Wednesday, 30 September 2026

September 30, 1996: I was on the internet now but had no I idea how to do anything there


Thirty years ago today

            On Monday Andrew helped me find an internet service provider so I could go online with my new computer. I got a dial up account with Global Serve (which later changed its name to Primus). My first email address was christia@globalserve.net. Andrew also helped me find a second hand printer for my computer but when we connected it the thing refused to work with Windows. Andrew had to split my computer into two operating systems as he installed OS2, so whenever I needed to use the printer I had to sign in to OS2. It was really fucked up.

Tuesday, 29 September 2026

George Schlatter


            On Saturday after midnight I added some fresh carpet tape to parts of the edge of my bed that had gotten less sticky. I lint rolled the curtains between the bedroom and the living room and caught a few bedbugs, then lint rolled the top of my bed and my pillow and found a couple more. I shook out my top sheet and my comforter on the deck. I went to bed around 1:35 and slept until just before 4:00 when I had to pee and noticed bedbugs all over me. After peeing I lint rolled my bed again and must have picked up about 30 bedbugs. I went back to bed but couldn’t sleep. After yoga I noticed quite a few bedbugs stuck to the tape and a couple crawling free. When they get stuck it’s usually on the edge of the tape and it’s often the ones that have already fed on my blood and get caught leaving the restaurant without paying. 
            I memorized the first two verses of “Elle voulait toucher du pognon” (She Wanted Change for the Toilet) by Boris Vian. 
            I worked out the chords for a little more than half of the chorus of “La fille aux claquettes” (The Tap Dancing Girl) by Serge Gainsbourg. There are little instrumental bits after each line so it takes more time. 
            I weighed 90.65 kilos before breakfast. I played my Martin during song practice for the third of four sessions and it went out of tune all the time. 
            Around midday I rode to No Frills where all the grapes were too soft. There were watermelons but they weren’t from Canada. They were from the States but the state of Michigan, which is against Trump’s tariffs so I guess it’s not so bad. I got two watermelons, a pack of blueberries, some bananas, a pack of chicken legs, a strawberry-rhubarb pie, mouthwash, some medium Ziploc bags, a jug of lemonade, a jug of orange juice, two containers of skyr, and some wedge fries. 
            I weighed 91.15 kilos at 14:40. I had peanut butter and five-year-old cheddar on saltines with a glass of lemonade. 
            I took a siesta and got up too late to take a bike ride. 
            I weighed 91.2 kilos at 17:25. 
            I was still three days behind in my journal and worked on catching up. 
            I made pizza on a slice of 7 grain sandwich bread with marinara, tomato pesto, two chopped slices of ham, and five-year-old cheddar. I had it with a glass of Creemore while watching part 1 of a 2012 cast reunion of The Carol Burnett Show. 
            When Carol first called Vicki she told her she was coming to see her compete for Miss Fireball. Carol told her she was very pregnant and didn’t want to be seen so she asked for seats in the back so she could slip in and out. The organizer didn’t believe Vicki when she told him Carol Burnett was coming. It was at the Hollywood Park Race Track. It was the Firemen’s Ball with an 1890s firehouse theme. There were 8 girls in the competition with two cancan numbers, and Vicki had her individual talent where she played the guitar with a kazoo strapped around her neck. Vicki won the contest. The organizer announced that Carol was there. That was November and two months later Carol gave birth. Vicki was on her way to a recording session with The Young Americans when she decided to stop at the hospital and bring Carol some flowers. The nurses thought Vicki was Carol’s sister Chrissie so they let her in right away. Carol told her she was going to call her when she got her tummy back. Vicki got the call at the end of her senior year in high school. By coincidence, Carol’s manager saw Vicki singing with the Young Americans on The Andy Williams Show and called Carol, saying he’d found the girl to play her sister on her new show. 
            Carol says when they did the mini-musicals Ken and Mitzi Welch would write a whole story around the works of a certain composer and or lyricist like George and Ira Gershwin. 
            Vicki could read music but Carol made up her own musical shorthand. 
            When the Jackson 5 were on the show there was an earthquake. 
            Lyle says somebody gave Harvey a gold chain with the letter H on the end and they called it “the Preparation H Award for the biggest pain in the ass”. 
            Vicki says she got to touch the golden age of television because Carol’s show was the last show of that age. 
            Carol hired the very best people and then just let them fly. 
            Tim says George Schlatter was doing a show with John Wayne and Tim as guests. Tim asked George if it would be funny if he called John “The Duck” instead of “The Duke”? George said John Wayne has a great sense of humour. When Tim tried it John broke a picture, a bottle, and a breakaway chair over his head. Carol says she never met John Wayne. 
            They all sing Carol’s theme together. 
            George Schlatter was the creator and executive producer of Laugh-In and Real People. He established The American Comedy Awards. He co-wrote and produced Sinatra: 80 Years My Way. He won 5 Emmy Awards out of 25 nominations. He produced the first five years of The Grammy Awards. He wrote the book Still Laughing: A Life in Comedy. When he wrote a script for The Jackie Gleason Show Jackie threw it up in the air and said, “This is shit!” The next day he presented Gleason with the exact same script and he said, “That’s a lot better.” He said Jackie Gleason and Red Skelton were not nice people. Red Buttons and Bob Hope were murder on writers but Jack Benny was not. He wrote Victor Borge’s 20th anniversary in 1971. He produced the first five episodes of The Judy Garland Show. He co-wrote, produced and directed the movie Norman Is That You?



