’re partial to Aphrodite and if it’s a boy either Ulysses or Marmaduke. Carol asks, if it’s a girl, how about Eunice? Vicki puts on her Mama voice and says, “I sure as hell ain’t gonna name another kid Eunice after the way the first one turned out!” Carol tells her to brush up on her lullabies. They then go through a long medley of just about every song that a parent might sing to calm or entertain their infant from “Brahms’ Lullaby” to “Frere Jacque”, to “The Itsy Bitsy Spider”, to “Bingo”, to “London Bridge”, to “It’s a Small World After All”, to “We’re Off to See the Wizard”, to “Mockingbird”, to “Where Are You Going My Little One”, to “Turn Around”, and ending with a return to “Brahms Lullaby”. 

            Carol sings the 1931 song “When Your Lover Has Gone” by Einar Aaron Swan, in the shower and when she leaves there’s a band in the shower still playing. They did a similar skit a few seasons before. 

            Tim Conway playing his old man character is behind the counter at a clock repair shop. Harvey brings in an antique grandfather clock to be repaired. Tim takes forever to make out a claim check for him when he says he has to get back to work. Tim tries to lift the part of the counter that rises so one can pass through but has trouble and ends up being lifted by it when it flips. He twists himself around on top of the counter to push it back down but gets his fingers jammed when it closes. Harvey lifts it then Tim frees his fingers. Then he ducks under it to get to the clock. He goes inside the clock and pokes his head out through the top, making Harvey laugh when he says, “I can see the marina from here!” Tim says he’s fixed the clock so Harvey sets it and it starts chiming while Tim is still inside. Time smashed his arms through the sides of the clock to reach around and stop it. Because Tim broke his clock, Harvey goes behind the counter and starts smashing all the clocks from the shelf. A tall and muscular young man walks in. Harvey asks Tim what he thinks of him smashing the clocks but Tim says, “I don’t know. Ask my son here. He owns the place”. His son tells Harvey to put all the clocks back together now. 

            The Ernie Flatt Dancers sing and dance to a song about war, depression, taxes, and low pay. 

            As usual the season finale ends with Carol’s Charwoman character. The cast leave and kiss her goodbye. She holds up certain of Carol’s costumes and sees flashbacks of scenes the characters were in. She sees Nora Desmond stumbling down a stairs looking insane; she sees Eunice frantically praying when she thinks Mama has hurt herself; and sees Molly’s interaction with Burt from the earlier skit. Then the Charwoman meets a puppet of herself and they sing a duet of the 1967 song “The Two of Us” by Jackie Trent and Tony Hatch. Then the puppet disappears and the Charwoman sits on her bucket to sing as usual for the finale, the extended version of the show’s theme song by Carol’s husband Joe Hamilton. Then she leaves the theatre and as usual kisses the head of the bald man sleeping in the seventh row. 

            I’ve started listening to the Sandy Denny discography starting with the album she did with Strawbs. She had an incredible voice and was an amazing songwriter. I’d never heard her until now although I’ve known and loved her song “Who Knows Where The Time Goes?” since I was a teenager and listened to it over and over again from a Judy Collins Greatest Hits album. She attended The Kingston College of Art in 1965 and became involved with the campus folk club. She first performed for the BBC in 1966 at Cecil Sharpe House where she performed two traditional songs: “Fear a' Bhàta” and “Green Grow the Laurels”. Her first professional recordings in 1967 were released as the albums Alex Campbell and His Friends and Sandy and Johnny. The same year she was playing at the Troubadour when she was invited to join the band Strawbs. She did one album with them called All Our Own Work, which included what would become her most famous and widely covered song, “Who Knows Where the Time Goes?”. Judy Collins heard the demo and named an album after it. Judy’s version was featured in the movie The Subject Was Roses in 1968 giving Sandy international exposure as a songwriter before anyone had heard her voice. She auditioned to become the new singer for Fairport Convention and stood out high above the others. She made three albums with Fairport Convention: What We Did On Our Holidays, Unhalfbricking, and Liege and Lief. She left Fairport Convention to form her own band Fotheringay. She began to play mostly piano from this time on. After one album with Fotheringay she went solo and her first album in 1971 was The North Star Grassman and the Ravens. She was Robert Plant’s favourite singer and she became the only guest vocalist to ever sing on a Led Zeppelin album when she dueted with Plant on The Battle of Evermore in 1971. Her second album in 1972 was called Sandy. Her third album was Like An Old fashioned Waltz. She rejoined Fairport Convention for a world tour that was captured on the album Fairport Live Convention and recorded another studio album with them called Rising for the Moon. Her last solo album Rendezvous was released in 1977. She used to deliberately throw herself down flights of stairs as a party trick and knew how to do it without serious injury. She had developed what seemed to be bipolar disorder and was also drinking and doing a lot of drugs. She fell and hit her head on concrete and afterwards began to get severe headaches for which she was prescribed dextropropoxyphene, which can be deadly when taken with alcohol. She fell downstairs again and went into a coma from which she never recovered and died a week later.