Dick Clark


            On Friday after midnight I added more carpet tape to the south east corner of my mattress as that part loses its stickiness sooner because my socks are always rubbing against it. I lint rolled the curtains between the bedroom and the living room and picked up a few bedbugs. I went to bed a little after 1:30 and slept until just before 4:00 when I got up to pee, then I slept until 5:00. After yoga I found a few bedbugs stuck to the carpet tape. 
            I uploaded “Les bienfaits de la pratique” (The Benefits of Practice) by Boris Vian to my Christian’s Translations blog and published it. I posted my translation on my Boris Vian fan page and on my personal Facebook page. The next Vian song on my list is “Elle voulait toucher du pognon” (She Wanted Change for the Toilet). There’s audio for that one so I’ll start learning it on Saturday. 
            I worked out the chords for the first verse and part of the chorus of “La fille aux claquettes” (The Tap Dancing Girl) by Serge Gainsbourg. I might have the chorus done tomorrow. 
            I had to skip breakfast because I was scheduled for my implant surgery at the U of T School of Dentistry and so I had to start getting ready at 8:30. I left my place at 9:00. The Elm Street entrance was closed for construction and so I had to go in through the Edward Street entrance and figure out how to get up to the third floor from there. I finally found the elevator and got to the Periodontics office where I had to pay $1640. I guess the big fee will probably be for the crown when that goes on, which I assume will be between $3000 and $4000. At least that will be a few months so I can get more money in the bank from my pension payments. 
            Dr. Martin Lambert froze me up pretty good. I got mildly yelled at for closing my mouth while there was a pin there but I should have been told beforehand not to close my mouth because a pin was there. The assistant Isabella called the pin the CN Tower and I saw later it was because there was a part around it that looks something like the CN Tower’s observation deck. Martin drilled down and then screwed in the implant. 
            Some of Dr. Xia’s bone graft collapsed and so Martin had to fill the space around the implant with a new bone graft and also bury it with more bone to put it to “sleep” for a few months. The original plan without glitches would have been a four month wait before the crown goes on but now it will be six to nine months. Martin’s professor suggested that I take vitamin D to strengthen the bone. Apparently most Canadians are vitamin D deficient because it’s a sunshine vitamin. But I probably get more sun in the winter than most people as I have southern exposure and big windows. Plus I eat a lot of meat which is a rich source of D3. 
            Martin stitched the gum together over the bone graft. He frequently complimented Isabella for her assisting work. He said that at U of T the dentists are spoiled because the assistants are professionals. He said that in a lot of the dental schools in the States the assistants are also students and they often don’t know how to assist.
            He prescribed the same things Dr. Xia prescribed after my bone graft: Amoxicillin the antibiotic to be taken three times a day for a week; Ibuprofen for pain, though I still have a full container from last time because I didn’t need it; a chlorohexidine gluconate oral rinse to be taken twice a day starting a day after surgery; and he added dexamethasone to reduce swelling with one and a half tablets to be taken the next morning, one tablet the morning after that, and half a tablet on the third morning. I’m scheduled to see Martin again for a follow up in two weeks when I assume he’ll be removing the stitches. 
            Before going home I went straight to Vina pharmacy and had to wait several minutes for a newbie pharmacist to fill my prescription. At first he said they didn’t have the dexamethasone but later he discovered they had it after all. They cut one of the tablets in half and put the half tablets in a separate container as if I’m too stupid to tell the difference between a whole and a half tablet. I also bought some vitamin D3 because it was the only D vitamin they had. Apparently it’s generally the most effective form. 
            I weighed 90.25 kilos before lunch. 
            I took a long siesta.
            I weighed 90. 8 kilos at 17:25, which is the lightest I’ve been in the evening since July 24. 
            I was still three days behind in my journal and worked on catching up. 
            I had my last potato (a tiny one) with gravy and a chicken leg while watching Let’s Bump Up The Lights, a Carol Burnett Special from 2004. 
            Carol, Vicki, Tim, and Lyle are sitting together. Vicki tries the Tarzan yell and pretty much nails it. Both Tim and Lyle mime a silent Tarzan yell to be dubbed with Johnny Weismuller’s original Tarzan yell. Actually the Tarzan yell in his movies was engineered from recordings of Swiss yodeling, opera singing, and the cry of a camel, then some of it was played backwards. Apparently he later on learned how to do it with his own voice. Carol says she entered a Tarzan yell contest in London once and came in third. She was the only female in the contest. Lyle asks, “What show did the winner get?”
            Lyle says he and his wife took a vacation to Peru and were chopping through the Amazon jungle to visit a First Nation village when they met another tour group from the States chopping their way out. One of them recognized Lyle from The Carol Burnett Show. 
            Vicki says she and her daughter went to visit the Taos Pueblo in New Mexico. They went into one of the wood huts to buy souvenirs. There was an old Tiwa man sitting in the dark corner with his hat down. Then he looked up at Vicki and asked, “You Mama?” He came out into the light to take pictures with her. 
            Lyle says even after he was on the show for a couple of weeks he’d have people calling him by name anywhere in the country. Carol says when people view television performers from home they become more familiar than movie stars. Vicki says she noticed early on that if a guest on the show was in movies they would be “Miss Hayworth” or “Mr. Stewart.” But if it was a TV star they would call them by their first name. 
            Carol says they were one of the few shows in the world that finished in time to go have dinner.
            Vicki says of Carol she cared about the whole crew and knew if the prop man’s dog was throwing up. 
            Vicki says when they did the take-off on Showboat she couldn’t find her starting note. Hal Linden, who was stage trained, was staring at her as if to say, “You little twit!” 
            Vicki calls The Carol Burnett Show "The Emerald City" because it was unique in show business.
            Vicki says she used to go home to Lyle’s place for lunch with his wife. And Lyle taught her how to do plaster of Paris sculptures. Vicki also became friends with Bob Mackie because he was one of the youngest of the staff and came from the same part of California. 
            Lyle says that while nobody planned to break up during a sketch, players did plan to break the other player up with what they called “savers”. 
            Tim says when he tricked Harvey into being on Dick Clark’s Bleepers, Bloopers, and Blunders, the race horse they brought out to sell wasn’t even their race horse but Harvey couldn’t tell. After he got punked Harvey didn’t talk to Tim for months. 
            Lyle says he was in the Green Room with Harvey when he got the script for Blazing Saddles. He was reading it and commenting that it would never sell. 
            Vickie says Bob told her he had 45 seamstresses putting together between 60 and 80 pieces a week. 
            Vicki says she took Carol shopping once and in a boutique she went into the dressing room with about fifteen outfits and shocked the salesperson with how lightning quick she could try on and take off clothes. She developed the skill from doing live TV. 
            Carol says on the Garry Moore Show she would change in the elevator with her dresser but Garry didn’t know that and ran in to also use it to change with his dresser. They just turned their backs on each other and did it with four people in a tiny elevator. 
            Dick Clark got his first job when he was 16 in the mail room of WRUN Radio in Ithaca New York. The station was owned by his uncle and managed by his father. He worked his way up to being a weatherman and then an announcer. He graduated from Syracuse University with a degree in Business Administration. In 1952 he was working at WFIL Radio when he became a substitute host for Bob Horn’s Bandstand on the WFIL TV station. After Horn was arrested for drunk driving Clark became the permanent host. In 1957 the show got national distribution and the name was changed to American Bandstand. Clark added interviews, starting with Elvis. He introduced lip synced performances and a “rate a record” segment. The latter established the catchphrase: “It’s got a good beat and you can dance to it!” Clark mandated a dress code of skirts or dresses for the girls and coats and ties for the boys. Clark was also the first bandstand host to allow black performers on the show. The biggest names in rock and roll appeared on the show over its long run and helped to ease the TV viewing public into feeling more accepting of rock and roll. He saved the career of Connie Francis when he played her song “Who’s Sorry Now?” on his show and caused it to become a hit. In 1958 Chuck Berry made his network television debut on American Bandstand when he sang “Rock and Roll Music”. By 1959 American Bandstand was reaching an audience of 20 million. Many performers got their first national television exposure on American Bandstand, including The Supremes, The Beach Boys, Johnny Cash, Jerry Lee Lewis, Sam Cooke, Fats Domino, Chubby Checker, Tina Turner, Smokey Robinson, Stevie Wonder, Simon and Garfunkel, Iggy Pop, Prince, Talking Heads, and Madonna. Clark began managing artists, arranging concert tours, and hosting live sock hops. Paul Anka credited Clark with creating youth culture by showing teenagers publicly enthusing over rock and roll. In 1960 an investigation into payola found that Clark owned partial copyrights to over 150 songs, many of which were featured on his show. Nothing illegal was found on Clark’s part but he was given a choice to sell his shares or leave the show, so he sold and stayed. Clark moved the show to LA and started Dick Clark Productions. He hosted The Dick Clark Show from 1958 to 1960. He produced Where the Action Is, TV Bloopers and Practical Jokes, and So You Think You Can Dance? He hosted the game shows $10,000 Pyramid, The $100,000 Pyramid. Scattergories, The Challengers, and a male version of The View called The Other Half. He also hosted the radio shows The Dick Clark National Radio Survey, Countdown America, and Rock Roll and Remember (which was inspired by Dick’s autobiography of the same name). He owned several radio stations. He starred in Because They’re Young. He co-starred in The Young Doctors. In 1968 he co-wrote and co-starred in the movie Killers Three. He produced the film Psych-Out. In 1972 he produced In Concert. In 1972 he produced and hosted the first Dick Clark’s New Years Rockin Eve, which continued every New Year except for 1999. He created and produced The American Music Awards in 1974. He became the mentor of Ryan Seacrest, who took over New Years Rockin Eve after Clark. He’s won five Emmys and one Peabody Award. He had a chain of restaurants and was criticized in Michael Moore’s documentary Bowling for Columbine because he would hire single welfare mothers for very little pay and the son of one of his employees became a shooter at the Columbine school. Clark refused to be interviewed.



September 29, 1996: My daughter and I played Doom on my new computer


Thirty years ago today

            My daughter and I played games on my new computer, like Doom, Descent and Fire and Ice until her mother picked her up.

Monday, 28 September 2026

September 28, 1996: I bought my first computer


Thirty years ago today 

            On Saturday morning my landlady Marjorie’s boyfriend Andrew drove me to the International Centre in Mississauga for the CompuFest Computer Show. I had asked for his help in finding my first computer since he worked at IBM. He guided me through picking what he thought was the best package. I got a PC tower, though I don’t remember the brand, but when I look through computer images and names from that year, Compaq Presario sounds and looks familiar. It came with Windows 95 and some game samples like Doom, Descent II, and Ice and Fire. It came with one of those big clunky monitors that also had speakers, a keyboard and a mouse. We brought it home and Andrew helped me set it up. A printer didn’t come with the package but I still needed one and I wanted to get online. 
            Later Nancy brought our daughter to my place to spend the weekend and True and I enjoyed playing the new games, especially Doom.