June 15, 1996: Brian Haddon and I performed at the Parkdale Art Festival

Thirty years ago today

            On Saturday I took my daughter to the Parkdale Art Festival where Brian Haddon and I performed as part of the poetry event at The Rhino. We each got an originally designed artsy Parkdale Art Beat T-shirt for participating.

Jean Stapleton

            On Saturday morning I worked out the chords for the fifth and sixth verses of “L'anguille (The Eel)” by Boris Vian. 

            I worked out the chords for the first verse and the beginning of the chorus of “Les anthropophages” (The Cannibals) by Serge Gainsbourg. 

            I weighed 90.55 kilos before breakfast, which is the heaviest I’ve been in the morning since March 4. 

            I played my Kramer during song practice and it stayed in tune the whole time. But it often seems that when I am running ahead of schedule something happens to take away that surplus of time. In this case I had to pause for a time consuming bowel movement in the middle of my rehearsal. 

            Around midday I rode my bike with its trailer down to No Frills where I found only five bags of grapes that weren’t too soft. I also bought a pack of Moroccan blueberries, some bananas, beef rib finger meat, a tub of olive oil margarine, a bottle of olive oil, a pack of Irish Spring soap, a jug of lemonade, a jug of orange juice, a container of skyr, and a bag of Miss Vickie’s potato chips. 

            I weighed 90.95 kilos at 14:20. I had saltines with peanut butter, five-year-old cheddar, and a glass of limeade. 

            After a siesta it was too late for a bike ride downtown and so I just rode to Ossington and Bloor.

            I weighed 91.05 kilos at 17:50. 

            I was caught up in my journal at 19:11. 

            I tried for the first time since I got the new cable adapter to record from cassette tape through audio interface to Audacity. I found that the left channel is louder whether I have the black jack in the left or the right slot of my audio interface. They were balanced up until recently so I don’t know if I should conclude that the problem is in the interface. I was getting noise from the right channel in the tape recording but not from the radio or from another tape but the volume problem is consistent from any sound source. I guess I should switch the RCA cables in the back of the stereo to see if the volume imbalance starts to favour the right channel. 

            I grilled five bratwurst sausages, then I made pizza on a slice of multigrain sandwich bread with marinara, tomato pesto, two sliced bratwurst, and five-year-old cheddar. I had it with a glass of Creemore lager while watching season 8, episode 23 of The Carol Burnett Show. 

            Carol opens up the show singing “Alice Blue Gown” by Joseph McCarthy and Harry Tierney from the 1919 musical Irene. She’s wearing a midriff revealing outfit similar to something Cher might wear but the midriff is fake and larger than her own. 

            During the audience warmup Carol tells a little at-home viewer named Becky Morton she loves her. Two teenagers in the audience are the children of Carol’s childhood best friend. Carol and her friend used to fake being sick so they could stay home and play jacks. Someone asks why Carol’s husband Joe always wears red socks, but Carol says he doesn’t. That’s just his high blood pressure. Someone asks if there’ll be a repeat of Drink, Drank, Drunk, which was PBS special documentary hosted by Carol to raise awareness about alcohol abuse. Apparently Carol’s parents were alcoholics. She says she hopes they repeat it. Someone asks Carol who is the nicest person she’s ever worked with. She says Harvey Korman but then we see it was Harvey who asked the question. Someone asks if she ever thought of having her mouth insured and she cracks up. She says there’s not enough money. Someone asks if she’s always so happy. She says she runs hot and cold. But then she hears something back stage and asks what they said in the booth? She explains there’s a bullet proof glass booth where the directors and producers sit. While she’s talking to the audience they make remarks about what she should have said. She can’t hear it but the cameramen and stage managers have ear pieces so they can hear what’s said. So when she hears them chuckle she knows something has been said in the booth. The cameraman says that when she said she runs hot and cold her husband agreed. She asks, “How would he know?” We see a balcony with a divider between two apartments. Phil Silsers comes out on the left one feeling miserable. Carol plays his extremely positive, perky and doting wife who comes out to faun over him, which just makes him feel worse. On the right balcony Harvey comes out feeling positive while his wife (played by Jean Stapleton) is annoyed by his good mood. Carol hands Phil a menu but he says it’s the same menu as always. Harvey asks Jean for some breakfast but she says she’s not running a restaurant. Carol stands to the right side of her balcony and declares what a great day it is. Harvey is impressed. She says the sun makes her balcony look like a Rembrandt painting sometimes. He says it doesn’t do that for his and so she suggests they switch apartments and she’ll pay the difference. He asks if she’s come in and clean once a week and she’s excited that he would allow her to do that. She starts picking the lint from his jacket and he’s in ecstasy. They embrace and he says he’s always wanted a slave. She loves the title and begs him to repeat it. Harvey goes to pack so they can run away together. Phil meets Jean and complains about Carol. Jean says she doesn’t care and he loves her indifference. He says he needs someone like her and she tells him to go away. He’s in heaven. She’s surprised he wants to take all her guff and he says he can’t get enough of that wonderful guff. They agree to be miserable together and she goes to pack. Carol says she’s going to go down to the pear and fish for sea bass. Harvey tell her to also dig some clams. Both switched couples begin singing “Cheek to Cheek” by Irving Berlin from the 1934 musical Top Hat. Jean Stapleton sings “Losing My Mind” by Stephen Sondheim from the 1971 musical Follies. The cast does TV commercial parodies. Harvey is playing chess and concentrating when Phil bites loudly into a Doritos chip. They engage in a crunching competition until the sound of Phil’s crunch knocks Harvey through a wall. Phil does a parody of Menon after shave. He puts it on but can’t stop slapping himself in the face. Carol plays Harvey’s grey haired mother. She says he looks tired and he says he hasn’t been getting much sleep. She says, “Why don’t you try Drop Off sleeping pills?” He says, “I remember you said that to dad”. She says, “I guess I shouldn’t have given him the whole bottle”. Then the guard comes to take Carol back to her cell. Harvey is sitting with his wife Jean and their two kids as he signs a life insurance policy and then has a heart attack and dies. The family sing happily about it. Jean plays an elderly mother who comes home to a surprise party held by her many children. She starts crying and Carol gives her a box of absorbent tissue, telling her that’s her present from all of them. They leave and say they’ll see her next year. Phil is coughing and takes Nyquil then starts sneezing. Harvey and Carol are having coffee but he only gives him half a cup because it will keep him awake. He says, “They can put a man on the moon but they can’t make a coffee that lets you sleep. Then a radio announcer says the moon program has been canceled. Harvey drinks the coffee and goes to sleep. Carol says, “They can make a coffee that lets you sleep but they can’t put a man on the moon”. Harvey comes home and Carol asks, “How was your flight?” He starts to say, “This irregularity.. .” and Carol immediately pours a laxative into his mouth. He says he meant the plane flights were irregular and then rushes to the bathroom. Carol and Jean play two working class women sitting on a New York stoop drinking cans of beer. A couple walks by embracing. Jean says there’s a sexual revolution going on. Carol says she’s on the casualty list. Jean says it would be nice to be young enough to have one more fling. They sing “Flings” by Bob Merrill from the 1957 musical New Girl in Town. Harvey and Carol do an Old Folks sketch as Burt and Mollie for the first time in a long time. It’s the end of the day and she’s mad because she thinks he’s forgotten their anniversary. He finally gives her a string of 64 pearls to match every year they’ve been together. He wants to have sex but she says, “Not this year. I’ve got a headache,” In the hallway outside of an office an executive played by Harvey is about to go in and sees Jean approaching so he opens the door for her. She calls him a chauvinist pig and says he’s reminding her of centuries of male domination and oppression. He says, “I’m sorry miss”. She corrects him, “Ms.!” He says he’s holding the door open for a lady but she corrects him that she’s a person. She says it’s perfectly alright for a person to hold the door for a person and so she takes hold of the doorknob and says, “After you!” He tries to cross the threshold but it’s as if some invisible force is stopping him. he asks why he can’t do it and Jean says, “Because you are the victim of a male dominated society trapped on the traditional topsy turvy treadmill of machismo mythology!” He asks why he can walk through a door if a man is holding it open. She says because men are not a threat while women are. “You’re afraid of me!” He says he’s not but she opens the door for him again and he still can’t walk through. He asks if he can hold the door for himself and she says he can. He asks who she’s there to see and she says J. W. Perkins about a job. He says he’s J. W. Perkins. She asks if that means she doesn’t get the job? he asks if she’s willing to work for a sexist pig? She asks if she be paid the same as a man and he answers she would. It’s a men’s apparel company and he says they need someone to deal with customer complaints. He says she’d be perfect. Phil plays a sergeant in the army and Harvey plays his corporal. The male dancers play his men who are a sloppy drill team that Phil wants whipped into shape for the drill team competition. Carol plays a sergeant with Jean as her corporal and a troop of female soldiers marching in much better form. Phil says they won’t be any competition but Carol starts singing “Anything You Can Do I Can Do Better” by Irving Berlin from the 1946 musical Annie Get Your Gun. Everybody joins in and the men and women do a drill dancing routine that ends in the men and women seductively dancing together. Carol and Jean sing the 1962 song “I’m a Woman” by Jerry Lieber and Mike Stoller.

            Jean Stapleton made her stage debut in summer stock in 1941. She made her New York debut in The Corn is Green in 1948. She made her TV debut on Starlight Theatre in 1951. She made her film debut in Damn Yankees in 1958, reprising the role she played on Broadway. Norman Lear decided to cast her in All in the Family after she appeared in his film Cold Turkey in 1971. Over 205 episodes she won three Emmy Awards for playing Edith Bunker. She owned and operated The Totem Pole Playhouse summer stock theatre in Chambersburg, Pennsylvania. She co-starred in the films Something Wild, Up the Down Staircase, The Buddy System, Michael, You’ve Got Mail, She was nominated for an Emmy for her performance as Eleonor Roosevelt in Eleonor First Lady of the World. She co-starred in the sitcom Bagdad Café. She starred in the series Mrs. Piggle Wiggle.