Sunday, 27 September 2026

Charo


            On Thursday after midnight I was running the lint roller over the curtains between the bedroom and the living room to catch bedbugs when the wooden bracket that holds up the right end of the curtain rod fell off. Inside the wall where it had been attached was a bedbug nest. I covered the hole with carpet tape to trap the monsters inside and then I propped up the right end of the rod with a camera tripod. I finished lint rolling the curtains, the top of my bed, and my pillow. I shook out my top sheet and the comforter on the deck and went to bed around 2:05. I didn’t sleep very well before the alarm went off at 5:00. After yoga I didn’t find any bedbugs around my bed. 
             I finished translating “Les bienfaits de la pratique” (The Benefits of Practice) by Boris Vian. Since there’s no audio and I can’t work out the chords, tomorrow I’ll just post in on my Christian’s Translations blog and then move on to the next Vian song. 
             While I was typing a yellowjacket was landing on my keyboard and I paid close attention so my hands didn’t get too close. Later though I put my left hand on my leg and I guess the yellowjacket had moved to that spot and I got stung on the inside of my pinky. It really hurt. 
            I worked out the chords for three-quarters of the first verse of “La fille aux claquettes” (The Tap Dancing Girl) by Serge Gainsbourg. I should have that and maybe the chorus finished on Friday. 
            I weighed 90.75 kilos before breakfast. 
            I played my Martin during song practice for the second of four sessions and it went out of tune on every song. My little finger still bothered me while I was playing but not enough to impede my chording. 
            I weighed 91.35 kilos before lunch. 
            In the afternoon I took a bike ride and on the way back stopped at Freshco where most of the grapes were too soft but I managed to find one bag of firm red ones and two of the green. I also bought bananas, a pack of blueberries, half a brown sugar ham, a small tub of I Can’t Believe It’s not Butter, a jug of orange juice, a large can of Full City Dark coffee, some two-in-one shampoo, and a lint roller. I price matched the grapes to Walmart’s price of $6.47 a kilo. 
            I weighed 91 kilos at 18:40. 
            I was three days behind in my journal and worked on catching up. 
            I cut up a whole chicken into legs, wings, breasts, and spine and grilled the parts. I had a leg with a potato and gravy while watching a video of Carol Burnett Show Show Stoppers from 2001. 
            It starts with short clips of bloopers. Like one where Carol says, “I said to myself, Blossom Butterworth” then she pauses and repeats the start but obviously has forgotten the line so she says, “You’ve had it, Carol Burnett!” 
            Carol comes out to the same stage where her show was filmed to a live audience and a standing ovation. She takes questions from the audience. Someone asks Carol how she would like to be immortalized. She says she’s having a rose named after her. A guy named Scott says he’s been in love with her since he was small and one of the sexiest things she’s ever done is the Tarzan yell. Carol says, “You think the Tarzan yell is sexy? Are you all right?” She does it for him. 
            Carol says she has Harvey, Vicki, and Tim with her and then starts a song about what a perfect team they were. “With our golden throats we hit all the notes” then she shows clips of them fumbling their songs. Vicki goes off key; Harvey loses his note on “King of the Road”. Carol continues that “Nothing could break up our perfect team” and then shows several clips of sketches where broke up. Carol says most of the clips they’ll be showing have never been seen. There’s a clip of Harvey and Tim cracking up during an Old Man sketch, then Carol brings Harvey and Tim out. Tim shuffles out very slowly in his old man wig to a standing ovation. Someone asks if they always did the series live. Tim says, “A couple of us were dead at the time.” They show the clip of Tim playing a superior officer drumming Harvey out of the service and it’s the first time Tim used the accent that would later be that of Mr. Tudball. The accent causes Harvey to crack up. He tells Harvey he left his men in a ditch to get knots on their heads “while you went into town to sing. I like to sing myself but there is a time for singing and there is a time for duty. When you’re on duty you shouldn’t sing.” He starts on listing places he can sing and then the clip stops. 
            Carol, Harvey, and Tim are now sitting down. Referring to the clip, Harvey asks if anyone could have stood up to that kind of torture? He says he tried and he’d even lie awake nights thinking of ways to get Tim but he’d always turn it around. 
            Harvey shows a clip where Tim got himself. It might be a parody of Jaws. Tim tells a story of how he lost a girlfriend to the sharks. He says they were in a sailboat off Hawaii when she tried to swim to shore. She’d have made it too if…” Tim starts to laugh and totally cracks up as he says, “She’d have made it if she hadn’t been wearing her lucky ham!” Harvey says they had a betting pool all week on whether Tim would get through it. 
            Carol says she got Tim once when he was playing a man pretending to be a mannequin in the window, Carol comes out in a housecoat and dances like a stripper in front of Tim. Then she opens her coat and he starts laughing. She turns to the camera to show she’s wearing prosthetic breasts. She also got him in the sketch where she’s giving him a sponge bath while singing “You Light Up My Life” but she also cracked up. 
            Carol brings out her mother, sister, and friend, Vicki Lawrence.
            An audience member asks for Vicki’s origin story again. Vicki asks, “Doesn’t everybody know this story?” Carol says she’ll tell it anyway. Tim sits down and Harvey wanders off and shouts stage right, “Could you order me a tuna fish sandwich on rye?” Tim and Harvey sit on the couch while Carol continues the story. Tim asks Harvey, “Do you use Viagra?” Harvey answers, “That would be like putting a new flagpole on a condemned building!” 
            Carol shows the famous scene when Mama is insulting Eunice’s sanity and ad libs some that crack Carol up. Then she shows a clip of the other insults that never aired from the same scene: “I think you done sprung a leak in your dingy! Is it yer time of the month or somethin?” Eunice is turned away to laugh and Mama grabs her to say, “Look at me!” before Mama cracks up too. There’s another family sketch when they are playing Sorry and Mama is supposed to say, “gosh dern” but she says “God damn”. 
            They show the clip where Tim is improvising a story about Siamese elephants joined at the trunk. Eunice tries to move on to mama’s line when Mama says, “You sure that little asshole’s through?” and everybody falls to the floor laughing. 
            Vicki’s first character that she developed for the show was the high voiced bimbo. She asked Harvey, “How come when I play her I’m stupid for the whole week?” Harvey answered, “Any character you do well is truly a part of you.” To which Vicki responded, “Then how come you’re so good in drag?” She says she never got an answer but Harvey now puts on an effeminate voice and says, “I haven’t the faintest clue!” 
            They show the first time Harvey ever appeared as Mother Marcus in the As the Stomach Turns soap opera parody. Carol as Marian is sitting with Marcus and she reaches over to squeeze Marcus’s big boob. Then Marcus says, Turnabout is fair play” and reaches for Carol’s boob but Carol turns away and says, “If you can find it!” 
            They show a clip from when Charo was a guest on the show and Carol played Charo’s mother in a similar skimpy costume but with sagging and swinging breasts. Carol says Bob Mackie would put raw rice in the boobs. Vicki remembers having a whole rack of different sized boobs fitted for her in the costume department: “Small, medium, large, little push, medium push, over the top push, down to the knee, raisins, no raisins…” 
            They show a clip where Carol says she’s going to go down the pier and fish for sea bass” but she pronounces it like “bass guitar”. 
            In a commercial parody Harvey plays a minister being served something by Carol as an elderly housekeeper or wife. Harvey says he doesn’t want it because it tastes fishy’ She shoves some in his mouth and he says, “It doesn’t taste fishy! I wonder why!” Carols says, “It’s a veal cutlet you asshole!” Then in the next take Harvey says, “This doesn’t taste fishy asshole, I wonder why!” In the next clip Harvey says, “It doesn’t taste fishy, I wonder why!” Then the crew shouts in chorus, “It’s a veal cutlet you asshole!” 
            They show a clip of Tim as the old man in an out of control electric wheelchair. It’s supposed to go out through the window but after several tries he just stands up and shuffles through. 
            They show the clip of the old man sketch in the butcher shop with Tim behind the counter and messing up Harvey’s order. Harvey was a nervous wreck because Laurence Olivier was in the audience. Harvey’s pants were supposed to fall down and when your pants fall down in a sketch you are supposed to wear boxer shorts but Harvey forgot to and wore briefs instead. 
            There is a clip of Carol dressed as her character Stella Toddler and she strips down to the padded undergarment and the swinging breasts to show what goes into a sketch. 
            Carol has Bob Mackie wave from his seat. Carol and Vicki dance and sing a song called “The Mackie Rag” describing costumes that make you feel like a queen, or slightly obscene, cute as can be. Vicki sings “You’ve seen some hot mamas but you never seen a Mama like me”. “Formal, informal, or drag (and they show Harvey the fairy godmother Markus) Wonderful or wacky, elegant or tacky, gimme gimme gimme, gimme a Mackie rag”. They bring Bob on stage. Then Tim comes out in drag and struggling in platform shoes to kiss Bob’s hand. 
            Carol sings the full version of her theme song. Thetn the cast and Bob come out and stand together to join arms as usual and sway from side to side as the music plays and the credits roll. 
            Charo’s native language was Spanish but she also spoke Italian, French and English. She started playing guitar at the age of 9 and at 14 she won a scholarship to learn guitar from Segovia. She was discovered by Xavier Cugat when she was 16 and he brought her to the US. He later married her. She won a court case proving that she was born in 1951 but that would have made her 15 when she married Cugat at Caesar’s Palace in Las Vegas. She was the winner of the Guitar Player Magazine poll of Best Flamingo Guitarist for two years in a row. Her trademark phrase “Cuchi Cuchi” came from her talking to her dog Cuchillo. Later she would say it and wiggle her hips. She said, “Around the world I am known as a great musician but in the US I am the cuchi cuchi girl.” She made her film debut in New Friendship in 1963. She made her TV debut on the Danny Kaye Show in 1965. She co-starred in Tiger By the Tail, Thumbelina, In the late 60s and 70’s she made frequent appearances on several popular shows such as Laugh-In, Fantasy Island, The Love Boat (ten times), Johnny Carson’s Tonight Show, and The Mike Douglas Show, which she co-hosted at least once. She was a semi-regular on Hollywood Squares. Her son Shel Rosten played drums for the heavy metal band Treazen.











September 27, 1996: I bought my first electric guitar


Thirty years ago today

            On Friday I went to the annual Long and McQuade sale where I bought my first electric guitar. I got a beautiful vermillion Kramer with the Floyd Rose tuning system. I didn’t know anything about the Floyd Rose but just thought it looked cool. It was complicated getting in tune initially but once it was in tune it stayed there for weeks. I also bought a Roland Jazz Chorus-50 amplifier.
    I played it that night on the Spit Fridays open stage in the back room of the Cameron and some people said the electric was a better sound for me than my acoustic. 

Saturday, 26 September 2026

Frances O'Connor


            On Wednesday after midnight I put fresh carpet tape on the edges of my mattress where the old tape had gotten less sticky. I lint rolled the curtains between the bedroom and the living room and caught several bedbugs. I went to bed around 1:48 and pretty much slept until the alarm went off at 5:00. After yoga I found several bedbugs caught on the tape on the floor at the head of my bed. I also caught one on the curtain.
            I translated about half of “Les bienfaits de la pratique” (The Benefits of Practice) by Boris Vian.
            I worked out the chords for the instrumental intro and some of the first line of “La fille aux claquettes” (The Tap Dancing Girl) by Serge Gainsbourg. 
            I weighed 91.35 kilos before breakfast, which is the heaviest I’ve been in the morning since September 15. 
            I played my Martin during song practice for the first of two sessions and it went out of tune all the time. I took several photos and dead and alive bedbugs and sent some of them by email to the city bylaw officer Jamal Logan. He got back to me in the late afternoon and said, “Thank you for providing me with this. I’ve moved forward with issuing a property standards order that will be mailed out the following day, allowing 30 days for compliance from the property owner.” 
            I weighed 91.95 kilos before lunch. I had peanut butter and five-year-old cheddar on saltines with a glass of lemonade. 
            In the afternoon I took a bike ride downtown and back. 
            I weighed 91.2 kilos at 18:25. 
            I was still two days behind in my journal and worked on getting caught up. 
            I made pizza on a slice of 7 grain sandwich bread with marinara, tomato pesto, a chopped New Zealand grass fed beef burger, and five-year-old cheddar. I had it with a glass of Creemore lager while watching season 2, episode 6 of Wednesday with my daughter Astrid on Discord. 
            The show opens with Wednesday putting on makeup and donning a bright coloured outfit with a mini-skirt, then dances happily through the Nevermore campus while posing for smart phone cameras. I said to Astrid this extremely uncharacteristic display of brightness and exuberance must be a dream. She thought it might be a shape shifter posing as Wednesday, but we would find out later that we were both wrong. 
            13 hours and 16 minutes earlier, Wednesday is in Principal Dort’s office with Sherrif Santiago, Enid, and Wednesday’s parents Morticia and Gomez Addams. The issue being addressed is the attack by Tyler Galpin in his Hyde form during the Day of the Dead celebration. Wednesday reminds Dort that she warned him about Tyler. Francoise Galpin, Tyler’s mother, had also appeared in her Hyde form but Morticia talked her out of attacking and made her promise to leave Jericho with Tyler. She assures Dort and Santiago that the Hydes are now gone from Jericho. Dort institutes a school curfew. 
            Wednesday is still without her psychic powers. The ghost of former Principal Weems is Wednesday’s spirit guide and she tells Wednesday she won’t get her powers back until she resolves her issues with her mother and with her own emotions. 
            Wednesday learns from Professor Orloff that Francoise had a brother named Isaac who was a DaVinci and who designed Orloff’s robotic life support system. He tells her that Isaac died in a lab explosion and is said to be buried under the Skull Tree. Wednesday realizes that Isaac is the corpse that her brother Pugsley accidentally brought back to life with his electrical powers and took as his pet zombie, Slurp.
            Francoise and Tyler are hiding out in an underground bunker. She has Tyler chained to his bed and plans to become his new master. But she is coughing blood sometimes and reveals that Hydes do not live long. 
            Professor Capri visits Enid and addresses the phenomenon of her having turned into her werewolf side when there was no full moon. She explains that she could be that rare type of werewolf known as an Alpha. 
            Wednesday visits her Grandmama and asks for a way to get her powers back. She tells her to the grave of former Nevermore Professor Rosaline Rotwood and if she reads aloud the inscription she will be granted temporary psychic powers. Wednesday breaks curfew to find the headstone but while she is there, Enid learns that Professor Capri is doing dorm checks. If Wednesday is discovered missing then Enid will also be punished and she’ll miss the gala, so she goes after Wednesday. Meanwhile Wednesday reads the inscription and is transported in her mind to the spirit realm where she meets Rotwood (played stiffly by Lady Gaga). Rotwood shows her a candle flame and tells her if she can keep her hand on it for a certain time she will be granted temporary sight. She is baring the flame without flinching when suddenly Enid arrives and grabs her, cutting her contact with the flame. Both Wednesday and Enid collapse on the graveyard grass and wake up in each other’s bodies. 
            Wednesday goes out in Enid’s body and is grabbed from behind by Enid’s lover Bruno but Wednesday flips him with a judo toss and sternly warns him not to try it again. 
            Enid, in Wednesday’s body tries to continue with her colourful life but breaks out in hives because Wednesday is literally allergic to colour. Morticia notices this and provides her with the remedy she is supposed to be taking for her affliction. Enid has to agree to come to an Addams Family dinner.
            Meanwhile Isaac finds the underground bunker where his sister and nephew are hiding. He tells Francoise he can cure her of being a Hyde but needs the right equipment. 
            Enid, in Wednesday’s body discovers Wednesdays novel and discovers that a character in the book is based on her and made ridiculous. She is offended and decides to get revenge by humiliating Wednesday in public and that’s where we came in. 
            Wednesday, in Enid’s body discovers that Bruno is cheating on her and breaks up with him.
            Thinking Wednesday is Enid, Professor Capri tells her that she has to spend the night at the Lupin Cages so she can safely transform into a werewolf. 
            Thing attends a support group for separated appendages. He says he doesn’t know where he came from. He was found by the Addams Family with the only key to his past being a signet ring. 
            At the Addams Family dinner, the ghost of Weems appears to Morticia and reveals that it is Enid and not her daughter sitting at the table. 
            Isaac enters Orloff’s lab and reclaims the power source from Orloff’s robot body. He then eats Orloff’s brain so a great mind will not go to waste. He takes the power source and goes with Francoise and Tyler back to Willow Hill to reactivate the burned out machinery, while Agnes invisibly follows them. 
            Enid in Wednesday’s body finds Wednesday in her body at the Lupin Cages and tells her that she’s learned that if they don’t switch back by dawn then they will both die. Agnes calls Wednesday to tell her that Isaac, Francoise, and Tyler have gone to Willow Hill. Tyler detects Agnes, captures her and locks her in a cell. When the switched Wednesday and Enid arrive, Tyler captures the one he thinks is Enid and places her in a cell. But Wednesday transforms into a gigantic black Alpha werewolf and smashes free of the cell and even Tyler is no match for her. She doesn’t have time to do harm to Tyler because the lab is about to explode and so everyone escapes. 
            The switched Wednesday and Enid return to Rotwood’s grave. They touch it together and share the things they’ve learned about each other while in each other’s bodies. Enid admires Wednesday’s fearlessness but also realizes that she fears she is too dark for even her mother to bear and fears being rejected by Morticia like she did her sister Ophelia. 
            Wednesday says she admires Enid’s quiet strength. She knows Enid fears being an Alpha will render her solitary but Wednesday vows she won’t let that happen. The girls collapse and wake up back in their own bodies. 
            Weems appears before Wednesday and tells her that the premonition of her causing Enid’s death has been broken but in her place an Addams must die. 
            Francoise is played by Frances O’Connor, who earned a BA in Literature from Curtin University in Western Australia and graduated from the Western Australia Performing Arts Academy. She made her TV debut in the Australian series Law of the Land in 1992. She made her film debut in Love and Other Catastrophes in 1996. She starred in Kiss Or Kill, Thank God He Met Lizzie, Mercy, She co-starred in A Little Bit of Soul, About Adam, The Lazarus Child, Picadilly Jim, Go, Mansfield Park, Bedazzled (her first Hollywood film), A.I., The Importance of Being Earnest, Timeline, Book of Love, Iron Jawed Angels, Blessed, Jayne Mansfield’s Car, Little Red Wagon, The Truth About Emanuel, Three Dollars, The Hunter, The Conjuring 2, She co-starred in the series Cashmere Mafia, She co-starred in the BBC series Mr. Selfridge, The Missing. She made her film directorial debut in 1922 with Emily, which she also wrote.



Michele Lee


            On Tuesday after midnight I lint rolled the curtains between my bedroom and living room and caught some bedbugs but far fewer than the night before. I did the same to the top of my bed and none turned up. I went to bed at around 2:05. It’s too cold to sleep naked with just a sheet now so I used my comforter (which I’ve been avoiding because it’s harder to keep bedbugs out of it). I woke up around 3:00 to pee and again at 4:30, then again with the 5:00 alarm. When I checked for bedbugs dead or alive after yoga I didn’t find any. 
            I started translating “Les bienfaits de la pratique” (The Benefits of Practice) by Boris Vian. 
            I finished translating “La fille aux claquettes” (The Tap Dancing Girl) by Serge Gainsbourg. I searched for the chords but no one has posted them. AI suggested some that work but it thinks the song is in the key of C while I’m hearing F. 
            I weighed 90.95 kilos before breakfast. 
            I played my Kramer during song practice and it stayed in tune most of the time. 
            I rode up to Yonge and St Clair to get a haircut at Top Cuts. My stylist Amy was just finishing up with a big guy whose head and face she’d just shaved. Apparently he’d been very difficult before I arrived and had screamed at Amy to demand that she clip his nose hairs. He’d insisted on a soap and razor shave, which they don’t have facilities for because it’s not a barber shop. From what I could gather another customer with a Scottish accent had given him money for his cut but now she regretted it. He wanted more done but they said he was finished. He only had thirty dollars though the bill was about $45. I could tell by the way he moved that he was developmentally challenged. After he left, the other customer paid the difference on his bill. One of the hairdressers said she could have done him damage if there hadn’t been witnesses. I assume she means she knows martial arts. 
            I asked Amy to cut the sides shorter than before and to keep the front long. But when she was done the side still wasn’t as short as I wanted it. I didn't push it because she'd had a hard day. 
            I had been scheduled to meet with Brian Haddon for lunch at The Crown and Dragon after my haircut but on Sunday he canceled because he was worried about getting bedbugs. I had assured him I would take precautions and that the chances were low but he doesn’t want to get together until my place is bedbug free. That pissed me off because it could take years and it hurt that he didn’t trust me to be careful. 
            I weighed 91.1 kilos before lunch at 15:40. 
            I took a siesta and got up at around 18:00. 
            I weighed 91.5 kilos at 18:15. 
            I was a couple of days behind in my journal and worked on getting caught up. 
            I had oven fries, pork ribs and a glass of Creemore lager while watching The Carol Burnett Show 25th Anniversary Special. 
            Carol comes out and does a song about her first opening for the show 25 years ago, how she felt and what she did and makes fun of how awkward she was. 
            There’s a clip of Carol with Ronald Reagan when he was governor of California taking questions and someone asks if he’d like to live in Washington, D. C. Reagan says he can’t understand anyone wanting to live anywhere but in California. 
            A guy named Cary who as a teenager asked if he could come up and give Carol a kiss is now in the audience 15 years later and asks if he can come up again. They show the clip of how nervous he was and Carol saying she’d be gentle. After she kissed him back then he said he was going to faint. 
            Carol brings out Harvey Korman. 
            She shows a clip of Tim Conway as a soldier trying load a cannon but drops the ball down his pants. He can’t get it out so he just puts his crotch where the ball is against the cannon and signals to fire. Carol brings out Tim then she brings out Vicki Lawrence. Tim says of Vicki, “Out of all of us, who would imagine that she’d be the only one that’s still working!” Harvey says, “I was sucking up to the wrong person all those years!” 
            Carol shows a clip of Lyle Waggoner as the Marlboro man looking cool as he lights up and then having a coughing fit. 
            They show several clips of cast members getting hit over the years. 
            They show some clips of movie spoofs I never saw such as From Here to Maternity in which Steve Lawrence and Carol are on a beach making out when a big wave hits them. Pillow Squawk is a parody of Pillow Talk with Carol parodying Doris Day.
            Carol, Harvey, Vicki, Lyle, and Tim sit on chairs on stage and take questions from the audience.
            They show a clip from the butcher shop sketch in which Tim accidentally pulls Harvey’s pants down and he’s wearing briefs, having forgotten to wear boxers. He was particularly embarrassed because his idol Sir Laurence Olivier was in the audience. 
            Carol shows the clip of the horse that relieved itself behind her when she was singing. Tim says he was also peeing during that song. 
            Carol says Vicki’s daughter Courtney is at Stanford now. 
            Carol points out her three daughters in the audience. They try to get Tim’s kids to stand up and they show them sitting but a black guy stands for fun. 
            There are clips of Carol singing with Ethel Merman, Liza Minelli, Perry Como, Rita Hayworth, The Pointer Sisters (singing “Salt Peanuts” while dressed like one of the sisters), and The Carpenters.
            Carol shows how Vicki transforms into Mama with no makeup. Just the wig, the glasses, the padded dress, and the frown. 
            There’s a clip of Harvey singing in Spanish drag with very large breasts and castanets. 
            Carol has the chorus from her show take a bow and then the dancers. She gets Bob Mackie to stand up, calls him a genius, and wonders why he doesn’t get any older. She gets the choreographer Ernie Flatt and the assistant choreographer George Foster to stand up. 
            Carol comes out as the Charwoman again and sings her goodbye theme song while a few more clips of guest stars roll, such as Wayne Rogers, Dom DeLuise, Jack Palance, Penny Marshall, Sally Field, and Michelle Lee. 
           Then Carol slips into some high heels, strips off the charwoman’s rags and has an elegant sparkly gold suit on. She sings a different goodbye song. Then Vicki comes out and it’s a duet. Then Harvey sings the song with her. Then Lyle, then Tim, who talk-sings and then jokingly sings in a dramatic way. Then they all hold hands and sing it together. They go into the audience and shake hands with people while still singing. They return to the stage and Carol says goodnight to them. They each go through a different doorway, except Carol stays behind and starts singing the song alone again. But the others come back out to join her to her disappointment. She herds them all back through their doors while still singing. 
            Michelle Lee acted in plays in junior high school and in senior high she became the lead singer for the school band. In her very first audition she got the part. She made her TV debut in 1961 on The Many Loves of Dobie Gillis. Before graduating she made her Broadway debut in Vintage 60. Soon after that she began doing guest performances on popular TV variety shows such as The Danny Kaye Show. She made her film debut in How to Succeed in Business Without Really Trying in 1967 after having co-starred in the play on Broadway. She co-starred in The Comic and The Love Bug. 
            She had a minor hit with the song “L. David Sloane”, which reached #52 in 1969. 



She was nominated for Tony Awards in 1974 and 2001 for her performances in Seesaw and The Tale of The Allergist’s Wife. She starred in all 344 episodes of Knots Landing (for which she was nominated for an Emmy Award) and directed nine episodes, She was the first woman to co-write, produce, direct, and star in a TV movie: Colour Me Perfect in 1996. She wrote the bestselling autobiography My Father Was a Blackbelt.






September 26, 1996: I bought a motorcycle jacket and a leather jockstrap


Thirty years ago today 

            On Thursday I went to Northbound Leather and bought a motorcycle jacket. I also bought a leather jock strap.

Friday, 25 September 2026

Julie Andrews


            On Monday after midnight I lint rolled the curtains between the bedroom and the living room and picked up several bedbugs. I also lint rolled my pillow and the top of my bed and a bedbug turned up there as well. I put some more carpet tape along the edges of my mattress where the older tape had gotten less sticky. I went to bed at around 1:30 and got to sleep after 2:00. 
            I dreamed that the whole top-right side of my teeth came out as if they were a set of dentures. I got up with the alarm at 5:00 and did my yoga.
            After yoga I checked for bedbugs and didn’t find any.
            I posted a picture on my Boris Vian fan page of Vian climbing into his Brasier Torpedo car in 1911. 


            I posted the lyrics for “Come Young Gendarmes”, my translation of “Venez donc voir” by Boris Vian on my Boris Vian fan Facebook page and on my personal Facebook page. The next Vian song on my list is “Les bienfaits de la pratique” (The Benefits of Practice) and I found the text but there is no audio available. So I’ll just translate the lyrics without memorizing them. 
            I finished memorizing “La fille aux claquettes” (The Tap Dancing Girl) by Serge Gainsbourg. On Tuesday I’ll finish revising my translation and then I’ll start working out the chords. 
            I weighed 90.85 kilos before breakfast. 
            I played my Gibson Les Paul Studio during song practice and went out of tune more than half the time. 
            I called Jamal Logan, the bylaw officer assigned to my complaint about bedbugs. I had been told by the city that he would get in touch within ten days but it was now 17 days. He said the ten day promise was very unrealistic because there is a backlog of cases and he is a month behind. He asked me to send him pictures of the bedbugs. I was disappointed to learn that he can’t force the landlord to treat the entire building and only has the power to make the landlord deal with the unit of the complaining tenant. He told me I would have to contact Rent Safe to force an inspection of the entire building. 
            I weighed 91.75 kilos before lunch. 
            In the afternoon I took a bike ride downtown and back. 
            I weighed 91.5 kilos at 18:10, which is the heaviest I’ve been in the evening since last Monday. 
            I was still a day behind in my journal and worked on getting caught up. 
            I had a potato with gravy and some pork ribs while watching a video of Carol Burnett and Julie Andrews’ opening number at Lincoln Centre in 1971; a 1978 promo for A Special Evening With Carol Burnett; a preview of The Carol Burnett Show Reunion; a Show Business Tonight countdown of Carol’s favourite sketches; and a Carol and Company backstage tour. 
            For the Carol and Julie show Ken and Mitzi Welch wrote all the music and stuff. The night before the show Carol decided it would be nice to put some highlights in her hair. She went to an all night drug store and bought a bottle of peroxide. She put a little here and there on her hair and then went to bed. The next morning her husband looked at her in shock and exclaimed, “What did you do?” She looked in the mirror and all of her hair was the colour of straw and very dry. When she went to the dress rehearsal the hairdresser exclaimed, “What did you do?” He fixed it as best as he could. 
            Carol and Julie come out in similar gowns of different colours. They say the last time they did this was at Carnegie Hall and they vowed they wouldn’t let another birthday go by before they did another show together. Carol says, “Just think, that was ten years ago.” “And here we are, both one year older.” Julie asks Carol what she’s been doing with herself all these years. “Are you still in entertainment?” “I’m on television.” “Oh, what a shame!” “What have you been doing?” “I’ve been working in motion pictures.” “Talkies?” “I went out to Hollywood to do The Sound of Music.” “Did it ever come off?” They both admit they were kidding. Carol asks Julie to “Promise you won’t cut up tonight like you did at Carnegie Hall!” “Me?” Carol begins a song about how they shouldn’t misbehave tonight. Julie joins in and sings how they must be “Ladylike tonight”. They’ll sing “Nothing cheaper than Strauss tonight”. Julie says “This means no Charwoman!” Carol says, “No Cockney!” “Try to keep your gown down tonight!” “Me? I’m the mother of three!” They are dancing and at the end of the song Carol pulls Julie’s skirt off so she’s standing in her panties before they both run off stage. 
            There’s nothing special about the 21 second promo for the 1978 special. 
            The preview just has what the reunion has, which I’ll be covering later. 
            Carol, Tim and Vicki are guests on Entertainment Tonight for the countdown of Carol’s favourite sketches. #5 is the No Frills Airline in which Tim is the only discount passenger one seat behind Harvey, who is in first class. Tim is treated like shit and somehow gets turbulence while Harvey doesn’t. Vickie says they just lucked into an amazing chemistry among really good friends. #4 is when Vicki as Mama improvised some insults about Eunice’s sanity such as, “You got splinters in the windmills of your mind!” The video I have doesn’t show #s 3, 2, and 1. 
            In the last video Carol leads a tour of Studio 33 where her show was taped 25 years before. They shot all 11 seasons there. Vickie says the studio still smells like CBS. Carol says that the cue card boys were gourmet chefs and on Thursdays they would cook meals. Lyle says the crews were amazing and they could set things up in no time. There were five cameras. The cameramen were funny guys. Pat the cameraman was often making cracks to Carol during the her question and answer segment. A little girl in the audience asked, “If he’s a smart guy how come you don’t fire him?” Carol says they had a 28 piece orchestra, which would be impossible today. Now they just use synthesizers. Vicki shows us the star dressing room. Where the flat screen TV is now there was a piano and Vicki often found Red Skelton tinkling on it because they used to share the stage with him when they first started. He listened to her whole story about how she met Carol and how she was going to be on her new show. He used to love to write music to relax and he had a piece of sheet music he was working on. He scribbled “Vicki” across the top, signed it, gave it to her and said, Good luck!” Carol says Bob Mackie made 60 to 70 costumes a week, which is also unheard of today. He would get the script for the following week on Friday night and made the costumes in his workshop outside the studio. Vicki says in 1971 Sonny and Cher premiered on the stage next door. If you wanted to find out what Cher was wearing on a given night you’d walk through the shared ladies room to the other studio. Jim Nabors, Glen Campbell, Merv Griffin, and The Smothers Brothers were all next door. Carol show the room where the writers and the producers would sit and watch the dress rehearsal while making notes. Then the cast would get the notes and make improvements for the second show at 20:00. Lyle says he used to spend a lot of time in the booth with the directors, watching them shoot the show. Carol says when Sue Vogelsanger came out of the audience to ask her to perform her song and Carol told her they’d do it next week, the people in the booth were waving frantically to try to signal her not to do it. For weeks after that they got people sending in songs but they never did it again. 
            Julie Andrews’ parents were vaudeville performers who noticed early on their daughter had a four octave singing voice and put her on stage with them in music halls throughout her childhood years and teens. She could sing notes only dogs could hear at the age of 7. She studied ballet, ballroom and tap, which gave her strong stage movement and rhythm for her later work in acting and in musicals. She made her West End debut in 1948. At age 12 she gave a royal command performance for King George VII, Queen Elizabeth (the Queen Mother), Princess Elizabeth (the future queen) and Princess Margaret. She co-starred on the radio program Educating Archie from 1950 to 1952. At the age of 20 she made her professional stage debut at the London Palladium in Cinderella, which was written for her. She made her Broadway debut in The Boyfriend in 1954. She made her television debut in High Tor in 1955. She became a star in 1956 when she played Eliza Doolittle in My Fair Lady. Her debut album was The Lass With the Delicate Air in 1957. Between 1956 and 1962 she appeared on several top variety shows, including Ed Sullivan. She made her film debut in Mary Poppins in 1964, for which she won an Academy Award. She starred in The Sound of Music (for which she also won a Grammy Award), Thoroughly Modern Millie, Star, The Tamarind Seed, Duet For One, Darling Lili, S.O.B., Victor Victoria, The Princess Diaries 1 and 2, Eloise at the Plaza, Eloise at Christmastime, Hawaii, She co-starred in The Americanization of Emily, Torn Curtain, Little Miss Marker, The Man Who Loved Women, That’s Life, 10, The Princess Diaries 2, Shrek 2, Shrek the Third, Shrek Forever After, Enchanted (as narrator), The Tooth Fairy, Despicable Me, Despicable Me 3, The King’s Daughter (as narrator), Minions, She starred in The Julie Andrews Hour (for which she won an Emmy), Julie’s Greenroom, She is the narrator for Bridgerton (for which she won an Emmy). She won $30 million when she sued over the botched throat surgery that temporarily ruined her singing voice. After recovery she sang “Your Crowning Glory” in The Princess Diaries 2. She wrote Home: A Memoir of My Early Years and The Very Fairy Princess. She won a Grammy for A Collection of Poems, Songs, and Lullabies. Queen Elizabeth made her a Dame in 1999. She has a chalet in Gstaad, Switzerland and every year she pays for the town’s Christmas lights and presents the prize in July for the Gstaad tennis open. She had a bumper sticker that read “Mary Poppins is a Junkie”. Before she met her husband Blake Edwards she heard that he’d said of her, “She’s so sweet she probably has violets between her legs.” She sent him a bouquet of violets. She’s won three Grammy Awards and three Emmy Awards.






September 25, 1996: I bought a couple of Goth shirts


Thirty years ago today

            On Wednesday I made appointments with the optometrist and the dentist. Now that I had the money from my inheritance I could afford to get some glasses and to get my teeth fixed. I also bought a couple of nice shirts at the local Goth clothing store.

Thursday, 24 September 2026

September 24, 1996: Our featured poet was Phil Onious


Thirty years ago today

            On Tuesday I posed from 9:00 to 16:00 for a portrait class in room 356 at the Ontario College of Art. I went home for a while and then in the evening I went to the Gladstone Hotel to host my Orgasmic Alphabet Orgy writers open stage. Our feature that night was Phil Onious with his unique guitar tunings and his quirky songs and lyrics. He was always entertaining with his weird theories about humanity and apparently absurd claims like that he wrote all the Beatles’ sons. But I think he meant his generation wrote them.

Wednesday, 23 September 2026

Zero Mostel


            On Sunday after midnight I added more carpet tape to the side edges of my mattress. I lint rolled the top of my bed and picked up a couple of bedbugs. I lint rolled both sides of the curtains between the bedroom and the living room and caught at least twenty. A lint roller is an essential tool for fighting bedbugs. I went to bed at around 1:40 and slept fairly well until 4:15 when I got up to pee. Then I went back to bed and slept until the 5:00 alarm. After yoga I found a couple of bedbugs stuck to the tape on my mattress and I caught three more on the curtain with the lint roller. 
            I published “Venez donc voir” (“Come On and See”) by Boris Vian on my Christian’s Translations blog and then found some photos of Vian with his Brasier Torpedo car in 1911. 


            I memorized the third verse of “La fille aux claquettes” (The Tap Dancing Girl) by Serge Gainsbourg. There’s just one chorus left to learn and I should have that done on Monday. 
            I weighed 90.75 kilos before breakfast.
            I played my Martin during song practice for the last of two sessions and it went out of tune all the time. 
            Around midday I went over to Home Hardware where I bought two more rolls of carpet tape. This time they had more of the longer indoor tape which is more expensive but easier to peel than the outdoor tape. I asked the guy at the cash if business has picked up since Dollarama closed but he said not that he’s noticed. The customer behind me asked what they are going to put there now and I said I think they’re tearing it down to put up a complex. The cashier said he thinks there’s going to be condos with some low income housing but they’d probably be small units. I looked it up and the plan is for The Parkdale Hub, consisting of a West Block where the Dollarama is now; a middle block where the library and 1313 Queen is now; and an East Block at the corner of Cowan and Queen, which will house a new library and a new community centre. 
            I weighed 91.95 kilos before lunch. I had peanut butter and five-year-old cheddar on saltines with a glass of lemonade. 
            In the afternoon I took a bike ride downtown and back. 
            I weighed 91.3 kilos at 18:25. 
            I was still a day behind in my journal and worked on getting caught up. 
            I made pizza on a slice of 7 grain sandwich bread with marinara, tomato pesto, a burger sliced in half edgewise, and a slice of five-year-old cheddar. I had it with a glass of Creemore lager while watching Carol + 2, a 1966 television special starring Carol Burnett, Lucille Ball and Zero Mostel. 
            Zero asks, “Why must the openings of all television shows be so ridiculous? The guests are so surprised to see each other! Lucy! Carol! Carol, Zero, Lucy, Carol! Zero, Zero! Why must show business be so phony? Do three plumbers meet on a job and say, “Sam! Irving! Irving, Ari! Sam! What a lovely wrench! Is that a new plunger? The whole thing is absolutely ridiculous!” Lucy says, “Zero’s right about the openings of these shows! They’re ridiculous!” Carol says, “I know that but what else can ya say?” Lucy says, “Say what millions of people out there are saying right now: Why don’t they just shut up and go to work?” 
            Lucy comes out in a short pink outfit with top hat and a banjo and starts strumming “Way down upon the Swanee River”. I didn’t know she could play but she’s really forming the chords. Carol stops her and says, “Lucy, that’s enough. Zero’s ready.” 
            Carol and Zero play Florence and Fielding, a married couple on their tenth anniversary. They live in a run down apartment. He’s on the couch snacking and reading the paper while she’s behind him ironing and complaining about what a horrible ten years it’s been. She says she should have belted the justice of the peace right in the mouth. As she continues to rant Fielding repeatedly shouts, “Shut up!” to which Florence always responds, “Drop dead!” She says, “The least you could have done for our tenth anniversary is give me a little present like stepping out in front of a truck!” She is wearing a long slip and as she walks in front of him he says, “Can’t you put something on? I’m eating!” The phone rings and it’s Fielding’s brother telling him that the justice of the peace who married them didn’t have a valid license. That means they aren’t really married. Florence suddenly screams and covers her slip. She says she’s got to go stay with her mother. He says they’ll get married in the morning but she says, “What about tonight?” Suddenly he’s attracted to her again and starts to pursue her. She resists but she’s being coy and likes the courtship game. He becomes very romantic and she loves it. He leaves the room and sings, “Some Enchanted Evening” while Florence dresses as seductively as she can. He comes out with an unfinished bottle of champagne left over from last New Years and imported from Japan. She finally gives in to his advances and they are about to kiss when the phone rings again. It’s Fielding’s brother telling him it was all a prank and they really are still married. He knocks her off the couch and sits back where he began. She goes back to the iron and resumes complaining and they return to repeating “Shut up!” and “Drop dead!” It’s later and Fielding is asleep on the couch while Florence looks at their wedding portrait. She sings “You’re My Reason” by Mitzie Welch. He affectionately tells her to “shut up” and she sweetly replies, “Drop dead”. 
            Zero pushes a grand piano out on stage, then sits down and plays a classical flourish. He sings, “Millard Filmore is dead! Nobody came to the funeral!” Carol stops him and says, “That’s enough. Lucy and I are ready.” He pushes the piano back off stage. 
            Carol and Lucy play sisters Alice and Rita on the street near a bus stop. Alice is pushing a baby carriage. Rita has just visited with Rita and she’s about to catch her bus because she’s leaving to Miami for her first ever vacation. Her bus comes but Alice wants her to say goodbye to the baby so she can hear it say “goodbye” back. Alice won’t let her leave until the baby says goodbye but it doesn’t and so Rita misses her bus. She says she guesses it doesn’t feel like saying goodbye. Alice says that’s because it feels the hostility. “What hostility?” “You hate me!” “You’re my sister! I love you!” “Tell it to the baby” “She’s my sister, I love her!” “Try it now!” “Goodbye baby!” but there is no response. The next bus comes but Alice still won’t let Rita go. Rita starts walking away but Alice shouts, “Jack the Ripper, John Dillinger, Machine Gun Kelly!” “How did they get into this?” “They’re just some of the others who were rejected by their aunts when they were 8 months old!” Alice wants them to reenact their visit but this time include the baby more in their conversations so he feels she’s interested in him. They catch up and Rita says “Goodbye baby!” but there is still no response. Alice still won’t let Rita go and she misses her third bus. Alice decides it’s because babies live in a horizontal word and can’t relate to adults who live in a vertical world. So she gets Rita to lie down on the sidewalk to talk to the baby and get it to say goodbye. Because from his point of view he’s standing up and Rita’s lying down so there’s no reason to say goodbye because if she’s lying down she can’t be going anywhere. She lies down and says goodbye but he still doesn’t say it. Rita tell Alice that she doesn’t think he’ll ever know how to say goodbye even if in a few months he recites the Gettysburg Address. Rita starts to leave but now Alice won’t say goodbye. Rita says, “I’m your sister!” “I have no sister!” Alice tells Rita she’s made the baby insecure and begs her to bring back the baby that says goodbye. Rita gives the baby her plane tickets, her money, and her hotel reservations and the baby says, “Goodbye” Alice says, Now he’s going to Miami! Goodbye Rita” and she leaves with the baby. 
            Carol and Lucy ask Zero to sing “If I Were a Rich Man” by Sheldon Harnick and Jerry Bock like he did in Fiddler On the Roof on Broadway. He says he’s wearing a tuxedo in a Hollywood studio so it would be impossible to get into the mood. But the music starts up and he is taken over. He sings the song. 
            Zero plays a psychiatrist and Carol plays a woman who comes to him about her brother because he thinks he’s a frog. “Every time we’d go into a French restaurant he’d hide his legs!” She details all of her brother’s behaviours as a frog but notices that the doctor isn’t writing anything down. As she’s talking she rubs herself under the nose and the Doctor asks, “How long have you been doing that?” “Whenever it itches” and that’s the first thing he writes down. She continues talking about her brother and tries not to scratch her nose but it starts to drive her nuts. She rubs her nose on his sleeve, on the couch and on everything as she keeps on talking about her brother. She finally asks what’s wrong with her brother and the doctor tells her that what’s wrong with him is that he has a crazy sister. 
            Carol plays a seamstress at The Bunny Club and all the girls have gone home. Zero plays Eddy the bartender who comes backstage to see her. She likes him and is glad for the attention. He tells her it’s great to look at her after seeing all those gorgeous dames all night. He asks if she’s busy tonight and she excitedly says she isn’t. But then he hands her his jacket and asks her to fix the lining. Then he leaves her alone again. She looks in the mirror and sings the 1905 song “Wait Till the Sun Shines Nelly” by Harry Tilzer and Andrew B. Sterling. 
            We see a shot of the office door of The William Morris Agency. We hear the voice of Lucy saying, “Certainly I’d like to have Cary Grant in the picture but not for $1.5 million and 60% of the profit!” Then we hear Carol argue, “What’s a million and a half dollars? Cary Grant’s name alone is enough to bring in an extra 3.5 million at the box office!” Then a door opens and we see Carol and Lucy are cleaning ladies at the agency. Lucy says she can tell them right now they’re gonna go $2 million over budget. Lucy and Carol are stealing booze from the office bar and then filling the bottle up with water. Carol says she’s heard they want to do Joan of Arc with Jane Mansfield. Lucy says Jane as Joan would take a long time to burn. Carol says she’s engaged to the doorman at the Paramount and knows Lucy doesn’t approve. Lucy says, “You know how I feel about show business marriages!” Carol says she thinking of quitting. “You mean leave show business? You can’t! It’s in your blood!” Carol says, “We’re just cleaning women!” “I don’t like that kind of talk! We’re just as important as anyone in show business because we got something special that sets us apart from the crowd!” “What is it?” “It’s called chutzpa!” They sing a song about having chutzpa probably written by Ken and Mitzi Welch. 
            Then Carol, Lucy and Zero sing a “Bye -Bye” song. 
            Zero Mostel’s early interests were drawing and painting and he used to go to the Metropolitan Museum of Art to copy paintings. He copied John White Alexander’s Study in Black and Green Every Day. 


            He entered a Masters program in Art at New York University. He dropped out after a year and taught drawing and painting at the Y. He gave lectures at museums for the Works Progress Association and they were so humorous that he was hired to perform at private parties. 
            He got hired as a comedian at the Café Society at the start of WWII. 
            He made his Broadway debut in Keep em Laughing in 1942. 
            By 1943 he was performing on radio and touring nightclubs throughout the country. 
            He made his film debut in DuBarry Was a Lady in 1943. 
            He joined the army but was discharged for not being fit and spent the rest of the war entertaining the troops. 
            He made his TV debut on Off the Record in 1948. He appeared on Toast of the Town in 1949. 
            He was a leftist but not a communist but to the US government they were the same thing. He testified before the House Un-American Activities Committee and told them he worked for 18th Century Fox. He refused to name names on religious grounds. He was blacklisted from movies pretty much throughout the 1950s but there was no blacklist in the theatre. 
            He won a Tony Award for his performance in Rhinoceros in 1960. He won his second Tony in 1962 for his performance in A Funny Thing Happened On the Way to the Forum. He won his third Tony in 1965 for Fiddler on the Roof (He created the cantorial sounds for the song “If I Were a Rich Man”), which ran for eight years. 
            He starred in the film adaptation of A Funny Thing Happened On the Way to the Forum, The Angel Levine, Mastermind, The Producers, The Great Bank Robbery, Once Upon a Scoundrel, and Foreplay. He co-starred in The Front, Panic in the Streets, The Enforcer, Great Catherine, Marco, Rhinoceros, Journey Into Fear, Hollywood On Trial, Watership Down, and The Hot Rock. 
            He played Spell Binder on 650 episodes of The Electric Company. 
            He considered himself to be a comic genius and often clashed with directors and other performers. He frequently improvised during performances and caused confusion among his co-actors. He would dominate the stage whether he was the star or not. This is apparently why he was not chosen to reprise his role of Tevya in the film adaptation of Fiddler on the Roof. When Mostel first met Gene Wilder for The Producers he embraced him and kissed him on the lips. They remained close friends for life. 
            He spoke Yiddish, Italian, and German.